172 DESSINS RECENTS — GALERIE LOUISE LEIRIS — PABLO PICASSO — 1972
Original exhibition poster published for 172 Dessins Recents, presented at the Galerie Louise Leiris in 1972. The image is after a drawing by Pablo Picasso and reflects the artist’s late-period work, with a composition depicting a young woman alongside an aging figure, characteristic of themes explored during the final years of his career.
Printed by Mourlot in Paris, this poster was produced under the supervision of master printer Henri Deschamps, who worked closely with Picasso over many years. The quality of the lithographic reproduction reflects the high standards associated with Mourlot’s workshop and its collaboration with major twentieth-century artists.
Galerie Louise Leiris was one of the principal galleries representing Picasso in Paris and played an important role in exhibiting his later works, including drawings and prints.
Artist: Picasso, Pablo
Title: 172 Dessins Recents — Galerie Louise Leiris
Printer: Mourlot, Paris
Publisher: Galerie Louise Leiris
Origin: France
Size: 28.5 x 19 inches / 72.4 x 48.3 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, printed by Mourlot for the Galerie Louise
Artist: Chagall, Marc Size: 20 x 30 ” / 51 x 76 cm Printer: Imprimerie Moulot On / Off linen: Unlined Year: 1990 Print Technique: stone lithograph Condition & Comments: Excellent Ville de Nice by Marc Chagall 1970 vintage poster
poster for the posters of Marc Chagall at the Galerie des Ponchettes in Nice
Original French advertising poster for Chantier Houiller designed by Jean D’Ylen and printed in Paris by Vercasson in 1924. The composition features a brightly dressed jester riding a coal cart, rendered in vivid colors against a dark background. Dressed in yellow with arms spread wide, the figure humorously recalls the canary traditionally used in coal mines to warn miners of dangerous gases. The playful imagery and strong contrast of colors are characteristic of the lively advertising style of the period.
Jean Paul Beguin (1886–1938), known professionally as Jean D’Ylen, was one of the leading French advertising artists of the early twentieth century. His posters are known for their striking use of primary colors, bold figures, and theatrical compositions. The influence of Leonetto Cappiello is evident in the dramatic dark backgrounds and animated figures that appear to float within the design. D’Ylen began his career as a jewelry designer before becoming an advertising illustrator for the Paris publishing house Vercasson. After Cappiello left the firm in 1916, D’Ylen became one of its principal poster artists, producing many memorable designs of the 1920s.
Artist: D’Ylen, Jean
Title: Chantier Houiller
Printer: Vercasson, Paris
Size: 43 x 65 inches
On / Off Linen: On linen
Print Technique: Lithograph
Year: 1924
Condition & Comments: Excellent condition on linen.
GALERIE “65” CANNES (GRASSE) — ROBERT SAVARY — 1975
Original exhibition poster created for Robert Savary at Galerie “65” in Cannes in 1975. The composition presents a landscape view of the region around Grasse on the French Riviera, rendered in Savary’s characteristic figurative style with attention to color, light, and atmosphere.
Robert Savary (1920–2000) was a French painter, engraver, and illustrator associated with the School of Paris. Trained at the Ecole des Beaux-Arts in Paris, he developed a body of work focused on landscapes, still lifes, and scenes of rural life, often depicting the French countryside with clarity and balance. In addition to his paintings, Savary was active as a printmaker and book illustrator.
This poster was printed by Atelier Mourlot in Paris, one of the leading lithographic studios of the twentieth century, known for producing exhibition posters for major artists and galleries.
Artist: Savary, Robert
Title: Galerie “65” Cannes (Grasse)
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 31.8 inches / 52 x 81 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster for Robert Savary at Galerie “65” in Cannes, featuring a landscape of the Grasse region.
Original vintage color lithograph exhibition poster produced for the exhibition of 32 cartoons by Joan Miro held at Galerie Maeght, Paris, from May 4 to June 1965. The poster was published by Galerie Maeght and printed on the lithographic presses of Arte Adrien Maeght, Paris. The lower left corner bears the printed mark: (c) Maeght Editeur Imprimeur. This example is an original printing from 1965, not a later reproduction. The full sheet measures 25 3/4 x 19 1/8 inches (65.5 x 49 cm). It remains in very fine condition, with bright color and no visible damage to the image.
Details
Artist: Joan Miro (1893-1983)
Title: Galerie Maeght “Cartons”
Year: 1965
Publisher: Galerie Maeght, Paris
Printer: Arte Adrien Maeght, Paris
Print Technique: Color Lithograph
Sheet Size: 25 3/4 x 19 1/8 inches / 65.5 x 49 cm
Mark: (c) Maeght Editeur Imprimeur (lower left)
On / Off Linen: off linen
Condition & Comments: Very fine condition, bright colors, no image damage
Original exhibition poster produced for the 1963 Galerie Maeght exhibition Georges Braque : papiers colles 1912–1914. The poster features a study by Braque and relates to his pioneering work in papier collé, a key development within early Cubism.
