Showing 49–60 of 91 results

  • KUNST ANSTALT BY FISCHER DAS MODERNE PLAKAT 1897

    KUNST ANSTALT BY FISCHER DAS MODERNE PLAKAT 1897

    $ 150

    Artist: Fischer
    Printer: Das Moderne Plakat
    Size: 8.25 x 11.3″ / 21 x 28.7 cm
    On/Off Linen: Unlined
    Year: 1897
    Condition & Comments: Excellent A condition

    KUNST ANSTALT BY FISCHER FOR DAS MODERNE PLAKAT 1897

    Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition

  • LIBRE ESTHETIQUE BY RYSSELBERGHE DAS MODERNE PLAKAT 1897

    LIBRE ESTHETIQUE BY RYSSELBERGHE DAS MODERNE PLAKAT 1897

    $ 305

    Artist: Rysselberghe
    Printer: Das Moderne Plakat
    Size: 8.25 x 11.3″ / 21 x 28.7 cm
    On/Off Linen: Unlined
    Year: 1897
    Condition & Comments: Excellent A condition

    LIBRE ESTHETIQUE BY RYSSELBERGHE FOR DAS MODERNE PLAKAT 1897

    Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition

  • Les Fetes de Paris Eugene Grasset FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    Les Fetes de Paris Eugene Grasset FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    $ 200

    LES FÊTES DE PARIS — Eugène Grasset

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph for Eugène Grasset’s important 1886 poster created for the Grande Représentation de Gala at the Opéra National in Paris, part of the “Fêtes de Paris” series of public spectacles.

    Les Affiches Illustrées (1896–1899) was one of the first dedicated poster journals, issued in limited runs for the growing circle of collectors. Published under the artistic supervision of Jules Chéret at Chaix, each number featured high-quality stone-lithograph reductions of notable affiches by the leading artists of the day. These prints—smaller in format than the street posters but identical in technique—gave subscribers access to what was then a new and rapidly evolving art form.

    Grasset, one of the pioneers of Art Nouveau, was central to this movement. His Fêtes de Paris design reflects his refined linear style and bold color harmonies, blending medieval decorative influences with modern poster design. The result is a work that helped establish poster art as a serious decorative medium in the Belle Époque.

    Title: Les Fêtes de Paris (Grande Représentation de Gala à l’Opéra National)

    Artist: Eugène Grasset (1845–1917)

    Date: c.1896 (after the original 1886 poster)

    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)

    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)

    Print Type: Stone lithograph

    Condition: Excellent “A,” near-mint on fine wove paper

    Comments: Authentic original plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Crisp impression with rich color. A rare and collectible piece linking Grasset’s early poster work of the 1880s with the poster-collecting craze of the 1890s.

  • Salon des cent by Grasset for Les Affiches Illustrees 1896

    Salon des cent by Grasset for Les Affiches Illustrees 1896

    $ 425

    SALON DE CENT — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate features Eugène Grasset’s poster for his own exhibition at the Salon de Cent, an avant-garde Parisian gallery dedicated to posters and prints. Founded by Léon Deschamps in 1894, the Salon became a key venue for artists such as Grasset, Mucha, Bonnard, and Toulouse-Lautrec, who were at the forefront of the poster movement.

    Grasset’s design reflects his characteristic Art Nouveau style: graceful linearity, harmonious flat color, and decorative detail influenced by medieval and Japanese art. The poster was created to promote a solo exhibition of his works, underscoring his central role in establishing poster art as both a commercial medium and a legitimate form of fine art.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, published under the direction of Jules Chéret at the Chaix atelier. Each plate was a reduced-format stone lithograph printed on fine paper, allowing collectors to own authentic works of the Belle Époque’s leading poster artists.

    Title: Salon de Cent (Eugène Grasset Exhibition)
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original 1890s poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Clean impression with fresh color. A notable design by Grasset created for his own exhibition at the Salon de Cent, reflecting his importance in the Art Nouveau movement.

  • Il Giorno by Raymond Savignac 1956 original Italian poster

    Il Giorno by Raymond Savignac 1956 original Italian poster

    $ 550

    Il Giorno by Raymond Savignac 1956 original on linen excellent

    Open your windows in the morning in your pajamas to a bright new day with rainbows and all the colors every day with the NewspaperIl Giorno.. In excellent condition on linen original.

    The Il Giorno poster, designed by Raymond Savignac, promotes the Italian daily newspaper Il Giorno, first published in 1956. Savignac’s work is known for its minimalist style, bright colors, and impactful imagery. This poster exemplifies his ability to convey messages clearly and engagingly.

    Savignac used simple, bold shapes and bright colors in the design. The poster features a stylized depiction of a newspaper, easily recognizable to viewers. Its minimalist design highlights the importance of communication and the modern energy of Italy. The imagery is clean, clear, and inviting.

    The text on the poster is straightforward and to the point, emphasizing Il Giorno as a modern and dynamic source of news. Savignac’s design captures the optimism of the time. His use of playful and simplified elements makes the message both eye-catching and easy to understand.

    This poster showcases Raymond Savignac’s skill in combining art and advertising. His work revolutionized the way advertising was perceived in the mid-20th century. With posters like Il Giorno, Savignac used humor and clarity to connect with audiences in a way that was fresh and innovative.

