Showing 169–180 of 503 results

  • LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    $ 875

    FOLIES-BERGÈRE – LOÏE FULLER — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s celebrated poster for the Folies-Bergère, featuring the American dancer Loïe Fuller, whose revolutionary “serpentine dance” with colored lights and flowing silk fabric made her an international sensation in the 1890s.

    Loïe Fuller transformed performance art through her innovative use of stage lighting, tinted gels, and swirling movement that turned her dances into living, luminous abstractions. At the Folies-Bergère she became one of the greatest stars of the Belle Époque, embodying both the glamour of Parisian nightlife and the experimental spirit of modern art. Chéret’s poster captures her radiant energy, with the dancer enveloped in cascading waves of fabric, illuminated by light effects that echo her pioneering stagecraft.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated entirely to poster art, issued in small editions for collectors. Produced at the Chaix atelier under Chéret’s artistic supervision, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper. These works, smaller than the street posters but identical in technique, gave collectors a way to preserve the finest poster art of the era.

    Title: Folies-Bergère – Loïe Fuller
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Brilliant impression with strong colors. An iconic image of Loïe Fuller, whose luminous dance defined the artistic daring of the Belle Époque stage.

  • Menu programmes by Millet for Les Affiches Illustrees 1896

    Menu programmes by Millet for Les Affiches Illustrees 1896

    $ 350

    Artist: Millet
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Menu programmes by Millet for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    $ 350

    Artist: Grasset
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Salon des cent by Grasset for Les Affiches Illustrees 1896

    Salon des cent by Grasset for Les Affiches Illustrees 1896

    $ 425

    SALON DE CENT — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate features Eugène Grasset’s poster for his own exhibition at the Salon de Cent, an avant-garde Parisian gallery dedicated to posters and prints. Founded by Léon Deschamps in 1894, the Salon became a key venue for artists such as Grasset, Mucha, Bonnard, and Toulouse-Lautrec, who were at the forefront of the poster movement.

    Grasset’s design reflects his characteristic Art Nouveau style: graceful linearity, harmonious flat color, and decorative detail influenced by medieval and Japanese art. The poster was created to promote a solo exhibition of his works, underscoring his central role in establishing poster art as both a commercial medium and a legitimate form of fine art.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, published under the direction of Jules Chéret at the Chaix atelier. Each plate was a reduced-format stone lithograph printed on fine paper, allowing collectors to own authentic works of the Belle Époque’s leading poster artists.

    Title: Salon de Cent (Eugène Grasset Exhibition)
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original 1890s poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Clean impression with fresh color. A notable design by Grasset created for his own exhibition at the Salon de Cent, reflecting his importance in the Art Nouveau movement.

  • Coulisses de l'opera by Cheret for Les Affiches Illustrees 1896

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    $ 275

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Grand Palace Hotel Lugano 1930 VINTAGE ORIGINAL Italian POSTER

    Grand Palace Hotel Lugano 1930 VINTAGE ORIGINAL Italian POSTER

    $ 2,000

    Artist: Anon
    Printer: Traub, Suisse
    Size: 27.5 x 39″ / 70 x 100 cm
    On/Off Linen: On Linen
    Print Technique: lithograph
    Year: 1930

    Grande Hotel Palace 1930 Lugano on linen excellent

    Original Authentic poster for Grand Hotel Palace on Lake Lugano. In excellent condition on linen original. 

  • Alcazar d'ete by Cheret for Les Affiches Illustrees 1896

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    $ 225

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    $ 350

    Artist: Lefevre
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Vincenza by Silvestri for the Enit Railways 1930 VINTAGE ORIGINAL Italian POSTER

    Vincenza by Silvestri for the Enit Railways 1930 VINTAGE ORIGINAL Italian POSTER

    $ 2,300

    Artist: Silvestri
    Printer: Enit
    Size: 26 x 39″ / 66 x 100 cm
    On/Off Linen: On Linen
    Print Technique: lithograph
    Year: 1930
    Condition & Comments: Excellent

    Vincenza by Silvestri 1930 on linen excellent

    Original Authentic poster for Vincenza by Silvestri for the Enit or Italian Railways. In excellent condition on linen original. 

  • La Favorite Chocolat dessert c1930 original french poster

    La Favorite Chocolat dessert c1930 original french poster

    $ 250

    Artist: Anon
    Printer: Gaillard, Paris
    Size: 12 x 16″ / 30.5 x 40.6 cm
    On/Off Linen: On Linen
    Print Technique: lithograph
    Year: 1930
    Condition & Comments: Excellent

    la favorite chocolate pudding c1930 original on linen excellent

     In excellent condition on linen original. 

  • Rouge et Noir Rene Gruau

    Rene Gruau Rouge et Noir fashion poster on linen 1990 original

    $ 350

    Artist: Gruau, Rene
    Size: 20 x 28″ / 50.8 x 71.1 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Rouge et Noir by Rene Gruau 1990 on linen original

    Poster is a an original printing done in the 1990’s fashion poster. It is in excellent condition and mounted on linen

  • Dentifrices Roi 1890's Toothpaste original french poster

    Dentifrices Roi 1890’s Toothpaste original french poster

    $ 1,250

    Dentifrices Roi – c.1890s Original Vintage Poster

    This original French stone lithograph from the 1890s advertises Dentifrices Roi — “Toothpaste of the King.” The design depicts a young woman in Belle Époque dress admiring her teeth in a hand mirror, a charming and aspirational image used to promote good dental care at the time.

    Printed by Imprimerie, Paris, this large-format poster (39 x 55 inches) reflects the rich visual language of late 19th-century French advertising. The era was defined by advances in lithographic printing, allowing for fine detailing, subtle shading, and vibrant color saturation. Dental products such as Dentifrices Roi were often positioned as luxury goods, their advertising aimed at the growing urban middle class.

    Mounted on linen for preservation, the poster remains in excellent condition, retaining its original detail and color quality more than a century later.

    Artist: Anonymous
    Printer: Imprimerie, Paris
    Size: 39 x 55 in / 100 x 140 cm
    On/Off Linen: On Linen
    Print Technique: Stone Lithograph
    Year: c.1890s
    Condition: Excellent

    An elegant example of Belle Époque commercial art, blending period fashion, product promotion, and fine lithographic craftsmanship.

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