Original 1897 cover for L’Estampe Moderne, designed by Alphonse (Alfons) Mucha and printed by L’Imprimerie Champenois, Paris. This monthly publication presented a series of fine art lithographs mailed directly to subscribers, each issue featuring four plates. The decorative cover, created by Mucha exclusively for the series, captures his elegant Art Nouveau style with soft lines, floral motifs, and harmonious composition.
Please note: I have several original covers from L’Estampe Moderne available. The example shown is representative of what you will receive — all were printed in the same year by the same printer, with only the issue number and date differing. Condition, size, and artwork are identical.
Details
Artist: Alfons Mucha
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Original cover for L’Estampe Moderne, used across the monthly editions of 1897–1898. A beautifully preserved example of Mucha’s collaboration with the Paris printer Champenois and one of the classic Art Nouveau designs of the period.
Artist: Metivet, Lucien Printer: Das Moderne Plakat Size: 8.25 x 11.3 ” / 21 x 28.7 cm On / Off linen: Unlined Year: 1897 Condition & Comments: Excellent A condition Amabassadeurs by Lucien Metivet FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Fay Printer: Chaix Imprimerie, Paris Size: 12 x 16 ” / 30.5 x 40.6 cm On / Off linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition AMIEUX-FRERES BY FAY FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Berchmans Size: 8.25 x 11.3 ” / 21 x 28.7 cm Printer: Das Moderne Plakat On / Off linen: Unlined Year: 1897 Condition & Comments: Excellent A condiiton ART INDEPENDANT BY BERCHMANS FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Original French Art Nouveau advertising poster for Aux Fabriques de Geneve, a jeweler and watch merchant based in La Rochelle. The design features a young woman presented in refined detail above a display of watches, jewelry, and decorative objects. A large ring or cameo-like medallion frames the scene, reinforcing the store’s emphasis on engagement and bridal gifts. The text indicates that the firm manufactured its own goods and offered a catalog available to clients upon request.
Although the name refers to Geneva, the shop itself operated in La Rochelle. The reference to Geneva likely served to evoke the reputation of Swiss craftsmanship in watchmaking and fine jewelry, suggesting products of comparable quality.
The artist Hem was active in France during the early twentieth century and produced a small number of advertising posters during the height of the Belle Époque poster movement. His work reflects the decorative elegance typical of the Art Nouveau period.
Artist: Hem
Title: Aux Fabriques de Geneve
Size: 47.5 x 63 inches
On / Off Linen: On linen
Print Technique: Stone lithograph
Year: 1903
Condition & Comments: Excellent condition on linen. Original vintage poster, not a reproduction.
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 8.5 x 11.8 in / 21.5 x 30 cm On/Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Original c.1900 French railway poster for Beausoleil, a resort on the Côte d’Azur, issued by the Paris–Lyon–Méditerranée (PLM) railway company while it was still formally known as the Chemins de Fer de Paris à Lyon et à la Méditerranée. The design, by an anonymous artist, promotes Beausoleil as a premier Mediterranean destination at the turn of the century.
The poster was produced using chromolithography, a demanding color printing process employed by only a handful of French ateliers around 1900. This technique allowed for richly layered tones and subtle gradients, giving the image a depth not achievable through simpler lithographic methods of the period.
Highly sought after as both a travel and railway collectible, this example is professionally backed on linen and survives in excellent “A” condition, retaining strong color and sharp detail.
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Details
Title: Beausoleil
Artist: Anonymous
Date: c.1900
Printer: Robaudy, Cannes, France
Size: 30 x 40 in.
Print Type: Chromolithography
Linen: On linen
Condition: Excellent “A”
Lithographic plate reproducing the poster design Buffoni by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Buffoni (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Lithographic plate reproducing the poster design Costinas Coffee Co by Franz Laskoff, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Franz Laskoff was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Franz Laskoff
Title: Costinas Coffee Co (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Cigale, Theatre de l’Opera-Comique
Artist: Maurice Leloir
Date: 1904
In this elegant 1904 poster for the French ballet Cigale, artist Maurice Leloir captures the frigid fate of one of the story’s central figures with remarkable sensitivity. The ballet, written by Henri Cain and set to music by the celebrated composer Jules Massenet, was performed at the Théâtre de l’Opéra-Comique in Paris. Leloir’s lithograph was printed by Imp. Devambez, one of the foremost Parisian art printers of the early 20th century. The poster announced the première of Massenet’s Cigale—a divertissement-ballet evoking the poetic melancholy and grace typical of fin-de-siècle French theater.
Details
Artist: Maurice Leloir
Title: Cigale – Divertissement-Ballet de Henri Cain. Musique de J. Massenet
Date: 1904
Printer: Imp. Devambez, Paris
Theater: Théâtre de l’Opéra-Comique, Paris
Size: 35 × 22 ¼ in (90 × 56 cm)
Print Type: Stone Lithograph
Condition: Nice Condition overall
Comments: Poster for the première of Jules Massenet’s Cigale, composed by one of the most popular French composers of his time.
Original lithograph poster designed by Jean Raoul Naurac for Cognac Normandin, a French cognac producer founded in 1872. The poster dates from 1928 and was printed in France by Bouchet, Paris.The design features a single central figure and reflects the graphic advertising style used for French spirits in the late 1920s. It was produced using the stone lithograph printing process.This example is an original printing, not a reproduction. The poster has been mounted on linen and is in excellent condition, with strong color and no noted issues.
Details
Artist: Jean Raoul Naurac
Title: Cognac Normandin Printer: Bouchet, Paris Year: 1928 Size: 55 × 78 inches / 140 × 200 cm
Print Technique: Lithograph
On / Off Linen: On linen
Condition & Comments: Excellent
Original French advertising poster for Plasson bicycles designed by Manuel Robbe. The composition shows a confident female cyclist mounting her bicycle while elegantly dressed women remain in the background. The image captures the growing enthusiasm for cycling in the late nineteenth century, a period when the bicycle became a symbol of modern life and personal freedom. Robbe’s design is notable for its striking simplicity and dramatic use of color, particularly the vivid red sky that dominates the scene.
Manuel Robbe (1872–1936) was a French painter and printmaker trained at the Académie Julian in Paris. He became known primarily for his color prints and aquatints, though he also produced a small number of advertising posters during the poster boom of the 1890s. His work is associated with the Art Nouveau period and is appreciated for its refined composition and controlled color palette. The posters he created for the Plasson bicycle company are among his most recognizable advertising works.
Artist: Robbe, Manuel
Title: Cycles Plasson
Size: 32 x 46.5 inches / 81 x 118 cm
On / Off Linen: On linen
Print Technique: Stone Lithograph
Year: c.1897
Condition & Comments: Excellent condition on linen.
