Chamonix–Strasbourg was created by Roger Broders in 1926 for the PLM (Paris–Lyon–Méditerranée) railway company to promote travel between the French Alps and Alsace. The design features two women in the traditional dress of their respective regions — the wide-brimmed bow headdress of Strasbourg and the alpine attire of Chamonix — standing against a backdrop that links snow-covered peaks to the architectural landmarks of eastern France.
Broders, one of France’s most celebrated travel poster artists, was known for his bold compositions, clear lines, and rich color palettes. This work reflects his signature style of pairing stylized landscapes with strong graphic design to capture the romance of rail travel in the interwar period.
Printed in Paris by Lucien Serre using lithography, this large-format poster has been mounted on linen for preservation and is in excellent “A” condition.
Title: Chamonix–Strasbourg
Artist: Roger Broders
Date: 1926
Printer: Lucien Serre, Paris
Size: 31 × 42 in / 80 × 107 cm
Print Type: Lithograph
On/Off Linen: On linen
Condition: Excellent “A”
Comments: Issued by PLM to promote travel between the French Alps and Alsace, showing women in traditional costumes from Chamonix and Strasbourg.
PARIS OPERA ROMEO AND JULIETTE BY MARC CHAGALL 1964
Marc Chagall painted the ceiling of the Paris Opera, officially known as the Palais Garnier, in 1963. His work replaced the original design by Jules-Eugène Lenepveu and was unveiled in 1964. The mural spans 2,400 square feet and celebrates famous composers like Mozart, Wagner, and Debussy. Using vivid colors and dreamlike imagery, Chagall created a striking contrast with the opera’s classical architecture. Initially, some critics felt it clashed with the historic setting, but it later became a beloved feature of the opera house.
In 1969, Chagall designed a travel poster for Air France featuring Romeo and Juliet. The artwork shows the lovers floating in an embrace above a colorful landscape, blending fantasy and romance. His deep blues, reds, and yellows create a dreamlike atmosphere, reflecting France’s cultural richness. Today, this poster remains one of the most well-known travel images linked to his work.
Artist: CHAGALL, MARC Printer: MOURLOT IMPRIMERIE Size: 25 x 39″ / 62 x 100 cm On/Off Linen: On Linen Print Technique: stone lithograph Year: 1964 Condition & Comments: Excellent A condition
PARIS OPERA ROMEO AND JULIETTE BY MARC CHAGALL 1964
Chagall who painted the ceilings of the Paris Opera had this poster take a portion from the ceiling and reproduced it by mourlot a artistic printer who does printing by way of stone lithography rare…
Golf Sur La Côte d’Azur
Artist: Bruce Skilbeck (hand signed)
Date: 2002
Printer: Alpes Maritimes
Size: 20 × 27 in / 50 × 70 cm
Print Type: Offset lithograph
Condition: Excellent “A”
Comments: Limited edition of 300, each hand signed by the artist
We are the exclusive dealers worldwide of Bruce Skilbeck’s work. All of his limited-edition posters, including Golf Sur La Côte d’Azur, are available only through us. Each was produced in a small edition of 300 and individually hand signed by the artist.
This design presents a golfer poised on the Côte d’Azur, with a sweeping view of the Mediterranean Sea. Rendered in a vintage travel-poster style, it recalls the golden era of French poster art while capturing the Riviera’s timeless atmosphere.
An authentic, original Skilbeck poster in excellent condition and mounted on linen.
An original stone lithograph by Vaclav Oliva, issued as Plate 176 in Les Maîtres de l’Affiche, the monthly series published by Jules Cheret at Imprimerie Chaix, Paris, between 1895 and 1900. Subscribers received four numbered plates each month, representing leading poster artists of the Belle Époque.
This design advertises Zlata Praha (“Golden Prague”), an illustrated weekly newspaper published in Prague at the end of the nineteenth century. Oliva’s composition combines the clarity of Art Nouveau line with subtle color and a poised female figure symbolizing the cultural refinement of the Czech capital.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 176 (1899)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; strong, clean impression on full sheet
Comments
A beautifully preserved example from Les Maîtres de l’Affiche, uniting Parisian printing quality with a distinguished Central European subject.