Georges Braque (1882–1963) was one of the principal figures in the development of Cubism, working closely with Pablo Picasso in the early 20th century. His introduction of collage elements into painting, particularly between 1912 and 1914, marked a significant moment in modern art, expanding the language of composition through the use of paper, texture, and layered imagery. Beyond Cubism, Braque continued a long and influential career focused largely on still life and spatial exploration.
Galerie Maeght played an important role in exhibiting major modern artists and was known for its strong program of twentieth-century painting, sculpture, and graphic works. This poster was issued in conjunction with the 1963 exhibition dedicated to Braque’s early collage work.
Artist: Braque, Georges
Title: Papiers Colles 1912–1914 — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 13.5 x 34 inches
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1963
Condition & Comments: Excellent condition. Original exhibition poster from Galerie Maeght featuring a study by Georges Braque.
HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973
Original exhibition poster produced for Galerie Melki in Paris, featuring Josef Albers’ celebrated Homage to the Square series. This example is the yellow color variation, reflecting Albers’ exploration of color relationships through nested square forms.
Josef Albers (1888–1976), a key figure of the Bauhaus, was known for his rigorous approach to color and form. Through the Homage to the Square series, begun in 1950, Albers examined how colors interact and influence one another when placed in simple geometric arrangements. His work had a lasting impact on modern art and design, further reinforced by his influential publication Interaction of Color.
This poster was issued in conjunction with an exhibition at Galerie Melki and presents a clear example of Albers’ systematic investigation of color perception using minimal means.
Artist: Albers, Josef
Title: Homage to the Square — Galerie Melki (yellow)
Printer: Unknown
Origin: France
Size: 23 x 33.5 inches / 58 x 85 cm
On / Off Linen: Unlined
Print Technique: Screenprint on paper
Year: 1973
Condition & Comments: Excellent condition. Original exhibition poster for Josef Albers at Galerie Melki, Paris, featuring the Homage to the Square series.
Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.
Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.
This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.
Artist: Miro, Joan
Title: Exhibition Japan
Printer: The Mainichi Newspapers
Publisher: The Mainichi Newspapers / National Museum of Modern Art
Origin: Japan
Size: 22.5 x 15.5 inches / 57 x 39 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1966
Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.
LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975
Original exhibition poster created for Les Saisons by Dany Lartigue at Galerie Tallien in St Tropez in 1975. The composition reflects Lartigue’s light and imaginative style, with imagery inspired by the landscape and atmosphere of the French Riviera.
Dany Lartigue (1921–2017), son of photographer Jacques Henri Lartigue, developed a body of work centered on nature, color, and poetic interpretation of the environment. He lived for many years in St Tropez, where he established a home museum that included his artwork as well as an extensive collection of butterfly specimens. His work often conveys a strong connection to the natural surroundings of the region.
This poster was produced for an exhibition at Galerie Tallien, a gallery known for presenting posters and illustration in the South of France.
Artist: Lartigue, Dany
Title: Les Saisons — Galerie Tallien, St Tropez
Printer: Unknown
Origin: France
Size: 17 x 25.5 inches / 43 x 65 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster by Dany Lartigue for Galerie Tallien, St Tropez.
Baie des Anges by Marc Chagall 1962 vintage poster limited edition stone lithograph
The Baie des Anges poster by Marc Chagall, created in 1961, is a lithograph in a limited edition of only 5,000 prints. Chagall, a renowned Russian-French artist, is known for his vibrant use of color, surrealist elements, and dreamlike scenes. His work blends symbolic imagery with a sense of fantasy, and this piece is a perfect example of his signature style.
The title “Baie des Anges” means “Bay of Angels.” It refers to a beautiful spot along the French Riviera, known for its stunning coastal views. Chagall’s love for the region and his spirituality are evident in this piece. Figures float and intertwine, creating a sense of ethereal beauty. This mystical vision reflects the tranquility of the bay.
Printer Imprimerie Moulot
Size 27.5 x 39 ” / 70 x 100 cm
On / Off linen Unlined
Print Technique stone lithograph
Condition & CommentsExcellent
Baie des Anges by Marc Chagall 1962 vintage poster
Comments RARE STONE LITHOGRAPHIC POSTER USED FOR TRAVEL TO NICE FRANCE FEATURING THE BAIE DES ANGES OR BAY OF ANGELS WITH A MERMAID IN THE FOREGROUND HOLDING FLOWERS. THE POSTER WAS PRINTED IN THE TRADITIONAL ARTISTIC FASHION STONE LITHOGRAPHY BY IMPRIMERIE MOURLOT WHO DID ALL THE GALERIE POSTERS FOR THE MOST FAMOUS ARTISTS OF THE PERIOD LIKE PICASSO, MIRO, MATISSE AND OTHERS. PRINTED IN A LIMITED EDITION.
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
