Grand Prix San Marino 1982 by Michael Turner on linen
Artist: Turner, Michael Size: 12.6 x 17 ” / 32 x 43 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1982 Condition & Comments: Excellent A condition
The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s.
Imola Grand Prix – San Marino 1982 Poster by Michael Turner
This is an original poster for the 2º Gran Premio di San Marino, held in 1982 at the legendary Autodromo Enzo e Dino Ferrari in Imola. Although officially named for the nearby Republic of San Marino, the race was staged at Imola, one of Formula 1’s most iconic circuits and closely associated with Ferrari.
The artwork is by Michael Turner, the renowned British motorsport illustrator celebrated from the 1960s through the 1980s for his dramatic depictions of Formula 1 and racing cars. Printed by Polografici, Bologna using offset lithography, the poster has been professionally mounted on linen for preservation.
The 1982 San Marino Grand Prix remains one of the most famous and controversial races in F1 history. Due to a political boycott, only 14 cars took the start, and the battle came down to the two Ferraris of Didier Pironi and Gilles Villeneuve. After apparent team orders to slow down, Villeneuve believed positions were fixed, but Pironi overtook in the closing laps to seize victory. Villeneuve, furious at what he considered a betrayal, vowed never to speak to Pironi again — a vow cut short by his tragic fatal accident just two weeks later at Zolder. Pironi’s win at Imola, with Villeneuve second and Michele Alboreto (Tyrrell-Ford) third, became one of the defining moments of the 1982 season, adding lasting historical weight to this poster.
Details
Artist: Michael Turner
Year: 1982
Event: 2º Gran Premio di San Marino (Imola Grand Prix)
Location: Autodromo Enzo e Dino Ferrari, Imola
Printer: Polografici, Bologna
Size: approx. 27.5 x 39 in / 70 x 100 cm
Print Technique: Offset Lithograph
On/Off Linen: On Linen (museum-quality backing)
Condition & Comments: Excellent condition. Clean surface, vivid colors, well-preserved.
Grand Prix San Marino 1984 by Michael Turner on linen
Artist: Turner, Michael Size: 12.6 x 17 ” / 32 x 43 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1982 Condition & Comments: Excellent A condition
The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s.
Grand Prix San Marino 1985 by Michael Turner on linen
Artist: Turner, Michael Size: 12.6 x 17 ” / 32 x 43 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1982 Condition & Comments: Excellent A condition
The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s.
Grand Prix San Marino 1998 by Michael Turner on linen
Artist: Turner, Michael Size: 12.6 x 17 ” / 32 x 43 cm On / Off Linen: On Linen Print Technique: offset lithograph Year: 1982 Condition & Comments: Excellent A condition
The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s.
Razzia Crazy Horse de Paris 1981 (Gerard Courbouleix)
Artist: Razzia Printer: Caza, Paris Size: 14 x 21 ” / 35.6 x 53.4 cm On / Off Linen: Unlined Print Technique: serigraph Condition & Comments: Excellent
Razzia created this poster for the Jubilee show of 30 years celebrating 1951 to 1981. this is the original printing in serigraphy not a later printing rare. by Razzia
Cinémathèque (Museum of the Poster Paris) Razzia 1983
Poster Cinémathèque by Razzia (Gérard Courbouleix-Dénériaz), created in 1983 and printed in Paris by the Musée de l’Affiche as a fine art serigraph. The design was issued in recognition of the Cinémathèque Française, one of the world’s leading film archives and cultural institutions devoted to preserving and exhibiting the history of cinema.
Razzia (b. 1950) is regarded as the last contemporary poster artist to consistently use traditional lithographic and serigraphic printing methods. Known for his bold compositions and strong graphic language, he produced iconic posters for luxury brands, cultural events, and exhibitions, continuing the French tradition established by earlier masters of the affiche.
This serigraph measures 24 × 32 in. (61 × 81 cm) and remains in excellent “A” condition. The poster carries Razzia’s printed signature within the design.
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Artist: Razzia (Gérard Courbouleix-Dénériaz)
Title: Cinémathèque (Museum of the Poster Paris)
Date: 1983
Printer: Musée de l’Affiche, Paris
Size: 24 × 32 in. (61 × 81 cm)
Print Type: Serigraph
On Linen: —
Condition: Excellent “A” – Signed in the plate
Original serigraph by Razzia (Gérard Courbouleix-Dénériaz), created in 1992 for the Prix du Jockey Club horse race at Chantilly, sponsored by Lancia. The Prix du Jockey Club, often referred to as the “French Derby,” is one of Europe’s most prestigious flat races, held each June at the historic Chantilly Racecourse. The 1992 running was won by Polytain with jockey Frankie Dettori.
This edition, printed on fine Arches paper, measures 22 × 30 inches (56 × 76 cm). Executed in serigraphy, it displays Razzia’s bold Art Deco–inspired style, here applied to the themes of luxury, tradition, and equestrian sport.
Details
Title: Chantilly – Prix du Jockey Club, Lancia
Artist: Razzia (Gérard Courbouleix-Dénériaz)
Year: 1992
Printer / Sponsor: Lancia
Print Type: Serigraph on Arches paper
Size: 22 × 30 in. (56 × 76 cm)
Linen: Not backed (unlined)
Condition: Excellent
Comments
An original Razzia serigraph issued for the 1992 Prix du Jockey Club at Chantilly. Printed on Arches paper and preserved in excellent condition. A documented and authentic work that represents Razzia’s collaboration with major luxury sponsors and one of France’s premier sporting events.
Artist: Razzia Printer: Caza, Paris Size: 24 x 32 ” / 61 x 81 cm On / Off Linen: Unlined Print Technique: serigraph Year: 1982 Condition & Comments: Excellent
Paris Posters Publicitaire at the Museum of the poster in 1982 celebrating posters. this is the original printing in serigraphy not a later printing rare. by Razzia
Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 8.5 x 11.8 ” / 21.5 x 30 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.
The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.
Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.
Title: Carnaval 1894 – Théâtre de l’Opéra
Artist: Jules Chéret (1836–1932) Date: c.1896 (after the original 1894 poster) Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in) Print Type: Stone lithograph Condition: Excellent “A,” near-mint on fine wove paper Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.
Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 8.5 x 11.8 ” / 21.5 x 30 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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