Artist: Pean, Rene Printer: Cornille & Serre, Paris Size: 31 x 42″ / 79 x 106.7 cm On/Off Linen: On Linen Print Technique: stone lithograph Year: 1910 Condition & Comments: Excellent A condition
PLM poster for travel to the Alpes by Rene Pean c1900 on linen
Important poster for travel to the Alpes by Rene Pean. You bought your ticket at the train station and it included passage in these open cars which could carry 12 passengers or more right up to the station where your final destination was. The poster in excellent condition on linen
Veneux-les-Sablons – Fontainebleau was created by Prieur circa 1930 for the PLM (Paris–Lyon–Méditerranée) railways to promote travel to the Fontainebleau region. The design, in a strong Art Deco style, shows a vibrant lakeside scene with trees and reflections, evoking the peaceful leisure of this popular retreat just outside Paris.
Veneux-les-Sablons, near the edge of the Fontainebleau forest and close to the Seine, was a favored destination for weekend visitors and artists in the early 20th century. The poster’s bold geometric forms and vivid colors are characteristic of French railway advertising of the interwar years.
Printed in Paris by lithography, this rare example has been mounted on linen and is in excellent “A” condition.
Title: Veneux-les-Sablons – Fontainebleau
Artist: Prieur
Date: c.1930
Printer: Imp., Paris
Size: 25 × 39 in
Print Type: Lithograph
Condition: Excellent “A” on linen
Comments: Rare Art Deco PLM railway poster showing a colorful view over a lake in the Fontainebleau region, a well-known leisure spot for Parisians in the 1930s.
Centenaire de la Découverte – Adolfo Hohenstein, Plate 160 – 1898
Adolfo Hohenstein (German/Italian, 1854–1928)
Centenaire de la Découverte, 1898
An original stone lithograph by Adolfo Hohenstein, issued as Plate 160 in Les Maîtres de l’Affiche, the celebrated monthly series published by Jules Chéret at Imprimerie Chaix, Paris, from 1895 to 1900. The series offered subscribers four numbered plates each month, reproducing the finest poster designs of the Belle Époque in reduced format.
This design was created for the Milan publishing and music house G. Ricordi & C., marking the Centenary of the Discovery. Hohenstein, a leading figure of the Italian Art Nouveau movement, was central to Ricordi’s poster output. His elegant composition, fluid line, and distinctive decorative style make this plate a strong example of his work during his most influential period.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 160 (1898)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; clean, crisp impression on full sheet
Comments
A beautifully preserved example by Hohenstein, reflecting his important role in the Ricordi studio and his contribution to Italian poster design at the end of the nineteenth century.
Artist: Noury Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
POUR LES PAUVRES BY GASTON NOURY FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
A brilliant and iconic stone lithograph by Jules Chéret, issued as Plate 145 in Les Maîtres de l’Affiche, the renowned monthly series published at Imprimerie Chaix, Paris, between 1895 and 1900. Subscribers received four plates each month over five years, featuring reduced-format reproductions of the finest poster designs of the Belle Époque.
Chéret’s Saxoléine is among his most celebrated compositions. Created to advertise a brand of oil used for household lighting, the design captures Chéret’s revolutionary approach to poster art — he was the first artist to popularize the use of graceful, animated women to promote commercial products, transforming advertising into an art form. The vivacious figure, bathed in golden light, embodies the optimism and elegance of fin-de-siècle Paris.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 145 (1898)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; vivid impression on full sheet
Comments
An outstanding example of Chéret’s joyful style and his pivotal role in defining the modern poster. Saxoléine remains one of the most recognizable and enduring images from Les Maîtres de l’Affiche.
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
FETE DE CHARITE BY CHERET FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
PALAIS DE L’INDUSTRIE BY CHERET FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
The Century – Les Maîtres de l’Affiche – Maxfield Parrish
Original plate The Century by Maxfield Parrish, published as part of the Les Maîtres de l’Affiche series. This important project ran from 1895 to 1899 and reproduced, in reduced format, the best poster designs of the period. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the direction of Jules Chéret, the “father of the modern poster.”
Maxfield Parrish (1870–1966) was an American painter and illustrator whose career spanned the late 19th and early 20th centuries. Known for his brilliant colors, idealized imagery, and graphic clarity, Parrish was a major figure in American illustration and design. His inclusion in Les Maîtres de l’Affiche reflected the international reach of the poster movement of the Belle Époque.
Chaix, the Paris printer, was at the center of poster production in the 1890s. Under Chéret’s artistic leadership, the firm pioneered high-quality color lithography and published both the original large posters and the Les Maîtres de l’Affiche plates, which remain highly collectible today.
This plate is printed on fine wove paper, measures 12 × 16 in. (30.5 × 40.6 cm), and has been professionally mounted on linen. It is preserved in excellent “A” condition.
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Artist: Maxfield Parrish
Printer: Imprimerie Chaix, Paris
Date: 1895–1899 (Les Maîtres de l’Affiche series)
Size: 12 × 16 in. (30.5 × 40.6 cm)
Print Type: Stone Lithograph
On Linen: Yes
Condition: Excellent “A”
Artist: STEINLEN Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
LE COUPABLE BY STEINLEN FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Lippincotts – H G Carqueville – Les Maitres de l Affiche, Plate 20 – c. 1896
Original small-format lithograph from the Les Maitres de l Affiche series, plate 20, reproducing H. G. Carqueville’s design for Lippincotts. Issued in Paris by Imprimerie Chaix in the late 1890s, this plate presents Carqueville’s cover illustration in the reduced format characteristic of the series, with the Les Maitres de l Affiche blind stamp in the lower margin. In excellent condition on linen, it is a clean, well-preserved example of American magazine advertising as presented to the European poster-collecting public.
Details
Title: Lippincotts – Les Maitres de l Affiche, Plate 20
Artist: H. G. Carqueville
Date: c. 1896 (Les Maitres de l Affiche series)
Printer/Publisher: Imprimerie Chaix, Paris / Les Maitres de l Affiche
Size: Approx. 11 3/8 x 15 3/4 in. / 29 x 40 cm (sheet)
Print Type: Original color lithograph from Les Maitres de l Affiche (plate 20), with blind stamp in the lower margin
Condition: Excellent; backed on linen, fresh colors, clean image and margins, minimal signs of handling
Comments: Lippincotts magazine design by H. G. Carqueville in the small-format Les Maitres de l Affiche edition; a good example of Carqueville’s work in this important series.
Artist: WOODBURY Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
THE JULY CENTURY BY WOODBURY FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Greiffenhage Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
PALL MALL BUDGET BY GREIFFENHAGE FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
