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Andy Warhol Absolut Vodka by Andy Warhol LARGE 1994 Original Authentic
Artist: Warhol, Andy
Printer: Warhol
Size: 47 x 63 in / 120 x 160 cm
On/Off Linen: Unlined
Print Technique: Offset lithograph
Year: 1994
Poster made for the exposition Andy Warhol in 1994.
Andy Warhol Absolut Vodka by Andy Warhol 1994 Original Authentic
Artist: Warhol, Andy
Printer: Warhol
Size: 16.5 x 23 in / 42 x 58.5 cm
On/Off Linen: On Linen
Print Technique: Offset lithograph
Year: 1994
Poster made for the exposition Andy Warhol in 1994. The poster is on heavy paper and mounted on linen in excellent condition.
Perrier – Andy Warhol, c. 1983 – Original Offset Lithograph on Linen
This original Perrier advertising poster features artwork by Andy Warhol and was produced in 1983 by Edité par la Source Perrier in France. It is one of two color variations Warhol created for the campaign, each showing his signature Pop Art interpretation of the iconic green Perrier bottle.
The design presents two overlapping bottles rendered in vivid green and blue, with Warhol’s plate signature visible in the lower margin. Measuring 23.75 × 17.75 inches (60 × 45 cm), the work is printed in offset lithography and has been professionally mounted on linen for preservation.
This example is from the first printing by Perrier. A later printing was produced by Lalande-Courbet in Vézère, France, which is not considered part of the original 1983 issue. Warhol’s Perrier designs are celebrated for their seamless blend of fine art and commercial imagery, reflecting his ongoing fascination with consumer brands.
Title: Perrier
Artist: Andy Warhol
Date: 1983 (first printing)
Printer: Edité par la Source Perrier, France
Size: 23.75 × 17.75 in / 60 × 45 cm
Print Type: Offset lithograph
On Linen: Yes
Condition: Excellent “A” on linen
Andy Warhol Perrier White by Andy Warhol
Artist: Warhol, Andy
Printer: Warhol
Size: 23.75 x 17.75 in / 60 x 58.5 x 44.5 cm
On/Off Linen: On Linen
Print Technique: Offset lithograph
Year: 1983
Poster made for Perrier in originally in 1983.
Andy Warhol Perrier Red by Andy Warhol 1983
Poster made for Perrier in 1983 by Andy Warhol. The image was also made in white. Andy Warhols pop art images made in the 1980’s are icons of pop art today
In the 1980s, Perrier, the renowned French sparkling water brand, commissioned Andy Warhol to create a series of artworks featuring their iconic green bottle.
Warhol was already a global pop art superstar, known for elevating commercial products like Campbell’s Soup cans and Coca-Cola bottles into fine art.Warhol’s work for Perrier stands as a testament to his ability to elevate the everyday into something extraordinary.
Artist: Warhol,
Printer: Wissous Paris
Size: 23.75 x 17.75″ / 60 x 58.5 x 44.5 cm
On/Off Linen: On Linen
Print Technique: offset lithograph
Year: 1983 2nd printing
Andy Warhol Perrier Red by Andy Warhol 1983
Super Warhol Andy Warhol 2003 original printing
This original poster was produced for the 2003 exhibition “Super Warhol,” held at the Grimaldi Forum in Monte Carlo from July 16 to August 31. Curated by Germano Celant, the show was one of the most comprehensive Warhol retrospectives ever presented in Europe, highlighting the scale and cultural impact of his work. The exhibition featured over 150 pieces spanning painting, sculpture, film, and print, with particular emphasis on Warhol’s fascination with celebrity, repetition, and mass media. The image on this poster reproduces his 1980s work 40 Gold Marilyns, a shimmering grid of Marilyn Monroe portraits that underscores Warhol’s iconic treatment of fame and glamour.
Title SUPER WARHOL (40 Gold Marilyns)
Artist Andy Warhol
Date 2003
Printer Adagp Paris
Size 16 x 24 inches on linen
Print Type Offset Lithography
Condiiton Excellent “A”
Comments Original poster for an Exhibition at the Grimaldi Forum in Monte Carlo. The image is actually known as 40 Gold Marilyns.
Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.
Details
Artist: Albert Donnay
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.
Original 1897 lithograph Le Jugement de Paris by Paul Jouve, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This early work by Jouve, who would later become one of France’s foremost animal painters and sculptors, illustrates the classical myth of Paris choosing between Hera, Athena, and Aphrodite. The composition already shows Jouve’s developing mastery of form and his refined sense of line and balance.
Details
Artist: Paul Jouve
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the celebrated monthly Parisian portfolio published between 1897 and 1899. Each issue contained four original lithographs by prominent artists of the Art Nouveau period. Le Jugement de Paris is an important early example of Jouve’s work, revealing his emerging style and the precision that later defined his career.
Issued in 1897 for the Paris art journal L’Estampe Moderne, this original stone lithograph by Auguste Lepère depicts a group of Breton fishermen—“sea wolves”—returning from their labor at sea. The composition reflects Lepère’s mastery in portraying the strength and dignity of working people, rendered with his characteristic line work and harmonious color. A leading figure in the French print revival of the 1890s, Lepère was admired for his wood engravings and lithographs capturing modern urban and rural life with sincerity and precision. Printed by F. Champenois and published by Masson & Piazza, this sheet bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Loups de Mer (Sea Wolves)
Artist: Auguste Lepère (French, 1849–1918)
Date: 1897
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent; strong impression with light toning consistent with the series
Comments: Published as part of L’Estampe Moderne (1897–1899), the influential portfolio featuring monthly lithographs by leading artists of the Art Nouveau and Symbolist period.
Designed in 1989 by the celebrated French poster artist Bernard Villemot (1911–1989), this original French advertising poster was created for the Loterie Nationale to promote its summer holiday drawing, offering a potential jackpot of 33 million francs. Villemot portrays a reclining mermaid with a numbered tail, lounging on a beach under a radiant sky—a witty, elegant image of chance and seaside leisure.
Printed by A. Karcher, Aubervilliers, this large-format work represents one of Villemot’s final poster designs, completed in the year of his passing. It exemplifies his hallmark blend of graphic simplicity, strong color, and visual charm that defined postwar French poster art.
Details
Artist: Bernard Villemot (1911–1989)
Title: French Loto – Mermaid Poster
Year: 1989
Printer: A. Karcher, Aubervilliers
Printing Technique: Offset lithograph
Size: 47 x 69 inches
Linen: Unlined
Condition: Excellent
Comments
Original 1989 French Loto poster by Bernard Villemot featuring a mermaid reclining on a beach, created for the national lottery’s holiday drawing. Printed by A. Karcher, Aubervilliers. Excellent condition, vivid color, and an iconic late example by Villemot.
Artist: Villemot, Bernard
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Delay approx 2 weeks to linen-back before delivery
Print Technique: lithograph
Year: 1980c
Condition & Comments: Excellent
SNCF location by Bernard Villemot 1974 original on linen excellent
The poster is an original 1974 poster by Villemot. The poster is on linen and in excellent condition.
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