Artist: Razzia Printer: Louis Vuitton Size: 30.5 x 36″ On/Off Linen: sold off linen, there is a 2-3 week delivery time Print Technique: serigraph
Golf poster with Jaguar XK120 by Razzia hand signed authentic original Gérard Coubouleix-Dénériaz
Louis Vuitton Cup Original hand signed
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia Printer: Louis Vuitton Size: 47 x 63″ / 120 x 160 cm On/Off Linen: Unlined
Razzia Louis Vuitton Classic 2012 hand signed original (Gerard Courbouleix)
Louis Vuitton Cup Original hand signed
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia Printer: Louis Vuitton Size: 45 x 54″ / 114.3 x 137.1 cm On/Off Linen: Unlined
Razzia Louis Vuitton Journey Through Time hand signed original (Gerard Courbouleix)
Louis Vuitton Original hand signed
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Georget, Guy Printer: Bedos, Paris Size: 11 x 15″ / 28 x 38.1 cm On/Off Linen: On Linen Print Technique: lithograph Year: 1950 Condition & Comments: Excellent
Artist: Razzia Printer: Louis Vuitton Size: 47 x 63″ / 120 x 160 cm On/Off Linen: Unlined Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 2000 original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image. This is the original serigraph printing from 2000 not the inkjet printings that Razzia uses today
The poster comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia Printer: Caza Imprimerie, Paris Size: 28 x 37″ / 71 x 94 cm On/Off Linen: Unlined Print Technique: Serigraph Year: 1983
Razzia Pasta Al Dente Brothers original (Gerard Courbouleix)
Original poster coming direct from Razzia and hand signed by the artist in permanent marker.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia Printer: Caza Imprimerie, Paris Size: 28 x 37″ / 71 x 94 cm On/Off Linen: Unlined Print Technique: Serigraph Year: 1983
Razzia Pasta Al Dente Brothers original (Gerard Courbouleix)
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
A graceful lithograph from L’Estampe Moderne series showing a ballerina backstage, poised delicately en pointe in her white tutu as she awaits her turn to dance. The work captures Henri Boutet’s refined sensitivity to gesture and atmosphere—his reputation as “le peintre de la femme” (the painter of women) is evident in this quiet, expectant moment. Published in 1897 by Imprimerie Champenois in Paris, this print was issued by monthly subscription, four plates delivered by post to collectors throughout Europe. Each carried the embossed L’Estampe Moderne blind stamp and exemplified the high quality of French lithography at the close of the century.
This example is in excellent condition, unlined, with fine color and impression. The one shown is representative; all available editions are identical in design and quality, differing only by printed number and month of issue.
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Details
Artist: Henri Boutet
Title: Dans les Coulisses
Date: 1897
Printer: Imprimerie Champenois, Paris
Series: L’Estampe Moderne
Size: 12 × 16 in / 30.5 × 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition & Comments: Excellent A condition
Published in 1898 for L’Estampe Moderne, this original stone lithograph by A. Laurens depicts a group of classical nymphs bathing, a subject frequently treated in late-nineteenth-century decorative art. The composition follows the academic tradition of mythological themes, emphasizing form and movement rather than narrative. Laurens contributed several plates to L’Estampe Moderne, a monthly art publication issued in Paris by Masson & Piazza between 1897 and 1899. Each print was produced by F. Champenois and bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Le Bain des Nymphes (The Bath of the Nymphs)
Artist: A. Laurens (French, active late 19th century)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of L’Estampe Moderne (1897–1899), the Paris art journal presenting monthly original color lithographs by contemporary artists
Tristesse sur la mer Raoul Ulmann (1861–1945) 1898
Original color lithograph by Raoul Ulmann, published in L’Estampe Moderne in 1898. The composition shows fishing boats anchored near the coast, their masts and rigging reflected in calm water under a subdued sky. The location appears to be a northern French harbor, possibly Brittany, shown in still weather conditions. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A marine subject from L’Estampe Moderne, showing anchored fishing boats in calm water.
