Size: 16 x 24″ / 40 x 60 cm On / Off linen: On Linen Print Technique: offset lithograph Year: 1980 Condition & Comments: Excellent A condition Monaco Grand Prix 1980 on linen
The Grand Prix of Monaco always showed the winning car of the previous year in the poster as it was printed before the race was won.
This poster is second printing made around the 1980’s in exactly te same way as the original ie: printing technique, paper, size etc
Poster is in excellent condition and mounted on linen by museum quality professional
Monaco Grand Prix 1981 by J Grognet original printing
The poster for the 39th Monaco Grand Prix in 1981 was created by the artist J. Grognet. It features Alan Jones in the Williams FW07, a car that became an iconic symbol of this era in Formula 1. The artwork captures the thrilling atmosphere of the Monaco Grand Prix, with its challenging street circuit winding through the picturesque principality. The design prominently displays the car in motion, emphasizing speed and precision against the backdrop of Monaco’s harbor.
The poster measures approximately 60 x 40 cm (23 x 15 inches) and was printed using offset lithography by AIP in Monaco. Known for its vibrant colors and dynamic composition, the poster is a prized collectible for motorsport enthusiasts and art collectors alike. Its excellent condition and rarity enhance its value as a piece of racing history.
Monaco Grand Prix 25e 1966 by Michael Turner on linen
The official poster for the 1966 Monaco Grand Prix highlights the artistry of British illustrator Michael Turner. His dynamic depiction showcases Formula 1 cars racing along the picturesque Monaco coastline, with the city’s iconic marina and architecture in the background. The artwork captures the excitement of the event, focusing on the cars as they navigate the challenging street circuit.
Measuring approximately 60 x 40 cm (23 x 15 inches), the poster uses offset lithography for its vibrant and detailed print. Additionally, it features the “Monte Carlo 1866-1966” seal in the lower right corner, commemorating the centenary of Monte Carlo. As a result, collectors and motorsport enthusiasts highly value this poster for its historical and artistic significance.
Held on May 22, the 1966 Monaco Grand Prix marked the 24th running of the prestigious event. Jackie Stewart claimed victory in a BRM P261, achieving a significant milestone in his career. The tight corners and elevation changes of the Monaco circuit created a thrilling spectacle for fans while pushing drivers to their limits.
Napoleon Cognac “Aigle Rouge” by Imp. Moullot, c. 1928 – Original Stone Lithograph Poster
This is an original large-format French advertising poster for Napoleon Cognac “Aigle Rouge”, produced around 1928 by Imprimerie Moullot in Marseille. The design features the imperial eagle, symbol of Napoleon’s legions, used here to represent the strength and heritage of the Brugerolle cognac brand.
The bold stone lithograph imagery combines patriotic symbolism with the elegance of French spirits advertising from the early 20th century. Measuring nearly 4 × 5 feet, the poster has been professionally mounted on linen for preservation and is in excellent condition. Rare in this size and format, it is a significant piece of vintage drinks advertising art.
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Title: Napoleon Cognac “Aigle Rouge”
Artist / Imprint: Anonymous / Imp. Moullot, Marseille
Date: Circa 1928
Printer: Imprimerie Moullot, Marseille
Size: 45.7 × 61.9 in. / 116 × 157 cm
Print Technique: Stone lithograph
On Linen: Yes
Condition: Excellent
Comments: Original large-format advertising poster for Leopold Brugerolle’s Napoleon Cognac “Aigle Rouge.” Linen-backed and well preserved; rare example of French spirits promotion from the interwar period.
NEW ENGLAND — UNITED AIR LINES — FRITZ DUMVILLE — 2004
Original advertising poster promoting travel to New England, produced by United Air Lines as part of a series of contemporary destination posters issued in the early 2000s. The design by Fritz Dumville presents an evocative autumn landscape typical of the New England region, with the warm colors of fall foliage suggesting the seasonal beauty that attracts visitors to the northeastern United States.
United Air Lines commissioned a number of artists to create this series of destination posters highlighting regions served by the airline. Each poster reflects the distinctive character of its location through contemporary illustration while recalling the tradition of classic airline travel posters.
Artist: Dumville, Fritz
Title: New England
Printer: United Air Lines
Origin: United States
Size: 21 x 28 inches / 53 x 71 cm
On / Off Linen: Unlined
Print Technique: Offset lithograph on heavy poster paper
Year: 2004
Condition & Comments: Excellent condition. Original United Air Lines promotional poster from the early 2000s destination series depicting the autumn landscape of New England.
ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Onaranze a Volta (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Original large-format French advertising poster for the Geisweiler wine company, designed by Lajos Marton in 1921 and printed by DAM Studio. This stone lithograph was produced in the standard French 120 x 160 cm format for display in public spaces. It has been professionally linen backed (acid-free paper and cotton canvas) and survives in very fine condition, with strong colors and a clean overall appearance.
Year: 1921
Title: Geisweiler Grand Vin
Artist: Lajos Marton
Printer: DAM Studio
Country: France
Size: 47.3 x 63 in / 120 x 160 cm
Print technique: Original stone lithograph
Material: Poster on paper, backed on acid-free paper and cotton canvas
Linen backing: Yes (linen backed)
Condition: A (very fine) – nice condition on linen, image clean, colors strong
Subject: Drinks – wines, apéritifs, alcohol
Comments: Original 1921 French stone lithograph advertising poster for Geisweiler, printed by DAM Studio in large 120 x 160 cm format and professionally linen backed.
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1979 Condition & Comments: Original print, Excellent on linen
This original 1979 poster by Bernard Villemot, titled “C’est Fou!” for Perrier, is a striking blend of art and advertising. Measuring 19.5 x 25.5 inches (49.5 x 66.77 cm), it showcases Villemot’s skill with vibrant colors and a bold design inspired by Henri Matisse and New Wave art.
In excellent condition, this poster is a rare find for collectors. Its unique blend of artistic influences elevates it beyond typical advertising, making it a true standout in vintage poster art.
Perrier “The Embrace” or “L’Entreinte”, 1981, by Bernard Villemot.
This original vintage poster captures the elegance and sophistication of Perrier. Villemot’s artwork depicts two lovers embracing on a tranquil beach, using composition, form, and color to create a visually striking image. Shadows on the couple and the Perrier bottle add depth and realism, evoking the warmth of a serene summer day.
An original 1981 printing, professionally mounted on linen and in excellent condition. A rare find for collectors of vintage advertising art and Villemot’s work.
Artist: Bernard Villemot
Size: 18 x 24 inches / 45.72 x 61 cm
Print Technique: Offset lithograph
Year: 1981 original printing
Condition: Excellent, professionally mounted on linen for preservation.
