Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.
Details
Artist: Albert Donnay
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.
Artist: Ibels Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Pantomime by Ibels 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Original 1897 lithograph Le Jugement de Paris by Paul Jouve, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This early work by Jouve, who would later become one of France’s foremost animal painters and sculptors, illustrates the classical myth of Paris choosing between Hera, Athena, and Aphrodite. The composition already shows Jouve’s developing mastery of form and his refined sense of line and balance.
Details
Artist: Paul Jouve
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the celebrated monthly Parisian portfolio published between 1897 and 1899. Each issue contained four original lithographs by prominent artists of the Art Nouveau period. Le Jugement de Paris is an important early example of Jouve’s work, revealing his emerging style and the precision that later defined his career.
Artist: Delatre Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Kacia by Delatre 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Ernest Laurent Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Soir d’Octobre by Ernest Laurent 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Artigue Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Albine by Artigue 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Lepere Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Loups des Mers by Lepere 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Artigue Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Albine by Artigue 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Francis Jourdain Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Les cygnes by Francis Jourdain 1897 for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.
L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.
The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.
The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.
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Artist: A. Yank
Title: La Femme au Perroquet
Series: L’Estampe Moderne
Date: 1897–1899
Printer: Imprimerie Champenois, Paris
Size: 12 × 16 in. (30 × 40 cm) approx.
Print Type: Color Lithograph
Stamp: Dry stamp of Imprimerie Champenois
Condition: Excellent “A”
Porteur d’Amphore, Maurice Desvallières (1862–1913) 1898
Original color lithograph by Maurice Desvallières, published in L’Estampe Moderne in 1898. The composition shows a young, muscular man in classical Roman or Greek dress carrying a large amphora through a richly detailed architectural interior filled with statues, columns, and patterned tile flooring — a vivid evocation of the grandeur of antiquity. Desvallières combines idealized strength and realism, capturing both the physical tension of the figure and the luminous setting surrounding him. Issued as part of the celebrated monthly portfolio L’Estampe Moderne (1897–99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent example from the original issue with strong color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
Comments: A powerful and classically inspired plate from L’Estampe Moderne, showcasing Desvallières’ mastery of the human form and his richly detailed architectural settings.
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