Showing 193–204 of 958 results
Artist: Latenay
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Le parc by Latenay for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Razzia Louis Vuitton Bagatelle 1989 hand signed original (Gerard Courbouleix)
Poster created by French artist Razzia for the 1989 Concours d’Élégance Automobiles Classiques held at the Parc de Bagatelle in Paris, an annual showcase of rare and prestigious automobiles hosted by Louis Vuitton. The composition captures a glamorous woman in high fashion attire standing beside a Ferrari California Spyder (1959), one of the most coveted sports cars of its era.
Razzia’s style, with its bold lines, strong color fields, and refined Art Deco influence, perfectly complements the elegance of both the setting and the subject. The Parc de Bagatelle, with its manicured gardens and historic château, provided an ideal backdrop for an event celebrating beauty, craftsmanship, and exclusivity.
Bagatelle 1989 – Louis Vuitton
Artist: Razzia (Gérard Courbouleix-Dénériaz)
Printer: Razzia
Size: 20 × 30 in / 51 × 76 cm
On/Off Linen: Unlined
Print Technique: lithograph
Year: 1989
Condition & Comments: Excellent “A” condition; hand-signed by the artist.
L’INSTANT TAITTINGER — c.1980 – large version
Original French advertising poster for Taittinger Champagne. The design uses a clever visual device in which the viewer looks through the bowl of a Champagne flute to see the silhouette of an elegant blonde woman wearing a fitted black evening gown. The refined composition reflects the glamour and sophistication associated with Champagne advertising of the period. The figure is often thought to resemble Grace Kelly, though it was modeled after the French actress Catherine Deneuve.
Founded in 1932 by Pierre-Charles Taittinger, the Taittinger Champagne house remains one of the major family-run Champagne producers. The company has long emphasized traditional methods and careful control of quality, values reflected in its advertising campaigns.
Artist: Anonymous
Title: L’Instant Taittinger
Printer: Publicis, Reims
Size: 46.5 x 66.75 inches
On / Off Linen: On linen
Print Technique: Offset lithograph
Year: c.1980
Condition & Comments: Excellent condition on linen.
Artist: Razzia
Printer: Louis Vuitton
Size: 20 x 30″ / 51 x 76 cm
On/Off Linen: Unlined
Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 1990 original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
Artist: Razzia
Printer: Louis Vuitton
Size: 47 x 63″ / 120 x 160 cm
On/Off Linen: Unlined
Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 1998 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
This large-format serigraph poster was created by the French artist Razzia (Gérard Courbouleix-Dénériaz) in 1992for Louis Vuitton’s annual “Automobiles de Princes” car show, held in the Parc de Bagatelle in Paris. From 1989 through the late 1990s, Louis Vuitton sponsored this prestigious vintage automobile event, commissioning Razzia each year to produce a new image. His bold Art Deco–inspired designs gave the series a distinctive visual identity that has since become highly collectible.
The present example is the original 1992 serigraph printing, produced for Louis Vuitton at the time of the event — not a later reproduction. Printed in large format at 47 × 63 inches (120 × 160 cm), the poster is unlined and in excellent condition, showing the vibrant colors and graphic clarity typical of Razzia’s work.
Details
Title: Louis Vuitton – Bagatelle 1998 (Automobiles de Princes)
Artist: Razzia (Gérard Courbouleix-Dénériaz)
Printer / Sponsor: Louis Vuitton
Year: 1992
Print Technique: Serigraph (screenprint)
Size: 47 × 63 in. (120 × 160 cm)
Linen: Not backed (unlined)
Condition: Excellent
Comments
An authentic Razzia serigraph from the long-running Louis Vuitton Parc de Bagatelle car show series. Collectors prize these posters both for their connection to the history of Louis Vuitton’s sponsorship of classic car culture and for Razzia’s signature graphic style. A striking piece of late 20th-century French poster design.
Charles Guérin (1873–1907)
Sirène, 1898
A sensuous and finely balanced lithograph by French artist Charles Guérin, published in L’Estampe Moderne in 1898. The composition shows Guérin’s refined handling of color and line, merging Symbolist atmosphere with the decorative elegance characteristic of the fin-de-siècle. The work reflects the influence of both Gauguin and Odilon Redon, revealing Guérin’s lyrical approach to the female form and mythological subjects.
Details
Lithograph on wove paper
Signed on the plate lower left margin
Blind stamp of L’Estampe Moderne (bottom right)
Printed in Paris, 1898
Sheet size: 40.5 × 30.5 cm / 15.9 × 12 in.
Condition: Excellent; on its full sheet
Louis Welden Hawkins (1849–1910)
Liseuses, 1898
A refined and tranquil composition by Louis Welden Hawkins, one of the leading Symbolist painters of the fin-de-siècle. Published in L’Estampe Moderne, this lithograph depicts two women absorbed in reading — a theme of introspection and quietude that Hawkins often explored in his paintings. The soft tonal harmonies and delicate outlines reflect both his Symbolist sensibility and the influence of Art Nouveau design.
Details
Color lithograph on wove paper
Signed and dated “1898” in the image
Blind stamp of L’Estampe Moderne (lower right, Lugt 2790)
Printed by L’Imprimerie Champenois; distributed by Masson & Piazza
From L’Estampe Moderne, Vol. 2, No. 22, February 1899
Sheet size: 40.5 × 30.8 cm / 15.9 × 12.1 in.
Condition: Excellent; full margins, vibrant impression
Comments
An elegant and contemplative work that exemplifies Hawkins’s subtle Symbolist approach. The artist’s delicate handling of light and the serenity of the figures evoke the quiet intimacy of late 19th-century domestic life
Artist: Colin
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Le depart by Collin for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Published in 1898 as part of L’Estampe Moderne, this original stone lithograph by Fernand Piet depicts a coastal market scene in Zeeland, the Dutch province known for its maritime culture and rural charm. Piet, a French painter and printmaker active during the Belle Époque, was known for his vivid depictions of everyday life and regional subjects. In Marche en Zélande, he combines naturalistic observation with the refined color and draftsmanship that characterized the L’Estampe Moderne series. Printed by F. Champenois and published by Masson & Piazza, the sheet bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Marche en Zélande (Market in Zeeland)
Artist: Fernand Piet (French, 1869–1942)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent; strong impression, light age toning typical of the series
Comments: Issued as part of L’Estampe Moderne (1897–1899), the distinguished Parisian art journal presenting monthly color lithographs by leading European artists of the Art Nouveau period.
Artist: Guinier
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Nuit douce by Guinier for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Charming original color lithograph by Firmin Bouisset, published in L’Estampe Moderne in 1899. It depicts a young flower seller holding a bouquet, rendered in Bouisset’s soft, naturalistic Art Nouveau style. Issued as plate no. 20 of the celebrated monthly portfolio L’Estampe Moderne (1897 – 99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and Bouisset’s printed signature within the image. This is an excellent example from the original issue — clean, fresh color and wide margins, ideal for framing.
⸻
Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, No. 20)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
Comments: A fine example from the distinguished L’Estampe Moderne series, representing Bouisset’s lyrical side beyond his well-known advertising work.
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