Original promotional poster for the InterClassics classic car exhibition held in Maastricht in 2018. InterClassics is a well known European event dedicated to historic and collector automobiles, bringing together dealers, collectors, and enthusiasts to present a wide range of classic vehicles and automotive history.
The poster was produced to promote the annual exhibition in Maastricht, which features vintage automobiles, collectors’ cars, and related automotive displays. InterClassics events attract international exhibitors and visitors interested in the preservation and appreciation of classic cars.
Artist: Unknown
Title: InterClassics Maastricht
Origin: Netherlands
Size: 33 x 46.5 inches / 84 x 118 cm
Print Technique: Giclée on paper
Year: 2018
Condition & Comments: Excellent condition. Original exhibition poster for the 2018 InterClassics classic car show in Maastricht.
Luxardo Zara (1938) Original Italian Liqueur Poster by A. Pomi
Original 1938 advertisement for Luxardo Zara, the Italian liqueur company known for its Maraschino and cherry brandies. Designed by Armando Pomi, this lithographic poster reflects the style of late-1930s Italian commercial art, a period when illustrated posters were the main form of brand communication.
The image was created to promote Luxardo’s products produced in Zara (Dalmatia) before the company relocated to northern Italy after World War II. It remains an authentic document of Italian advertising history and of one of the country’s oldest liqueur producers.
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Details
Artist: Armando Pomi
Year: c. 1938
Country: Italy
Printer: Arti Grafiche Navarra, Milano Italy
Print Technique: Lithograph
Size: 39 × 55 in / 100 × 140 cm (approx. 150 × 110 cm)
Condition: Excellent A condition
On Linen: Optional; allow ≈ 2 weeks for linen-backing before shipment
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Comments
Original lithograph, not a reproduction. Well-preserved example of Italian pre-war advertising for Luxardo, a company still producing liqueurs today.
Menton by Constantin Terechkovitch 1960 stone lithograph
The “Menton – Mer, Monts et Merveilles” poster, created in 1960 by Russian-French artist Constantin Terechkovitch, beautifully captures the charm of this picturesque town on the Côte d’Azur. Terechkovitch, a renowned painter and close friend of Bonnard, Chagall, Miró, Picasso, and Matisse, lived in Menton and was deeply inspired by its coastal beauty. This stunning lithograph, printed by the prestigious Mourlot Imprimerie, showcases a vibrant scene of an elegant woman relaxing in the shade, surrounded by lush fruits and plants, with the shimmering Mediterranean in the background. Mourlot, known for its mastery of traditional stone lithography, produced this piece along with iconic works for Picasso, Chagall, Miró, and Matisse, making it a true collector’s gem.
Artist Terechkovitch
Printer Imprimerie Moulot
Size 27.5 x 39 ” / 70 x 100 cm
On / Off linen Unlined
Print Technique stone lithograph
Condition & CommentsExcellent
MESSAGERIES MARITIMES SUR LES ROUTES DE L’UNION FRANCAISE 1950 Jean Desaleux
his striking 1950s poster by Jean Desaleux was created for Messageries Maritimes, France’s leading shipping line. Bold Art Deco graphics put the viewer at the helm of a sleek ocean liner, with a vivid French flag flying high above stylized sea routes. A clean, modern map in the background connects France to its overseas destinations, while elegant script highlights the global reach of the company.
Title: Messageries Maritimes
Artist: Jean Desaleux
Year: 1950
Size: 25 x 39 inches
Printer: IMprimerie Paul Dupont, Clichy
Print Type: Lithography
Condition: Excellent A
Napoleon Cognac “Aigle Rouge” by Imp. Moullot, c. 1928 – Original Stone Lithograph Poster
This is an original large-format French advertising poster for Napoleon Cognac “Aigle Rouge”, produced around 1928 by Imprimerie Moullot in Marseille. The design features the imperial eagle, symbol of Napoleon’s legions, used here to represent the strength and heritage of the Brugerolle cognac brand.
The bold stone lithograph imagery combines patriotic symbolism with the elegance of French spirits advertising from the early 20th century. Measuring nearly 4 × 5 feet, the poster has been professionally mounted on linen for preservation and is in excellent condition. Rare in this size and format, it is a significant piece of vintage drinks advertising art.
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Title: Napoleon Cognac “Aigle Rouge”
Artist / Imprint: Anonymous / Imp. Moullot, Marseille
Date: Circa 1928
Printer: Imprimerie Moullot, Marseille
Size: 45.7 × 61.9 in. / 116 × 157 cm
Print Technique: Stone lithograph
On Linen: Yes
Condition: Excellent
Comments: Original large-format advertising poster for Leopold Brugerolle’s Napoleon Cognac “Aigle Rouge.” Linen-backed and well preserved; rare example of French spirits promotion from the interwar period.
