Paintings and Fine art pieces with artists Picasso, Tom Palmore, Susan Stewart, Arman, Spencer Stewart, Razzia and others. Paintings in Oil on canvas and sculptures in Fired clay and Resin.
Modern Art (1896) – Arthur Wesley Dow – Les Affiches Étrangères Plate
Original stone-lithograph print from the series Les Affiches Étrangères, printed by Imprimerie Chaix, Paris, 1896. Design by American artist Arthur Wesley Dow (1857-1922) for Modern Art, a Boston publication (edited by J. M. Bowles). According to the Delaware Art Museum, the image is included in their collection under “Les Maîtres de l’Affiche, 1896, plate 36 Les Affiches Étrangères”. 
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Details
Artist: Arthur Wesley Dow
Title: Modern Art
Date: 1896
Series: Les Affiches Étrangères
Printer: Imprimerie Chaix, Paris
Print Type: Stone lithograph
Size Approx.: 21.5 × 30 cm (approx. 8½ × 11¾ in) 
Condition: Excellent (Mint) – rare original issue
Comments: Rare original plate; not a later reproduction
Odalisque #2 (Workshop Proof)
Artist: Jean Tinguely (Swiss, 1925–1991)
Date: 1989
Production Period: 1980–1989
Printer: Caza Imprimerie, Paris
Size: 22 × 30 in. (56 × 76 cm)
Print Type: Serigraphy (Silkscreen)
Materials: Canson Arches watercolor paper, black ink
Condition: Excellent
Comments:
Odalisque #2, workshop proof silkscreen by Jean Tinguely, produced in 1989. This impression is unsigned and unnumbered, issued as a proof. The printing was carried out by Caza Imprimerie in Paris, using Canson Arches watercolor paper and black ink of very high quality.
Jean Tinguely was a Swiss artist recognized for his kinetic sculptures and his extension of the Dada tradition into the late 20th century. His mechanical constructions satirized modern industrial culture and often incorporated movement, sound, and elements of chance. Tinguely’s work was exhibited internationally during his lifetime, with major installations at the Museum of Modern Art (New York), the Centre Pompidou (Paris), the Tate (London), and other institutions.
This silkscreen represents his graphic work from the late 1980s and illustrates the playful, energetic line characteristic of his art.