Artist: Pal Printer: Imprimerie Agence, Paris Size: 24 x 31″ / 61 x 78.75 cm On/Off Linen: On Linen Print Technique: stone lithograph Year: 1890’s Condition & Comments: Excellent
Standard Sewing Machine by Pal c1890’s original on linen excellent
Original stone lithoraph made in the 1890’s for the sewing machine that comes from America. The young lady is holding her “dentelle” and the machine that changed everything at the time. In excellent condition on linen original.
Artist: Chocarne-Moreau Printer: Imp Caby & Chardin, Paris Size: 13.8 x 17.7″ / 35 x 45 cm On/Off Linen: On Linen Print Technique: chromolithograph Year: 1900 Condition & Comments: excellent
Bonne Ame by Chocarne-Moreau c1900 on linen excellent
The good soul and the bakery boy allows the chiminey sweep so licks from his days production. Interesting to note the posters of Cheret and others on the wall directly behind them. on linen excellent rare
Campari Poster by Adolfo Hohenstein (c. 1900) – Original Art Nouveau Design (known as “Liberty” in Italy)
This original Campari poster, designed by Adolfo Hohenstein around 1900, is an example of Art Nouveau advertising. Measuring 39 x 78 inches, it depicts two gentlemen seated at a table enjoying Campari. The composition reflects the elegance of Italian café culture from the early 20th century, with Hohenstein’s signature use of flowing lines and atmospheric detail.
Adolfo Hohenstein (1854–1928) was a German-Italian painter, illustrator, and graphic artist who played a major role in the development of early Italian poster design. Often referred to as the father of Italian poster art, he was a key figure in the Art Nouveau movement, influencing later artists such as Leonetto Cappiello and Marcello Dudovich. Hohenstein’s work is characterized by elegant figures, dynamic compositions, and rich decorative elements, all of which are present in this Campari design.
The poster has been mounted on linen and is in excellent condition.
• Artist: Adolfo Hohenstein
• Year: Circa 1900
• Size: 39 x 78 inches
• Condition: Excellent, mounted on linen
• Rarity: Original early Campari advertising poster
Artist: Gervais Printer: Paris On/Off Linen: On Linen Print Technique: chromolithograph Year: 1890’s
Job Cigarettes by Gervais on linen original
Job Cigarettes did many posters during the turn of the century using all the best artists available. this was a poster mounted on cardboard for display in Tabacs. It will be delivered after mounted on linen. Slight water stain in the bottom will disappear after washing.
Leonetto Cappiello — Grande Kermesse Charité, 1903
A one-day charity fair hosted by the Cercle du Bois de Boulogne (the “Tir aux Pigeons” pigeon-shooting club) in Paris’s Bois de Boulogne.
The poster text gives the program—theatre, concert, children’s ball, funfair, and sports events—with admission 10 francs (2 francs for children)
and entry via Avenue des Acacias. It was held Thursday, 11 June (Jeudi 11 Juin).
Artist: Leonetto Cappiello
Date: 1903
Commissioner/Venue: Cercle du Bois de Boulogne (Tir aux Pigeons), Bois de Boulogne
Printer: Imp. P. Vercasson & Cie, 43 rue de Lancry, Paris
Technique: Stone lithograph
Format: 38 × 53 inches on linen
Grande Kermesse de Charite 1903 by Leonetto Cappiello
RARE poster by Cappiello for the Grand Kermesse de Charite where you could go to concerts, enjoy outdoor park and rides and even sports and it was all for the benefit of Charity.. The POSTER BY CAPPIELLO IN EXCELENT CONDITION ON LINEN RARE
Cachou Lajaunie was created by Leonetto Cappiello in 1900 for the French maker of Cachou Lajaunie breath mints and printed by Imprimerie Vercasson, Paris. The image shows an elegantly dressed woman enjoying the product, presented against a simple background to emphasize the figure and the brand name. At this time, stone lithography was the standard method for high-quality advertising posters, allowing for precise color and detail.
This poster comes from the early years of Cappiello’s career and from the period when Art Nouveau dominated European design. It illustrates how commercial posters were used both to advertise products and to convey a sense of fashion and modern life.
The poster has been mounted on linen using archival materials and is graded “Excellent A.”
An original 1906 French advertising poster by Leonetto Cappiello for Automobiles Charron, printed by Vercasson in Paris. This large-format stone lithograph (51 × 79 in.) is an important early work by Cappiello and one of the rarest automobile-related posters of the period. The design captures the luxury and style of the emerging motor age, showing a driver and elegant passenger in one of Charron’s distinctive early cars.
The poster is linen backed and graded B+ condition. It retains strong original colors. There are some folds and restorations, which are pictured, but in a frame these would not be noticeable. Overall it presents very well, particularly given the rarity and scale of the piece.
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Artist: Leonetto Cappiello
Title: Automobiles Charron
Date: 1906
Printer: Vercasson, Paris
Size: 51 × 79 in. / 130 × 200 cm
Print Technique: Stone lithograph
On Linen: Yes
Condition: B+ (some folds and restorations, colors strong, presents well)
Comments: Rare early automobile poster by Cappiello. Large scale, historically significant, desirable among Art Nouveau and early automobilia collectors.
Original French Art Nouveau wine advertising poster for Vin Sautel “Au Grenache Vieux,” designed by David Dellepiane circa 1910. The poster features a woman raising a glass beside a labeled bottle, rendered in Dellepiane’s decorative style typical of early 20th-century French commercial art. Printed as a stone lithograph and linen-backed. A compact-format wine poster from the pre-WWI period.
Title: Vin Sautel – Au Grenache Vieux
Artist: David Dellepiane
Year: c. 1910
Size: 38 × 29 cm (15 × 11 in)
Linen: Backed on linen
Comments: Original lithograph Excellent A condition
Automobiles Ader by Georges Meunier 1900 ORIGINAL POSTER
Artist: Meunier, Georges Printer: Chaix, Paris Size: 15.5 x 22.5 ” / 39.4 x 57.1 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: stone lithograph Year: 1900 Condition & Comments: excellent
Seems to be a a traffic situation on a small bridge somewhere in France. On one side the elegant crew in their Auto Ader and not giving way is the farm lady with her animals. Whose going to back up ? Typical humor of the time by Georges Meunier an important poster artist of the time. Excellent on linen
untitled poster from the turn of the century 1900 ORIGINAL POSTER
Artist: Spahn Printer: Paris Size: 28.5 x 22 ” / 72.4 x 56 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: stone lithograph Year: 1900 Condition & Comments: excellent
humor in france at the turn of the century. Automobiles made a lot of noise. The artist takes liberty to make of of the annoyances of early cars. on linen
Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 8.5 x 11.8 ” / 21.5 x 30 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.
The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.
Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.
Title: Carnaval 1894 – Théâtre de l’Opéra
Artist: Jules Chéret (1836–1932) Date: c.1896 (after the original 1894 poster) Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in) Print Type: Stone lithograph Condition: Excellent “A,” near-mint on fine wove paper Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.
Andy Warhol Chanel N5 poster Perfume Red 22 x 29 inches