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  • batman warhol

    ANDY WARHOL Batman 1997 ORIGINAL VINTAGE POP ART POSTER ON LINEN

    $ 250

    Lo Title: Batman – Turin Museum Retrospective

    Original exhibition poster for Batman – Turin Museum Retrospective, held at the Museo dell’Automobile in Turin, Italy, from November 30, 1996, to March 9, 1997. The poster features artwork by Andy Warhol, linking the Pop Art master with one of the most recognizable figures of popular culture, Batman.

    Printed by Mastergraph in Milan, this offset lithograph was produced for the official show and has since become collectible both as part of Warhol’s extended graphic legacy and as a unique example of the intersection between fine art and comic book iconography. The poster measures 67.5 x 94.5 cm 26 x38 inches and has been professionally mounted on linen for preservation.

    This poster brings together two 20th-century icons: Warhol, whose bold style defined the Pop Art movement, and Batman, a character whose presence in art, film, and culture remains enduring. In excellent condition, this original 1996–1997 exhibition issue offers a rare opportunity to acquire a well-preserved piece connected to both modern art and popular culture.

    Title: Batman – Turin Museum Retrospective
    Artist: Andy Warhol
    Date: November 30, 1996 – March 9, 1997
    Printer: Mastergraph, Milan
    Size: 67.5 x 94.5 cm 26 x 38 inches
    Print Type: Offset Lithograph
    Condition: Excellent, on linen

    Poster made for the exposition of a retrospective of Any Warhol in a Museum in Torino in 1997. The poster is on heavy paper and mounted on linen in excellent condition

  • A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    $ 275

    La Femme au Perroquet – L’Estampe Moderne

    La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.

    L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.

    The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.

    The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.

    Artist: A. Yank
    Title: La Femme au Perroquet
    Series: L’Estampe Moderne
    Date: 1897–1899
    Printer: Imprimerie Champenois, Paris
    Size: 12 × 16 in. (30 × 40 cm) approx.
    Print Type: Color Lithograph
    Stamp: Dry stamp of Imprimerie Champenois
    Condition: Excellent “A”

  • Jean Tinguely – Odalisque #2 (1989) Workshop Proof Silkscreen on Arches

    Jean Tinguely – Odalisque #2 (1989) Workshop Proof Silkscreen on Arches

    $ 250

    Odalisque #2 (Workshop Proof)
    Artist: Jean Tinguely (Swiss, 1925–1991)
    Date: 1989
    Production Period: 1980–1989
    Printer: Caza Imprimerie, Paris
    Size: 22 × 30 in. (56 × 76 cm)
    Print Type: Serigraphy (Silkscreen)
    Materials: Canson Arches watercolor paper, black ink
    Condition: Excellent

    Comments:
    Odalisque #2, workshop proof silkscreen by Jean Tinguely, produced in 1989. This impression is unsigned and unnumbered, issued as a proof. The printing was carried out by Caza Imprimerie in Paris, using Canson Arches watercolor paper and black ink of very high quality.

    Jean Tinguely was a Swiss artist recognized for his kinetic sculptures and his extension of the Dada tradition into the late 20th century. His mechanical constructions satirized modern industrial culture and often incorporated movement, sound, and elements of chance. Tinguely’s work was exhibited internationally during his lifetime, with major installations at the Museum of Modern Art (New York), the Centre Pompidou (Paris), the Tate (London), and other institutions.

    This silkscreen represents his graphic work from the late 1980s and illustrates the playful, energetic line characteristic of his art.

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