Showing 61–72 of 490 results

  • Menton BY HUGO D'ALESI ORIGINAL VINTAGE FRENCH TRAVEL POSTER 1937

    Menton BY HUGO D’ALESI ORIGINAL VINTAGE FRENCH TRAVEL POSTER 1937

    $ 1,350

    Artist: Alesi, Hugi D’
    Printer: Hugo D’Alesi, Paris
    Size: 29.5 x 42 in / 75 x 106.6 cm
    On/Off Linen: On Linen
    Print Technique: Stone lithograph
    Year: 1900
    Condition & Comments: Excellent A condition

    RARE POSTER BY HUGO D’ALESI FOR Menton

    Lady dressed in typical costume of the south of France which had recently changed hands from Itlay to France. View on to the town of Menton which is the last town before Italie. RARE

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  • Menton La Perle de France by Richard 1930 vintage French TRAVEL POSTER

    Menton La Perle de France by Richard 1930 vintage French TRAVEL POSTER

    $ 2,500

    Artist: Richard, James
    Printer: Lucien Serre, Paris
    Size: 24 x 39 inches
    On/Off Linen: On Linen
    Print Technique: Lithograph
    Condition & Comments: Excellent

    Menton the Pearl of France by James Richard c1930 vintage poster on linen

    Poster printed for the Chemins de Fer Paris Lyon Mediterrannee circa 1930 with artwork by James Richard. Poster measures 24 x 39 inches and is in A condition and mounted on linen. Menton is found along the Cote D’Azur between Monte Carlo and Italy. Beautiful and rare poster for one of the premiere destinations in the French Riviera. This is an authentic original printing in lithography from the period by Lucien Serre Printers in Paris who did most of the PLM posters of the period.

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  • MODERN ART BY DOW DAS MODERNE PLAKAT 1897

    MODERN ART BY DOW DAS MODERNE PLAKAT 1897

    $ 375

    Artist: Dow
    Printer: Das Moderne Plakat
    Size: 8.25 x 11.3 in / 21 x 28.7 cm
    On/Off Linen: Unlined
    Year: 1897
    Condition & Comments: Excellent A condition

    MODERN ART BY DOW FOR DAS MODERNE PLAKAT 1897

    Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition

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  • ONORANZE A VOLTA - ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    ONORANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    $ 375

    ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.

    Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.

    Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.

    Artist: Adolfo Hohenstein
    Title: Onaranze a Volta (Ricordi Portfolio plate)
    Printer / Publisher: Ricordi, Milan
    Size: 10 x 14 inches / 25 x 36 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1910
    Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.

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  • PAPIER CIGARETTES BY MEUNIER VINTAGE FRENCH POSTER MAITRE DE L'AFFICHE 1895/99

    PAPIER CIGARETTES BY MEUNIER VINTAGE FRENCH POSTER MAITRE DE L’AFFICHE 1895/99

    $ 550

    Artist: Meunier
    Printer: Chaix Imprimerie, Paris
    Size: 12 x 16 in / 30.5 x 40.6 cm
    On/Off Linen: Unlined
    Year: 1895-9
    Condition & Comments: Excellent A condition

    PAPIER CIGARETTE BY MEUNIER FOR LES MAITRES DE L’AFFICHE

    Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.

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  • Paul Berthon – Leçons de Violin (Les Maîtres de l’Affiche, 1895–1899) Original Lithograph – Chaix, Paris

    Paul Berthon – Leçons de Violin (Les Maîtres de l’Affiche, 1895–1899) Original Lithograph – Chaix, Paris

    $ 775

    Leçons de Violin – Les Maîtres de l’Affiche – Paul Berthon

    Original plate Leçons de Violin by Paul Berthon, published as part of the Les Maîtres de l’Affiche series. Issued between 1895 and 1899, this celebrated project reproduced in reduced format the leading poster designs of the Belle Époque. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the artistic direction of Jules Chéret.