Artist: Meunier Printer: Chaix Imprimerie, Paris Size: 12 x 16 in / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
PAPIER CIGARETTE BY MEUNIER FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Leçons de Violin – Les Maîtres de l’Affiche – Paul Berthon
Original plate Leçons de Violin by Paul Berthon, published as part of the Les Maîtres de l’Affiche series. Issued between 1895 and 1899, this celebrated project reproduced in reduced format the leading poster designs of the Belle Époque. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the artistic direction of Jules Chéret.
Paul Berthon (1872–1909) was a French Art Nouveau artist and lithographer, admired for his elegant line, decorative motifs, and refined use of color. His work reflects the aesthetics of the Art Nouveau period, often compared to Alphonse Mucha, and includes both poster design and decorative arts.
The plate was printed by Chaix, the foremost Parisian printer of posters at the time, whose work defined the visual culture of the 1890s.
This example measures 11 × 16 in. (28 × 40.6 cm) and is preserved in excellent “A” condition.
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Artist: Paul Berthon
Printer: Imprimerie Chaix, Paris
Date: 1895–1899 (Les Maîtres de l’Affiche series)
Size: 11 × 16 in. (28 × 40.6 cm)
Print Type: Stone Lithograph
On Linen: No
Condition: Excellent “A”
Artist: Scott, Georges Printer: Devambez, Paris Size: 47 x 63 in / 120 x 160 cm On/Off Linen: On Linen Print Technique: Lithograph Year: 1917 Condition & Comments: Excellent A
Pour La Drapeau Pour La Victoire by Georges Scott 1917
Rare size Emprunt or War bonds poster as its Calle din the USA. For the Flag and for Victory as Marianne holds up the sword leading the marching troops. Airplanes fly in the sky. Emprunts were made mostly in a 31 x 47 inch size and its rare if ever to see a 47×63 inch size as paper was scarce so this was considered an important piece. Excellent on linen
Artist: Scott, Georges Printer: Devambez, Paris Size: 31 x 47 in / 80 x 120 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Lithograph Year: 1917 Condition & Comments: Excellent A
Pour La Drapeau Pour La Victoire by Georges Scott 1917
Emprunt or War bonds poster as its Called in the USA. For the Flag and for Victory as Marianne holds up the sword leading the marching troops. Airplanes fly in the sky. Emprunts were made mostly in a 31 x 47 inch size. Excellent on linen
Campari by Milton Glaser 1992 ON ARCHES PAPER HAND SIGNED
Milton Glaser, one of the most influential graphic designers of the 20th century, used bold colors, fluid shapes, and timeless imagery. His work included the I ❤ NY logo and the psychedelic Bob Dylan poster. Campari, known for collaborating with renowned artists, continued this tradition with Glaser’s striking advertisement.
Since its founding in 1860, Campari has shaped its visual identity through commissions from artists across styles, from Art Nouveau to modern design. Glaser’s Campari poster, with its vivid colors and stylized composition, reflects the brand’s playful yet sophisticated spirit.
The poster came in two versions: one on standard paper and another on high-quality Arches paper, often used for fine art prints. Glaser hand-signed the Arches edition, making it especially valuable to collectors. This collaboration between an iconic artist and a legendary brand remains a celebrated piece of graphic design and advertising history.
Artist: Glaser, Milton Printer: Milano Size: 27.5 x 39 ” / 70 x 100 cm On/Off Linen: On ARCHES PAPER HAND SIGNED Print Technique: lithograph Year: 1992 Condition & Comments: excellent
Artist: Razzia Printer: Caza Imprimerie, Paris Size: 46.5 x 57 in / 118.1 x 144.75 cm On/Off Linen: Unlined Print Technique: Serigraph Year: 1990
Razzia Pecheur Mignon Champagne original (Gerard Courbouleix)
THIS IS ACTUALLY THE 1ST PRINTING THAT WAS USED AS A PUBLICITY AND IT IS SERIGRAPHY NOT THE NUMERIQUE LATER PRINTINGS RAZZIA MAKES. IT HAS SHINY GOLD INK IN THE PROCESS.
Title: Savoie France – Fêtes du centenaire Artist: Auriac Date: 1960 Printer: Société d’Exploitation Etablissements de La Vasselais, Paris Size: 27 x 39 inches
This poster image was used both for celebrating 100 years of Savoie Region and also exists with the title Megeve. You can see its summertime with flowers about but in the background is the famous Mont Blanc which stays white with snow through the whole summer.
The “célèbre clocher à bulbes” (famous onion-shaped bell tower) in the Savoie region of France refers to the distinct bulbous bell towers found in many churches in the region. These towers, also known as “clochers à bulbes”, are a hallmark of Baroque architecture introduced in the 17th and 18th centuries, especially under the influence of the Counter-Reformation.
These onion-shaped domes are particularly common in alpine regions, including Savoie, and are a reminder of the strong religious influence in the area. One of the most famous examples in Savoie is the bell tower of the Saint-Martin Church in Saint-Martin-de-Belleville, though many other towns and villages in Savoie feature similar structures.
