Explore the world of artistic expression with Poster France’s collection of original vintage exposition and gallery posters. Featuring renowned artists like Picasso, Chagall, Miro, Matisse, Cocteau, and Warhol, these posters celebrate iconic exhibitions and the legacy of art history. Bring timeless artistry into your space with these unique pieces that showcase the creativity of the world’s greatest artists.
“Colored Pencil Crayons by Arman 1995 Inclusion in Resin Sculpture” has been added to your cart. View cart
Colored Pencil Crayons by Arman 1995 signed numbered 60/100 in the resin
Artist: Arman Size: 39.5 x 20 x 5.5 cm Year: 1995 Condition & Comments: Excellent A condition
Inclusion made by Arman in 1995 numbered 60/100 included in the catalogue Raissonnee of the Artist, comes complete with Provenance references Certificates of Authenticity from the Archives of the Gallery Representing Arman. Details offered upon demand EPOXY RESIN. Arman did not make many of the Crayon series and in my opinion they are one of his nicest pieces. Very colorful. Excellent condition
Mois de la Photo a Paris by Herve Dirosa 1994 original
Artist: Driosa, Herve Printer: Ville de Paris Size: 20 x 23 ” / 50.8 x 81.25 cm On / Off Linen: On Linen Print Technique: Serigraph Year: 1994 Condition & Comments: Excellent A condition
Poster printed in Serigraph Silkscreen for the MOnth of the photo in Paris or La Mois de la Photo a Paris. . Original printing.
Mois de la Photo a Paris by Herve Dirosa 1994 original
Artist: Driosa, Herve Printer: Ville de Paris Size: 39 x 55″ / 100 x 140 cm On / Off Linen: On Linen Print Technique: Serigraph Year: 1994 Condition & Comments: Excellent A condition
Poster printed in Serigraph Silkscreen for the MOnth of the photo in Paris or La Mois de la Photo a Paris. . Original printing.
THE GLASGOW INSTITUTE OF FINE ARTS — McNair & MacDonald
Original stone-lithograph plate printed in 1897 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This design by Glasgow artists McNair & MacDonald was created for the Glasgow Institute of Fine Arts, reflecting the innovative style of the Scottish Arts and Crafts and early Art Nouveau movement often associated with the Glasgow School. The imagery, signed in the stone, highlights the ornamental linearity and symbolic forms characteristic of this circle, which also included Charles Rennie Mackintosh.
Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, published under the artistic direction of Jules Chéret. The series showcased posters by important non-French artists, giving collectors access to authentic lithographs from across Europe. Each plate was issued in a numbered edition of 1,050 copies, printed at the Chaix atelier in Paris using the same multi-color stone-lithography techniques as the full-size posters.
Title: The Glasgow Institute of Fine Arts
Artists: McNair & MacDonald (Glasgow School)
Date: 1897 (Les Affiches Étrangères)
Printer: Imprimerie Chaix, Paris
Edition: One of 1,050 copies issued
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Multi-color stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Signed in the stone. A fine example of Glasgow School poster design, representing the international reach of Art Nouveau at the end of the 19th century.
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This plate presents Fernand Toussaint’s poster Le Sillon, designed during the height of the Belgian poster movement of the 1890s. Toussaint, celebrated for his elegant portraits, landscapes, and decorative panels, also contributed to the rise of the poster as an art form, working in the refined Art Nouveau style.
The composition for Le Sillon reflects the strong graphic design typical of the period, balancing expressive lettering with symbolic imagery. Toussaint’s contribution highlights the international scope of the poster revival, in which Belgian artists such as Privat Livemont, Fernand Toussaint, and Henri Meunier played an important role alongside their French counterparts.
Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, published at the Chaix atelier under the artistic direction of Jules Chéret. Each plate was printed in stone lithography on fine wove paper, offering collectors authentic small-format versions of significant contemporary posters from across Europe.
Title: Le Sillon
Artist: Fernand Toussaint (1873–1956)
Date: c.1896 (after the original 1890s poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Étrangères)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Crisp impression with strong color. A scarce example by Fernand Toussaint, representing the important Belgian contribution to Art Nouveau poster design.
Exposition Daumier Honore Daumier at the Orangerie Paris 1934
Original 1934 exhibition poster for Exposition Daumier, held at the Orangerie des Tuileries and the Bibliothèque Nationale in Paris. The exhibition paid tribute to Honoré Daumier (1808–1879), one of France’s most celebrated caricaturists, painters, and sculptors.
The event presented an extensive selection of Daumier’s works, including lithographs, paintings, and sculpture, highlighting his keen observations of 19th-century French society and politics during the July Monarchy and the Second Republic. Known for combining artistic mastery with incisive social commentary, Daumier’s influence was the focus of this important cultural occasion.
Exposition Daumier
Artist: Honoré Daumier
Printer: Mourlot, Paris
Size: 15 x 23 in / 38,1 x 58,4 cm
On/Off Linen: On Linen
Print Technique: Stone lithograph
Year: 1934
Condition & Comments: Excellent A condition
The Beaubourg poster for Jean Tinguely came out in 1989 for his exhibition at the Centre Georges Pompidou (also known as Beaubourg) in Paris. This major retrospective celebrated his dynamic, kinetic sculptures and his innovative approach to mechanical art.
The poster itself showcases Tinguely’s energetic and playful style. It features his signature chaotic, machine-like forms, often built from scrap materials, gears, and other mechanical elements. Additionally, the design captures the movement and spontaneity that define his sculptures. These works became famous for their unpredictable and self-destructive performances.
This exhibition at the Pompidou marked a key moment in Tinguely’s career. It highlighted his contributions to kinetic and avant-garde art while reinforcing his influence on modern sculpture. As a result, the poster remains highly sought after by collectors, especially those passionate about modern and contemporary art.
Title Galerie Beaubourg Artist Jean Tinguely
Date 1989
Printer GrafiCaza
Size 22 x 30 inches
Print Type Serigraph – on canson watercolor paper
Condiiton Excellent “A”
Comments Galerie Beaubourg near the Pompidou Center in Paris showing Tinguely’s works. Tinguely was married to Niki de Saint Phalle and they both contributed to the water gardens outside the Museum at Beaubourg. Printed in Serigraphie at Graficaza in 1989 in Paris. In excellent condition