    Paul Berthon (1872–1909) was a French Art Nouveau artist and lithographer, admired for his elegant line, decorative motifs, and refined use of color. His work reflects the aesthetics of the Art Nouveau period, often compared to Alphonse Mucha, and includes both poster design and decorative arts.

    The plate was printed by Chaix, the foremost Parisian printer of posters at the time, whose work defined the visual culture of the 1890s.

    This example measures 11 × 16 in. (28 × 40.6 cm) and is preserved in excellent “A” condition.

    ⸻

    Artist: Paul Berthon
    Printer: Imprimerie Chaix, Paris
    Date: 1895–1899 (Les Maîtres de l’Affiche series)
    Size: 11 × 16 in. (28 × 40.6 cm)
    Print Type: Stone Lithograph
    On Linen: No
    Condition: Excellent “A”

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  • Radio - L.L. (Lucien Levy) – Art Deco Poster by G. Favre, 1930

    Radio – L.L. (Lucien Levy) – Art Deco Poster by G. Favre, 1930

    $ 425

    Radio – L.L. (Lucien Levy) – Art Deco Poster by G. Favre, 1930

    Original lithographic poster on paper designed by Georges Favre for Radio L.L. (Lucien Levy), inventor of the superheterodyne receiver. This striking Art Deco composition, with its bold avant-garde design, became closely associated with the company and served as a recognizable visual identity. Several variants of this design were produced.

    A strong and iconic example of early 20th-century graphic design, reflecting the innovation and modernity of radio technology during the period.

    Artist: Georges Favre (d’apres)
    Year: 1930
    Dimensions: 22.4 x 30.3 inches / 57 x 77 cm
    Medium: Lithograph on paper, mounted on linen
    Condition: Excellent

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  • Ravello travel

    Ravello – Villa Rufolo, Publio Morbiducci, 1933

    $ 1,575

    Ravello – Villa Rufolo, Publio Morbiducci, 1933

    Original 1933 Italian travel poster featuring Villa Rufolo in Ravello, designed by Publio Morbiducci and issued by the Italian National Tourist Board (ENIT). Ravello, a medieval village set high above the Amalfi Coast, is renowned for its panoramic views and historic architecture. Villa Rufolo, built in the 13th century by a wealthy merchant family, blends Arab, Moorish, and classical influences reflecting Ravello’s position on Mediterranean trade routes. The villa is famously mentioned in Boccaccio’s Decameron (1353).

    From the late 19th century, Ravello became a celebrated retreat for artists, writers, and musicians during the era of the Grand Tour. Richard Wagner composed parts of Parsifal here, and later visitors included Virginia Woolf, D.H. Lawrence, Winston Churchill, and Greta Garbo.

    Publio Morbiducci (1889–1963), best known as a sculptor and designer, also created striking poster art for ENIT. His works combined classical imagery with modernist design. This example, printed by Calcocromia Novarra, survives in nice condition with light folds and has strong historical significance as part of Italy’s interwar tourism campaign.

    ⸻

    Details

    Title: Ravello – Villa Rufolo
    Artist: Publio Morbiducci
    Year: 1933
    Editor: ENIT (Italian National Tourist Board)
    Printer: Calcocromia Novarra
    Size: 27.25 x 39 in.
    Print Type: Lithograph
    Linen: Not specified
    Condition: Nice condition with light folds

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  • Razzia Louis Vuitton Bagatelle 1989 original hand signed original Billboard

    Razzia Louis Vuitton Bagatelle 1989 original hand signed original Billboard

    $ 2,500

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 90 x 122 in / 228.6 x 309.9 cm
    On/Off Linen: Unlined
    Print Technique: Serigraph
    Condition & Comments: Excellent on linen

    Razzia Louis Vuitton Bagatelle 1989 Billboard size hand signed original (Gerard Courbouleix)

    Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

    The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.

