Showing 133–144 of 377 results

  • LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    $ 875

    FOLIES-BERGÈRE – LOÏE FULLER — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s celebrated poster for the Folies-Bergère, featuring the American dancer Loïe Fuller, whose revolutionary “serpentine dance” with colored lights and flowing silk fabric made her an international sensation in the 1890s.

    Loïe Fuller transformed performance art through her innovative use of stage lighting, tinted gels, and swirling movement that turned her dances into living, luminous abstractions. At the Folies-Bergère she became one of the greatest stars of the Belle Époque, embodying both the glamour of Parisian nightlife and the experimental spirit of modern art. Chéret’s poster captures her radiant energy, with the dancer enveloped in cascading waves of fabric, illuminated by light effects that echo her pioneering stagecraft.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated entirely to poster art, issued in small editions for collectors. Produced at the Chaix atelier under Chéret’s artistic supervision, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper. These works, smaller than the street posters but identical in technique, gave collectors a way to preserve the finest poster art of the era.

    Title: Folies-Bergère – Loïe Fuller
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Brilliant impression with strong colors. An iconic image of Loïe Fuller, whose luminous dance defined the artistic daring of the Belle Époque stage.

  • Menu programmes by Millet for Les Affiches Illustrees 1896

    Menu programmes by Millet for Les Affiches Illustrees 1896

    $ 350

    Artist: Millet
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Menu programmes by Millet for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    $ 350

    Artist: Grasset
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Salon des cent by Grasset for Les Affiches Illustrees 1896

    Salon des cent by Grasset for Les Affiches Illustrees 1896

    $ 425

    SALON DE CENT — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate features Eugène Grasset’s poster for his own exhibition at the Salon de Cent, an avant-garde Parisian gallery dedicated to posters and prints. Founded by Léon Deschamps in 1894, the Salon became a key venue for artists such as Grasset, Mucha, Bonnard, and Toulouse-Lautrec, who were at the forefront of the poster movement.

    Grasset’s design reflects his characteristic Art Nouveau style: graceful linearity, harmonious flat color, and decorative detail influenced by medieval and Japanese art. The poster was created to promote a solo exhibition of his works, underscoring his central role in establishing poster art as both a commercial medium and a legitimate form of fine art.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, published under the direction of Jules Chéret at the Chaix atelier. Each plate was a reduced-format stone lithograph printed on fine paper, allowing collectors to own authentic works of the Belle Époque’s leading poster artists.

    Title: Salon de Cent (Eugène Grasset Exhibition)
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original 1890s poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Clean impression with fresh color. A notable design by Grasset created for his own exhibition at the Salon de Cent, reflecting his importance in the Art Nouveau movement.

  • Coulisses de l'opera by Cheret for Les Affiches Illustrees 1896

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    $ 275

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Alcazar d'ete by Cheret for Les Affiches Illustrees 1896

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    $ 225

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    $ 350

    Artist: Lefevre
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Dentifrices Roi 1890's Toothpaste original french poster

    Dentifrices Roi 1890’s Toothpaste original french poster

    $ 1,250

    Dentifrices Roi – c.1890s Original Vintage Poster

    This original French stone lithograph from the 1890s advertises Dentifrices Roi — “Toothpaste of the King.” The design depicts a young woman in Belle Époque dress admiring her teeth in a hand mirror, a charming and aspirational image used to promote good dental care at the time.

    Printed by Imprimerie, Paris, this large-format poster (39 x 55 inches) reflects the rich visual language of late 19th-century French advertising. The era was defined by advances in lithographic printing, allowing for fine detailing, subtle shading, and vibrant color saturation. Dental products such as Dentifrices Roi were often positioned as luxury goods, their advertising aimed at the growing urban middle class.

    Mounted on linen for preservation, the poster remains in excellent condition, retaining its original detail and color quality more than a century later.