SALON DES CENT BY GOTTLOB FOR LES MAITRES DE L’AFFICHE
Artist: Gottlob Printer: Chaix Imprimerie, Paris Size: 12 x 16 in / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Koller Printer: Chaix Imprimerie, Paris Size: 12 x 16 in / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Carlu, Jean Printer: Air France, Paris Size: 25 x 39″ / 62 x 100 cm On/Off Linen: On Linen Print Technique: lithograph Year: 1930
Air France Europe by Jean Carlu c1930 on linen excellent
Vignettes of all the place to visit in Europe, eiffel tower, greek vase, etc. The Poster man is hanging posters of all the destinations. The poster shows a stain in the photo but that is only in the photo and not the poster as its another poster. The poster in excellent condition on linen
Artist: Pean, Rene Printer: Cornille & Serre, Paris Size: 31 x 42″ / 79 x 106.7 cm On/Off Linen: On Linen Print Technique: stone lithograph Year: 1910 Condition & Comments: Excellent A condition
PLM poster for travel to the Alpes by Rene Pean c1900 on linen
Important poster for travel to the Alpes by Rene Pean. You bought your ticket at the train station and it included passage in these open cars which could carry 12 passengers or more right up to the station where your final destination was. The poster in excellent condition on linen
Veneux-les-Sablons – Fontainebleau was created by Prieur circa 1930 for the PLM (Paris–Lyon–Méditerranée) railways to promote travel to the Fontainebleau region. The design, in a strong Art Deco style, shows a vibrant lakeside scene with trees and reflections, evoking the peaceful leisure of this popular retreat just outside Paris.
Veneux-les-Sablons, near the edge of the Fontainebleau forest and close to the Seine, was a favored destination for weekend visitors and artists in the early 20th century. The poster’s bold geometric forms and vivid colors are characteristic of French railway advertising of the interwar years.
Printed in Paris by lithography, this rare example has been mounted on linen and is in excellent “A” condition.
Title: Veneux-les-Sablons – Fontainebleau
Artist: Prieur
Date: c.1930
Printer: Imp., Paris
Size: 25 × 39 in
Print Type: Lithograph
Condition: Excellent “A” on linen
Comments: Rare Art Deco PLM railway poster showing a colorful view over a lake in the Fontainebleau region, a well-known leisure spot for Parisians in the 1930s.
Centenaire de la Découverte – Adolfo Hohenstein, Plate 160 – 1898
Adolfo Hohenstein (German/Italian, 1854–1928)
Centenaire de la Découverte, 1898
An original stone lithograph by Adolfo Hohenstein, issued as Plate 160 in Les Maîtres de l’Affiche, the celebrated monthly series published by Jules Chéret at Imprimerie Chaix, Paris, from 1895 to 1900. The series offered subscribers four numbered plates each month, reproducing the finest poster designs of the Belle Époque in reduced format.
This design was created for the Milan publishing and music house G. Ricordi & C., marking the Centenary of the Discovery. Hohenstein, a leading figure of the Italian Art Nouveau movement, was central to Ricordi’s poster output. His elegant composition, fluid line, and distinctive decorative style make this plate a strong example of his work during his most influential period.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 160 (1898)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; clean, crisp impression on full sheet
Comments
A beautifully preserved example by Hohenstein, reflecting his important role in the Ricordi studio and his contribution to Italian poster design at the end of the nineteenth century.
Artist: Noury Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
POUR LES PAUVRES BY GASTON NOURY FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
A brilliant and iconic stone lithograph by Jules Chéret, issued as Plate 145 in Les Maîtres de l’Affiche, the renowned monthly series published at Imprimerie Chaix, Paris, between 1895 and 1900. Subscribers received four plates each month over five years, featuring reduced-format reproductions of the finest poster designs of the Belle Époque.
Chéret’s Saxoléine is among his most celebrated compositions. Created to advertise a brand of oil used for household lighting, the design captures Chéret’s revolutionary approach to poster art — he was the first artist to popularize the use of graceful, animated women to promote commercial products, transforming advertising into an art form. The vivacious figure, bathed in golden light, embodies the optimism and elegance of fin-de-siècle Paris.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 145 (1898)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; vivid impression on full sheet
Comments
An outstanding example of Chéret’s joyful style and his pivotal role in defining the modern poster. Saxoléine remains one of the most recognizable and enduring images from Les Maîtres de l’Affiche.
