Showing 13–24 of 113 results

  • GEORGES BRAQUE — PAPIERS COLLES 1912–1914 — GALERIE MAEGHT — 1963

    GEORGES BRAQUE — PAPIERS COLLES 1912–1914 — GALERIE MAEGHT — 1963

    $ 400

    GEORGES BRAQUE — PAPIERS COLLES 1912–1914 — GALERIE MAEGHT — 1963

    Original exhibition poster produced for the 1963 Galerie Maeght exhibition Georges Braque : papiers colles 1912–1914. The poster features a study by Braque and relates to his pioneering work in papier collé, a key development within early Cubism.

    Georges Braque (1882–1963) was one of the principal figures in the development of Cubism, working closely with Pablo Picasso in the early 20th century. His introduction of collage elements into painting, particularly between 1912 and 1914, marked a significant moment in modern art, expanding the language of composition through the use of paper, texture, and layered imagery. Beyond Cubism, Braque continued a long and influential career focused largely on still life and spatial exploration.

    Galerie Maeght played an important role in exhibiting major modern artists and was known for its strong program of twentieth-century painting, sculpture, and graphic works. This poster was issued in conjunction with the 1963 exhibition dedicated to Braque’s early collage work.

    Artist: Braque, Georges
    Title: Papiers Colles 1912–1914 — Galerie Maeght
    Printer: Mourlot (attributed)
    Origin: France
    Size: 13.5 x 34 inches
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1963
    Condition & Comments: Excellent condition. Original exhibition poster from Galerie Maeght featuring a study by Georges Braque.

  • HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973

    HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973

    $ 750

    HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973

    Original exhibition poster produced for Galerie Melki in Paris, featuring Josef Albers’ celebrated Homage to the Square series. This example is the yellow color variation, reflecting Albers’ exploration of color relationships through nested square forms.

    Josef Albers (1888–1976), a key figure of the Bauhaus, was known for his rigorous approach to color and form. Through the Homage to the Square series, begun in 1950, Albers examined how colors interact and influence one another when placed in simple geometric arrangements. His work had a lasting impact on modern art and design, further reinforced by his influential publication Interaction of Color.

    This poster was issued in conjunction with an exhibition at Galerie Melki and presents a clear example of Albers’ systematic investigation of color perception using minimal means.

    Artist: Albers, Josef
    Title: Homage to the Square — Galerie Melki (yellow)
    Printer: Unknown
    Origin: France
    Size: 23 x 33.5 inches / 58 x 85 cm
    On / Off Linen: Unlined
    Print Technique: Screenprint on paper
    Year: 1973
    Condition & Comments: Excellent condition. Original exhibition poster for Josef Albers at Galerie Melki, Paris, featuring the Homage to the Square series.

  • JOAN MIRO — EXHIBITION JAPAN — 1966

    JOAN MIRO — EXHIBITION JAPAN — 1966

    $ 395

    JOAN MIRO — EXHIBITION JAPAN — 1966

    Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.

    Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.

    This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.

    Artist: Miro, Joan
    Title: Exhibition Japan
    Printer: The Mainichi Newspapers
    Publisher: The Mainichi Newspapers / National Museum of Modern Art
    Origin: Japan
    Size: 22.5 x 15.5 inches / 57 x 39 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1966
    Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.

  • Kazimir Malevich, Peasant in the Fields c1980 numbered 218/2000

    Kazimir Malevich, Peasant in the Fields c1980 numbered 218/2000

    $ 325

    Kazimir Malevich, Peasant in the Fields c1980

    Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.
    The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.

    Details

    Artist: Kazimir Malevich
    Title: Peasant in the Fields
    Printer: Atelier Mourlot, Paris
    Medium: Original lithograph in colours on watermarked Arches paper
    Edition: From the edition of 2000
    Date: Circa 1980
    Size: 29.9 x 21.3 inches / 760 x 540 mm
    Condition: Excellent condition
    Format: Original lithograph printed on Arches paper

  • Kazimir Malevich, Portrait c1980 numbered 275/2000

    Kazimir Malevich, Portrait c1980 numbered 275/2000

    $ 325

    Kazimir Malevich, Portrait c1980 numbered 275/2000

    Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.

    The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.

    Details

    Artist: Kazimir Malevich
    Title: Portrait
    Printer: Atelier Mourlot, Paris
    Medium: Original lithograph in colours on watermarked Arches paper
    Edition: From the edition of 2000 numbered 218/2000
    Date: Circa 1980
    Size: 29.9 x 21.3 inches / 760 x 540 mm
    Condition: Excellent condition
    Format: Original lithograph printed on Arches paper

  • LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975

    LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975

    $ 475

    LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975

    Original exhibition poster created for Les Saisons by Dany Lartigue at Galerie Tallien in St Tropez in 1975. The composition reflects Lartigue’s light and imaginative style, with imagery inspired by the landscape and atmosphere of the French Riviera.

    Dany Lartigue (1921–2017), son of photographer Jacques Henri Lartigue, developed a body of work centered on nature, color, and poetic interpretation of the environment. He lived for many years in St Tropez, where he established a home museum that included his artwork as well as an extensive collection of butterfly specimens. His work often conveys a strong connection to the natural surroundings of the region.

    This poster was produced for an exhibition at Galerie Tallien, a gallery known for presenting posters and illustration in the South of France.