    Artist: Anonymous
    Printer: Imprimerie, Paris
    Size: 39 x 55 in / 100 x 140 cm
    On/Off Linen: On Linen
    Print Technique: Stone Lithograph
    Year: c.1890s
    Condition: Excellent

    An elegant example of Belle Époque commercial art, blending period fashion, product promotion, and fine lithographic craftsmanship.

  • Standard Sewing machine by Pal 1890's Toothpaste original french poster

    Standard Sewing machine by Pal 1890’s Toothpaste original french poster

    $ 1,050

    Artist: Pal
    Printer: Imprimerie Agence, Paris
    Size: 24 x 31″ / 61 x 78.75 cm
    On/Off Linen: On Linen
    Print Technique: stone lithograph
    Year: 1890’s
    Condition & Comments: Excellent

    Standard Sewing Machine by Pal c1890’s original on linen excellent

    Original stone lithoraph made in the 1890’s for the sewing machine that comes from America. The young lady is holding her “dentelle” and the machine that changed everything at the time. In excellent condition on linen original. 

  • Une Bonne Ame Chocolat by Chocarne-Moreau1900 print original french

    Une Bonne Ame Chocolat by Chocarne-Moreau1900 print original french

    $ 450

    Artist: Chocarne-Moreau
    Printer: Imp Caby & Chardin, Paris
    Size: 13.8 x 17.7″ / 35 x 45 cm
    On/Off Linen: On Linen
    Print Technique: chromolithograph
    Year: 1900
    Condition & Comments: excellent

    Bonne Ame by Chocarne-Moreau c1900 on linen excellent

    The good soul and the bakery boy allows the chiminey sweep so licks from his days production. Interesting to note the posters of Cheret and others on the wall directly behind them. on linen excellent rare

  • Brandy Jacquet BY BRUCE SKILBECK ORIGINAL VINTAGE FRENCH POSTER

    Brandy Jacquet BY BRUCE SKILBECK ORIGINAL VINTAGE FRENCH POSTER

    $ 150

    Artist: SKILBECK, BRUCE
    Size: 16.5 x 26″ / 42 x 66 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 2002

    Brandy Jacquet BY B SKILBECK ORIGINAL VINTAGE POSTER

    Original poster by the famous Cognac Jacquet company who also made/make Cognac Albert Robin, Pineau des Charentes, Cognac Robertin and others. Commissioned in 2002 and made in a limited edition each poster is hand signed by the artist and in excellent A condition. Original 1st printing.

  • Cognac Robertin BY BRUCE SKILBECK ORIGINAL limited edition 500

    Cognac Robertin BY BRUCE SKILBECK ORIGINAL limited edition 500

    $ 175

    Bruce Skilbeck Cognac Albert Robin Poster 2002 Signed Ltd Ed 500 Linen

    Original limited-edition poster created in 2002 for Cognac Albert Robin, with artwork by Bruce Skilbeck. The edition was printed in offset lithography on Canson paper, limited to 500 examples, and this piece is hand-signed by the artist.

    Albert Robin, one of the established Cognac houses, has a long tradition of commissioning artists for advertising, a history that includes work by Leonetto Cappiello and others. This poster continues that tradition into the early 21st century.

    We are the exclusive seller of the work of Bruce Skilbeck, and this poster is offered directly through that representation.

    The poster has been professionally mounted on linen and is in excellent condition.

    Details

    Artist: Bruce Skilbeck
    Title: Cognac Albert Robin
    Date: 2002
    Printer: [not stated]
    Size: 27.5 × 39 in. (70 × 100 cm)
    Print Type: Offset lithograph on Canson paper
    Edition: Limited edition of 500, hand-signed by the artist
    Condition: Excellent, on linen

    Comments

    An authentic original advertising poster for Cognac Albert Robin, part of the portfolio of designs produced for French wine and spirits in the early 2000s. Skilbeck’s work for Cognac companies follows a tradition of collaborations between producers and artists dating back over a century.

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