    Artist: Savignac, Raymond
    Printer: Imprimerie, Paris
    Size: 39 x 55″ / 100 x 140 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1956
    Condition & Comments: Excellent

  • Shigeo Fukoda Serigraphie 1991 on heavy paper original french poster

    Shigeo Fukoda Serigraphie 1991 on heavy paper original french poster

    $ 450

    Artist: Fukoda, Shigeo
    Printer: Caza, Paris
    Size: 30 x 41″ / 76.2 x 104.1 cm
    On/Off Linen: Unlined
    Print Technique: serigraph
    Year: 1991

    Shigeo Fukoda 1991 serigraphie on heavy paper original

    Gitanes or Gypsies dancing printed on very heavy paper

    excellent condition

  • K Puppo Gitanes Serigraphie 1991 on heavy paper original french poster

    K Puppo Gitanes Serigraphie 1991 on heavy paper original french poster

    $ 150

    Artist: Puppo, K
    Printer: Caza, Paris
    Size: 26 x 24″ / 66 x 86.3 cm
    On/Off Linen: Unlined
    Print Technique: serigraph
    Year: 1991

    K Puppo 1991 serigraphie on heavy paper original

    Gitanes or Gypsies dancing printed on very heavy paper

    excellent condition

  • Macy's Birthstones of the Year by Razzia original

    Macy’s Birthstones of the Year by Razzia original

    $ 325

    Artist: Razzia
    Printer: Caza, Paris
    Size: 24 x 32″ / 61 x 81 cm
    On/Off Linen: Unlined
    Print Technique: serigraph

    Razzia Macy’s Birthstones of the Year (Gerard Courbouleix)

    this is the original printing not a later numerique printing by Razzia impression from yesterday and today for the sydicat of printers. RARE

     

  • kermesse cappiello

    Grande Kermesse Charite by Leonetto Cappiello 1903 Paris Concerts, Theatre

    $ 4,000

    Leonetto Cappiello — Grande Kermesse Charité, 1903

    A one-day charity fair hosted by the Cercle du Bois de Boulogne (the “Tir aux Pigeons” pigeon-shooting club) in Paris’s Bois de Boulogne.
    The poster text gives the program—theatre, concert, children’s ball, funfair, and sports events—with admission 10 francs (2 francs for children)
    and entry via Avenue des Acacias. It was held Thursday, 11 June (Jeudi 11 Juin).

    • Artist: Leonetto Cappiello
    • Date: 1903
    • Commissioner/Venue: Cercle du Bois de Boulogne (Tir aux Pigeons), Bois de Boulogne
    • Printer: Imp. P. Vercasson & Cie, 43 rue de Lancry, Paris
    • Technique: Stone lithograph
    • Format: 38 × 53 inches on linen

    Grande Kermesse de Charite 1903 by Leonetto Cappiello 

    RARE poster by Cappiello for the Grand Kermesse de Charite where you could go to concerts, enjoy outdoor park and rides and even sports and it was all for the benefit of Charity.. The  POSTER BY CAPPIELLO IN EXCELENT CONDITION ON LINEN RARE

  • Hommage a Christian Dior Exposition poster by Rene Gruau on linen 1987 original

    Hommage a Christian Dior Exposition poster by Rene Gruau on linen 1987 original Musee des ARts Decoratifs

    $ 250

    Artist: Gruau, Rene
    Printer: Dior
    Size: 16 x 24″ / 40 x 60 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1987
    Condition & Comments: Excellent condition on linen

    Hommage a Christian Dior by Rene Gruau on linen 1987

    Poster using artwork by Rene Gruau for an exhibition commemorating his artwork for the fashion industry amongst others taking place at the Museum of Arts de la Mode in 1987 . Located in the heart of Paris, the Musée de la Mode (Fashion Museum) is part of the Musée des Arts Décoratifs and features an impressive array of fashion artifacts, including historical clothing and contemporary designs.

    The “Hommage à Christian Dior” poster is an iconic piece commemorating the legendary French fashion designer Christian Dior, often associated with the world of haute couture and art.

  • Rainbow Parrot lithograph by Tom Palmore 1989 photorealist Artist signed and numbered

    Rainbow Parrot lithograph by Tom Palmore 1989 photorealist Artist signed and numbered

    $ 750

    Rainbow Parrot in the Golden West by Tom Palmore 1989

    Artist: Palmore, Tom
    Size: 18 x 24 ” / 45.7 x 61 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: 1989
    Condition & Comments: Excellent condition, hand signed by the artist and numbered series

    Archival Pigment print done in 1989 hand signed and number by the Artist Tom Palmore.

    “My paintings are about other earthlings that we share this planet with… and about our relationship with them. I care very much about the environment and about endangered species.  I feel an emotional connection to animals and I believe we have no more right to this planet than they do. There are all kinds of ways to communicate. For me, one of the most effective ways is through a sense of humor.” – Tom Palmore

  • Original Authentic Andy Warhol Chanel N5 original poster Perfume Red medium Version 22 x 29 inches

    Andy Warhol Chanel N5 poster Perfume Red 22 x 29 inches

    $ 165

    Artist: Andy Warhol
    Size: 22 x 29 inches
    On / Off linen: On Linen
    Year: 1997
    Print Technique: offset lithograph
    Description: Excellent on linen

    Step into the world of high fashion and art with this remarkable poster set created by the iconic Andy Warhol for Chanel in the 1980s. While Warhol originally crafted these images for Chanel, they were not used in advertising campaigns until 1997. These visually captivating images were printed in various colors and sizes, each serving a unique purpose.

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