    Artist: Lartigue, Dany
    Title: Les Saisons — Galerie Tallien, St Tropez
    Printer: Unknown
    Origin: France
    Size: 17 x 25.5 inches / 43 x 65 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1975
    Condition & Comments: Excellent condition. Original exhibition poster by Dany Lartigue for Galerie Tallien, St Tropez.

  • Makoto Saito, Gitanes - Hommage a Max Ponty, 1991

    Makoto Saito, Gitanes – Hommage a Max Ponty, 1991

    $ 475

    Makoto Saito, Gitanes – Hommage a Max Ponty, 1991

    Original poster on coated paper by Japanese artist Makoto Saito (born 1952), created in 1991 for Gitanes. Published by Alain Weill and printed in France by Graficaza. The design pays homage to the celebrated Gitanes imagery associated with Max Ponty.

    Printed as a serigraph in colours on coated paper.

    Details

    Artist: Makoto Saito
    Title: Gitanes – Hommage a Max Ponty
    Year: 1991
    Printer: Graficaza, France
    Publisher: Alain Weill
    Medium: Original colour serigraph on coated paper
    Size: 34.3 x 26.4 inches
    Condition: Mint condition
    Format: Original vintage poster

  • Menton by Constantin Terechkovitch 1960 vintage French TRAVEL POSTER

    Menton by Constantin Terechkovitch 1960 vintage French TRAVEL POSTER

    $ 750

    Menton by Constantin Terechkovitch 1960 stone lithograph

    The “Menton – Mer, Monts et Merveilles” poster, created in 1960 by Russian-French artist Constantin Terechkovitch, beautifully captures the charm of this picturesque town on the Côte d’Azur. Terechkovitch, a renowned painter and close friend of Bonnard, Chagall, Miró, Picasso, and Matisse, lived in Menton and was deeply inspired by its coastal beauty. This stunning lithograph, printed by the prestigious Mourlot Imprimerie, showcases a vibrant scene of an elegant woman relaxing in the shade, surrounded by lush fruits and plants, with the shimmering Mediterranean in the background. Mourlot, known for its mastery of traditional stone lithography, produced this piece along with iconic works for Picasso, Chagall, Miró, and Matisse, making it a true collector’s gem.

    Artist Terechkovitch
    Printer Imprimerie Moulot
    Size 27.5 x 39 ” / 70 x 100 cm
    On / Off linen Unlined
    Print Technique stone lithograph
    Condition & CommentsExcellent

    .

  • ONORANZE A VOLTA - ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    ONORANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    $ 375

    ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910

    Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.

    Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.

    Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.

    Artist: Adolfo Hohenstein
    Title: Onaranze a Volta (Ricordi Portfolio plate)
    Printer / Publisher: Ricordi, Milan
    Size: 10 x 14 inches / 25 x 36 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1910
    Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.

  • PALM SPRINGS DESERT MUSEUM — KAREL APPEL — c.1977 - Cobra Movement

    PALM SPRINGS DESERT MUSEUM — KAREL APPEL — c.1977 – Cobra Movement

    $ 285

    PALM SPRINGS DESERT MUSEUM — KAREL APPEL — c.1977

    Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.

    Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.

    This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.

    Artist: Appel, Karel
    Title: Palm Springs Desert Museum
    Origin: United States
    Size: 20 x 31.5 inches / 51 x 80 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1977
    Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.

  • JM Lafon

    PEINTURES ET COLLAGES — GALERIE “65” CANNES — J.M. LAFON — c.1976

    $ 300

    PEINTURES ET COLLAGES — GALERIE “65” CANNES — J.M. LAFON — c.1976

    Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.

    J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.

    Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.

    Artist: Lafon, J.M.
    Title: Peintures et Collages — Galerie “65” Cannes
    Printer: Mourlot, Paris
    Origin: France
    Size: 20.5 x 32.5 inches / 52 x 83 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1976
    Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.

  • Razzia Louis Vuitton Bagatelle 1992 original original sm

    Razzia Louis Vuitton Bagatelle 1992 original original sm

    $ 250

    This poster was created by Razzia (Gérard Courbouleix-Dénériaz) in 1992 for Louis Vuitton’s annual “Automobiles de Princes” car show at the Parc de Bagatelle in Paris. During the early 1990s, Louis Vuitton sponsored this prestigious vintage automobile event, commissioning Razzia each year to design a new image. His bold, Art Deco–inspired style gave the series its distinctive visual identity, and these posters have since become highly collectible.

    The present example is the smaller format serigraph, issued at the time of the 1992 event. Measuring 19.5 × 29.5 inches (50 × 75 cm), it was printed with vivid colors and sharp detail, and remains in excellent condition.

    Details

    Title: Louis Vuitton – Bagatelle 1992 (Automobiles de Princes)
    Artist: Razzia (Gérard Courbouleix-Dénériaz)
    Printer / Sponsor: Louis Vuitton
    Year: 1992
    Print Technique: Serigraph (screenprint)
    Size: 19.5 × 29.5 in. (50 × 75 cm)
    Linen: Not backed (unlined)
    Condition: Excellent

    Comments

    An authentic smaller-format 1992 serigraph by Razzia for Louis Vuitton’s Automobiles de Princes exhibition at the Parc de Bagatelle. A striking design at the crossroads of luxury branding, classic car culture, and modern French poster art.

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