Showing 157–168 of 707 results
Artist: Razzia
Printer: Louis Vuitton
Size: 42 x 52″ / 106.6 x 132 cm
On/Off Linen: Unlined
Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 1993 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
Artist: Razzia
Printer: Louis Vuitton
Size: 47 x 63″ / 120 x 160 cm
On/Off Linen: Unlined
Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 2000 original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image. This is the original serigraph printing from 2000 not the inkjet printings that Razzia uses today
The poster comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia
Printer: Caza Imprimerie, Paris
Size: 28 x 37″ / 71 x 94 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Year: 1983
Razzia Pasta Al Dente Brothers original (Gerard Courbouleix)
Original poster coming direct from Razzia and hand signed by the artist in permanent marker.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia
Printer: Caza Imprimerie, Paris
Size: 28 x 37″ / 71 x 94 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Year: 1983
Razzia Pasta Al Dente Brothers original (Gerard Courbouleix)
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
A graceful lithograph from L’Estampe Moderne series showing a ballerina backstage, poised delicately en pointe in her white tutu as she awaits her turn to dance. The work captures Henri Boutet’s refined sensitivity to gesture and atmosphere—his reputation as “le peintre de la femme” (the painter of women) is evident in this quiet, expectant moment. Published in 1897 by Imprimerie Champenois in Paris, this print was issued by monthly subscription, four plates delivered by post to collectors throughout Europe. Each carried the embossed L’Estampe Moderne blind stamp and exemplified the high quality of French lithography at the close of the century.
This example is in excellent condition, unlined, with fine color and impression. The one shown is representative; all available editions are identical in design and quality, differing only by printed number and month of issue.
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Details
Artist: Henri Boutet
Title: Dans les Coulisses
Date: 1897
Printer: Imprimerie Champenois, Paris
Series: L’Estampe Moderne
Size: 12 × 16 in / 30.5 × 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition & Comments: Excellent A condition
Published in 1898 for L’Estampe Moderne, this original stone lithograph by A. Laurens depicts a group of classical nymphs bathing, a subject frequently treated in late-nineteenth-century decorative art. The composition follows the academic tradition of mythological themes, emphasizing form and movement rather than narrative. Laurens contributed several plates to L’Estampe Moderne, a monthly art publication issued in Paris by Masson & Piazza between 1897 and 1899. Each print was produced by F. Champenois and bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Le Bain des Nymphes (The Bath of the Nymphs)
Artist: A. Laurens (French, active late 19th century)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of L’Estampe Moderne (1897–1899), the Paris art journal presenting monthly original color lithographs by contemporary artists
Original color lithograph by Raoul Ulmann, published in L’Estampe Moderne in 1898. The composition shows fishing boats anchored near the coast, their masts and rigging reflected in calm water under a subdued sky. The location appears to be a northern French harbor, possibly Brittany, shown in still weather conditions. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A marine subject from L’Estampe Moderne, showing anchored fishing boats in calm water.
Original 1897 lithograph Andante Nocturne by F. A. (François-Auguste) Gorguet, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This poetic Art Nouveau composition evokes a quiet, musical reverie — a moonlit scene rendered with Gorguet’s characteristic sensitivity and fluid line.
Details
Artist: F. A. Gorguet
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly subscription portfolio published in Paris from 1897 to 1899, featuring original lithographs by leading artists of the period. Andante Nocturne reflects Gorguet’s lyrical approach and the refined decorative style typical of the series.
CYCLES COMIOT — Théophile-Alexandre Steinlen
Original stone-lithograph plate issued in 1899 at Imprimerie Chaix (Paris) for Les Maîtres de l’Affiche. This plate (no. 183) features Steinlen’s celebrated design for Cycles Comiot, created at the height of the Belle Époque cycling boom.
The poster highlights the exhilaration of modern speed: a rider charges forward on a Comiot bicycle while geese run for cover the composition filled with humor and energy. Steinlen’s strong diagonals and expressive line work capture both motion and excitement, while appealing to the new culture of cycling that swept through Paris in the 1890s.
Les Maîtres de l’Affiche (1895–1900) was a prestigious subscription series directed by Jules Chéret, presenting small-format original lithographs of the era’s most important posters. Printed at Chaix on fine wove paper and issued with the blindstamp, these plates gave collectors direct access to authentic works by leading poster artists, including Steinlen, Mucha, Toulouse-Lautrec, and Chéret himself.
Title: Cycles Comiot
Artist: Théophile-Alexandre Steinlen (1859–1923)
Date: 1899 (Les Maîtres de l’Affiche, plate no. 183)
Printer: Imprimerie Chaix, Paris
Size: 11.5 × 15.5 inches (approx. 29 × 39 cm)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper with blindstamp
Comments: Authentic plate from Les Maîtres de l’Affiche, produced at Chaix under the direction of Jules Chéret. Bright impression with vivid color. A classic Steinlen design celebrating the energy and humor of early French bicycle advertising.
Giovanni (Gianni) Mattaloni (Italian, 1852–1914)
Incandescenza, 1897
An original stone lithograph by Giovanni Mattaloni, issued as Plate 72 in Les Maîtres de l’Affiche, the monthly series published by Jules Cheret at Imprimerie Chaix, Paris, between 1895 and 1900. Each portfolio contained four numbered plates reproducing the most notable posters of the Belle Époque in reduced format.
Mattaloni’s Incandescenza promotes an early electric lighting product. The radiant female figure illuminated from within symbolizes the arrival of electric light, a technology that was rapidly transforming European cities. The design reflects Mattaloni’s distinctive Italian Art Nouveau style—combining flowing line, dramatic color, and a sense of motion characteristic of the Ricordi school.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 72 (1897)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; bright, clean impression on full sheet
Comments
A fine example from the series, highlighting Mattaloni’s contribution to Italian poster design and the era’s fascination with electric light.
Artist: Hohenstein
Printer: Chaix Imprimerie, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1895-9
Condition & Comments: Excellent A condition
A LA PLACE CLICHY BY PEAN FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Rassenfosse
Printer: Chaix Imprimerie, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1895-9
Condition & Comments: Excellent A condition
GRANDE BRASSERIE BY RASSENFOSSE FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
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