Artist: Fischer Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
DIE ALTE STADT BY FISCHER FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Original French advertising poster for Dubonnet, the well known quinquina aperitif. The design by Claire Masson (pseudonym Claire Mallon) depicts a young woman seated in a garden enjoying a glass of Dubonnet, accompanied by a small dog at her side. The composition reflects the elegant illustrative style of the early twentieth century, with flowing garments and a refined domestic setting typical of the Belle Epoque period.
This poster is considered the only known poster design by Claire Masson, a French artist who later became a member of the Societe des Artistes Francais during the 1920s. It is also among the earliest and rarest posters produced for Dubonnet, preceding the famous advertising campaigns of the 1930s created by Cassandre for the brand.
Artist: Masson, Claire
Title: Dubonnet – Vin Tonique au Quinquina
Size: 46 x 61 inches / 117 x 155 cm
On / Off Linen: On linen
Print Technique: Lithograph
Year: 1908
Condition & Comments: Fine condition. Rare early Dubonnet poster.
Artist: Unger Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
ESTEY ORGELM BY UNGER FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Original 1897 lithograph La Servante by Ferdinand Luigini, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. Luigini was known for his refined landscape and genre scenes, often depicting rural life in France with a quiet, painterly sensibility. In La Servante, he captures a moment of simple domestic grace, rendered with soft tonal harmony and delicate line — characteristic of the lyrical realism that runs through much of his work.
Details
Artist: Ferdinand Luigini
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly Parisian series published from 1897 to 1899, featuring original lithographs by leading artists of the Art Nouveau era. La Servante is a serene example of Luigini’s delicate composition and the exceptional printing quality of Champenois.
GERMANIA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Germania by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Germania (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Lithographic plate reproducing the poster design Giulio Marchetti by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Giulio Marchetti (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Grand Hotel Regoledo – Aldo Mazza – RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Grand Hotel Regoledo by Aldo Mazza issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Aldo Mazza was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Aldo Mazza
Title: CGrand Hotel Regoledo (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Sold with matt board presented in photos ready to frame
JANE AVRIL – JARDIN DE PARIS — Henri de Toulouse-Lautrec
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Henri de Toulouse-Lautrec’s famous poster of Jane Avril, one of Montmartre’s most celebrated dancers, created to advertise her performances at the Jardin de Paris.
Jane Avril (1868–1943), a close friend and muse of Lautrec, became an icon of Parisian nightlife through her eccentric, serpentine style of dance. Lautrec’s posters of her are among his most enduring works, capturing both her elegance and her unconventional energy. In this design, Avril dominates the composition, her figure twisting in rhythm, while the bold curves and flat colors reflect Lautrec’s revolutionary approach to poster art.
Les Affiches Illustrées (1896–1899) was among the first journals dedicated to poster art, issued in small runs for collectors. Produced at the Chaix atelier, each plate was a stone-lithograph reduction of an important affiche, printed on fine paper for subscribers. These editions gave collectors authentic examples of the finest Belle Époque posters in a smaller, more practical format than the large affiches pasted on Paris walls.
Title: Jane Avril – Jardin de Paris
Artist: Henri de Toulouse-Lautrec (1864–1901)
Date: c.1896 (after the original 1893 poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix. Crisp impression with strong colors. One of Lautrec’s most iconic poster designs, immortalizing Jane Avril and the artistic vibrancy of fin-de-siècle Paris.
Artist: Woodbury Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
JULY CENTURY BY WOODBURY FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Skonsgaard Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
KINDERNES BY SKNOSGAARD FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Henri Bellery-Desfontaines (1867–1909)
L’Illusion, 1898
An original lithograph by the French Art Nouveau artist Henri Bellery-Desfontaines, published in L’Estampe Moderne in 1898. Known for his richly ornamental and symbolist compositions, Bellery-Desfontaines was a key figure in the movement’s decorative revival, combining allegory and fantasy with precise draughtsmanship. L’Illusion exemplifies his mastery of flowing line and atmospheric color, typical of the Parisian fin-de-siècle aesthetic.
Details
Lithograph on wove paper
Signed on the plate lower left
Blind stamp of L’Estampe Moderne (bottom right)
Printed in Paris, 1898
Sheet size: approximately 40.5 × 30.5 cm / 15.9 × 12 in.
Condition: Excellent; on its full sheet
Comments
One of the most sought-after designs from L’Estampe Moderne for its striking allegorical imagery and refined execution. A beautiful example of Bellery-Desfontaines’ decorative symbolism and mastery of lithographic color.
Original stone lithograph poster by Hugo D’Alesi promoting travel to Italy via the St. Gotthard railway route. Issued circa 1900, the poster was printed in Paris by Ateliers Hugo D’Alesi for the Chemins de Fer. The composition presents a view toward Italy with Mount Vesuvius shown active in the distance. A female figure dressed in period costume stands in the foreground, while surrounding vignettes depict views of the lakes of the Swiss Alps. D’Alesi produced numerous railway posters during this period, later working extensively for PLM and creating large-scale decorative murals for train stations. This example measures 30 x 41.5 inches and has been professionally mounted on linen. It is in excellent “A” condition.
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Details
Title: L’Italie par St Gotthard
Artist: Hugo D’Alesi
Date: circa 1900
Printer: Ateliers Hugo D’Alesi, Paris
Print Technique: Stone Lithograph
Size: 30 x 41.5 inches
On / Off Linen: Mounted on linen
Condition & Comments: Excellent “A” condition
RARE POSTER BY HUGO D’ALESI FOR THE CHEMINS DE FER TRAVEL TO ITALIE STONE LITHOGRAPH FROM 1900
RARE POSTER FOR TRAVEL THROUGH ST GOTTHARDS PASS TO ITALY. RARE EXCELLENT WITH FINAL DESTINATION NAPLES. THIS IS QUITE INTERESTING AS THE VOLCANO MT VESUVIOUS IS ACTIVE IN THE DISTANCE. THE LADY IS DRESSED IN THE COSTUME OF THE DAY. THE VIGNETTES ARE VIEWS OF THE LAKES IN THE SWISS ALPES. HUGO D’ALESI WAS A MASTER ARTIST WHO DID A LARGE BODY OF WORKS FOR THE CHEMINS DE FER AND LATER PLM INCLUDING MURALES AT TRAIN STATIONS. GREAT STUFF.