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  • SUPERATOR — LEOPOLDO METLICOVITZ — RICORDI PORTFOLIO — c.1910

    SUPERATOR — LEOPOLDO METLICOVITZ — RICORDI PORTFOLIO — c.1910

    $ 375

    SUPERATOR — LEOPOLDO METLICOVITZ — RICORDI PORTFOLIO — c.1910

    Lithographic plate reproducing the poster design Superator by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.

    Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.

    Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.

    Artist: Metlicovitz, Leopoldo
    Title: Superator (Ricordi Portfolio plate)
    Printer / Publisher: Ricordi, Milan
    Size: 10 x 14 inches / 25 x 36 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1910
    Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.

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  • Theaterkunst Ausstellung / Zurich — Carl Roesch — 1914

    Theaterkunst Ausstellung / Zurich — Carl Roesch — 1914

    $ 850

    Theaterkunst Ausstellung / Zurich — Carl Roesch — 1914

    A striking and rare exhibition poster by Carl Roesch for the Theaterkunst Ausstellung (Theatrical Art Exhibition) held at the Museum of Applied Art in Zurich in 1914. The composition features a contemplative harlequin figure drawing back theater curtains, inviting the viewer behind the scenes into the world of costume and stage design. The image is both poetic and theatrical, capturing the spirit of early 20th-century stage arts with a refined and symbolic approach.

    Carl Roesch (1884–1979), born in Diessenhofen, Switzerland, was a painter, graphic artist, and art teacher who studied fine and applied arts throughout Switzerland and Germany. After returning to his hometown in 1907, he developed a diverse career that included painting, graphic design, and large-scale decorative work such as murals, stained glass, and mosaics. His later work shows influences of Impressionism and Expressionism, while this early poster demonstrates a more structured and geometric approach, bridging his painterly sensibility with the emerging modernist graphic style of the period.

    This design is one of only two known posters created by Roesch for the 1914 Theaterkunst exhibition, making it a particularly rare and important example of Swiss graphic design from the pre-war era. Executed in stone lithography, the poster reflects the highest standards of early 20th-century printing and remains exceptionally well preserved.

    Details
    Title: Theaterkunst Ausstellung / Zurich
    Artist: Carl Roesch
    Year: 1914
    Size: 23.75 x 33.25 inches / 60 x 84 cm
    On / Off Linen: On linen
    Print Type: Stone lithograph
    Condition: Excellent A
    Comments: Original exhibition poster for the Theaterkunst Ausstellung in Zurich, featuring a harlequin figure revealing the theatrical world behind the curtain. One of two known designs by Roesch for this event.

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  • VENISE — OPERETTE EN 3 ACTES — CHARLES GIR — c.1927 Venezia poster

    VENISE — OPERETTE EN 3 ACTES — CHARLES GIR — c.1927 Venezia poster

    $ 540

    VENISE — OPERETTE EN 3 ACTES — CHARLES GIR — c.1927

    Original French poster advertising the operetta Venise, performed at the Theatre Marigny in Paris. The operetta was written in three acts with music by Tiarko Richepin, libretto by Andre Mouezy Eon, and lyrics by Albert Willemetz. The design by Charles Gir presents an elegant Art Deco theatrical composition promoting the production.

    Charles Gir (Charles Felix Girard, 1883–1941) was an illustrator, poster artist, painter, and caricaturist active in Paris during the early twentieth century. Closely associated with the theatrical and cultural life of the city, he produced posters for stage productions and illustrated literary works, while also contributing cartoons and caricatures to satirical publications such as La Baionnette and Le Rire. Gir was also known as a violinist and maintained a strong interest in opera and theater, which is reflected in many of his poster designs.

    Artist: Gir, Charles
    Title: Venise – Operette en 3 actes
    Printer: H. Chachoin, Paris
    Publisher: Max Eschig et Cie, Paris
    Size: 31 x 46 inches
    On / Off Linen: On linen
    Print Technique: Lithograph
    Year: c.1927
    Condition & Comments: A condition. Signed in the plate and dated lower left.

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