Showing 133–144 of 716 results
Andy Warhol Perrier White by Andy Warhol
Artist: Warhol, Andy
Printer: Warhol
Size: 23.75 x 17.75 in / 60 x 58.5 x 44.5 cm
On/Off Linen: On Linen
Print Technique: Offset lithograph
Year: 1983
Poster made for Perrier in originally in 1983.
Andy Warhol Perrier Red by Andy Warhol 1983
Poster made for Perrier in 1983 by Andy Warhol. The image was also made in white. Andy Warhols pop art images made in the 1980’s are icons of pop art today
In the 1980s, Perrier, the renowned French sparkling water brand, commissioned Andy Warhol to create a series of artworks featuring their iconic green bottle.
Warhol was already a global pop art superstar, known for elevating commercial products like Campbell’s Soup cans and Coca-Cola bottles into fine art.Warhol’s work for Perrier stands as a testament to his ability to elevate the everyday into something extraordinary.
Artist: Warhol,
Printer: Wissous Paris
Size: 23.75 x 17.75″ / 60 x 58.5 x 44.5 cm
On/Off Linen: On Linen
Print Technique: offset lithograph
Year: 1983 2nd printing
Andy Warhol Perrier Red by Andy Warhol 1983
Super Warhol Andy Warhol 2003 original printing
This original poster was produced for the 2003 exhibition “Super Warhol,” held at the Grimaldi Forum in Monte Carlo from July 16 to August 31. Curated by Germano Celant, the show was one of the most comprehensive Warhol retrospectives ever presented in Europe, highlighting the scale and cultural impact of his work. The exhibition featured over 150 pieces spanning painting, sculpture, film, and print, with particular emphasis on Warhol’s fascination with celebrity, repetition, and mass media. The image on this poster reproduces his 1980s work 40 Gold Marilyns, a shimmering grid of Marilyn Monroe portraits that underscores Warhol’s iconic treatment of fame and glamour.
Title SUPER WARHOL (40 Gold Marilyns)
Artist Andy Warhol
Date 2003
Printer Adagp Paris
Size 16 x 24 inches on linen
Print Type Offset Lithography
Condiiton Excellent “A”
Comments Original poster for an Exhibition at the Grimaldi Forum in Monte Carlo. The image is actually known as 40 Gold Marilyns.
Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
⸻
Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.
Details
Artist: Albert Donnay
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.
Original 1897 lithograph Le Jugement de Paris by Paul Jouve, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This early work by Jouve, who would later become one of France’s foremost animal painters and sculptors, illustrates the classical myth of Paris choosing between Hera, Athena, and Aphrodite. The composition already shows Jouve’s developing mastery of form and his refined sense of line and balance.
Details
Artist: Paul Jouve
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the celebrated monthly Parisian portfolio published between 1897 and 1899. Each issue contained four original lithographs by prominent artists of the Art Nouveau period. Le Jugement de Paris is an important early example of Jouve’s work, revealing his emerging style and the precision that later defined his career.
Issued in 1897 for the Paris art journal L’Estampe Moderne, this original stone lithograph by Auguste Lepère depicts a group of Breton fishermen—“sea wolves”—returning from their labor at sea. The composition reflects Lepère’s mastery in portraying the strength and dignity of working people, rendered with his characteristic line work and harmonious color. A leading figure in the French print revival of the 1890s, Lepère was admired for his wood engravings and lithographs capturing modern urban and rural life with sincerity and precision. Printed by F. Champenois and published by Masson & Piazza, this sheet bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Loups de Mer (Sea Wolves)
Artist: Auguste Lepère (French, 1849–1918)
Date: 1897
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent; strong impression with light toning consistent with the series
Comments: Published as part of L’Estampe Moderne (1897–1899), the influential portfolio featuring monthly lithographs by leading artists of the Art Nouveau and Symbolist period.
Designed in 1989 by the celebrated French poster artist Bernard Villemot (1911–1989), this original French advertising poster was created for the Loterie Nationale to promote its summer holiday drawing, offering a potential jackpot of 33 million francs. Villemot portrays a reclining mermaid with a numbered tail, lounging on a beach under a radiant sky—a witty, elegant image of chance and seaside leisure.
Printed by A. Karcher, Aubervilliers, this large-format work represents one of Villemot’s final poster designs, completed in the year of his passing. It exemplifies his hallmark blend of graphic simplicity, strong color, and visual charm that defined postwar French poster art.
Details
Artist: Bernard Villemot (1911–1989)
Title: French Loto – Mermaid Poster
Year: 1989
Printer: A. Karcher, Aubervilliers
Printing Technique: Offset lithograph
Size: 47 x 69 inches
Linen: Unlined
Condition: Excellent
Comments
Original 1989 French Loto poster by Bernard Villemot featuring a mermaid reclining on a beach, created for the national lottery’s holiday drawing. Printed by A. Karcher, Aubervilliers. Excellent condition, vivid color, and an iconic late example by Villemot.
Artist: Villemot, Bernard
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Delay approx 2 weeks to linen-back before delivery
Print Technique: lithograph
Year: 1980c
Condition & Comments: Excellent
SNCF location by Bernard Villemot 1974 original on linen excellent
The poster is an original 1974 poster by Villemot. The poster is on linen and in excellent condition.
Artist: Villemot, Bernard
Size: 16 x 24″ / 40 x 60 cm
On/Off Linen: Delay approx 2 weeks to linen-back before delivery
Print Technique: lithograph
Year: 1954
Condition & Comments: Excellent
SNCF location by Bernard Villemot 1974 original on linen excellent
The poster is an original 1974 poster by Villemot. The poster is on linen and in excellent condition.
La Femme au Perroquet – L’Estampe Moderne
La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.
L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.
The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.
The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.
⸻
Artist: A. Yank
Title: La Femme au Perroquet
Series: L’Estampe Moderne
Date: 1897–1899
Printer: Imprimerie Champenois, Paris
Size: 12 × 16 in. (30 × 40 cm) approx.
Print Type: Color Lithograph
Stamp: Dry stamp of Imprimerie Champenois
Condition: Excellent “A”
Original color lithograph by Maurice Desvallières, published in L’Estampe Moderne in 1898. The composition shows a young, muscular man in classical Roman or Greek dress carrying a large amphora through a richly detailed architectural interior filled with statues, columns, and patterned tile flooring — a vivid evocation of the grandeur of antiquity. Desvallières combines idealized strength and realism, capturing both the physical tension of the figure and the luminous setting surrounding him. Issued as part of the celebrated monthly portfolio L’Estampe Moderne (1897–99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent example from the original issue with strong color and wide margins.
⸻
Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
Comments: A powerful and classically inspired plate from L’Estampe Moderne, showcasing Desvallières’ mastery of the human form and his richly detailed architectural settings.
End of content
End of content
Don't have an account yet? Sign up
No items in your cart. Go on, fill it up with something you love!
Start Shopping Now