Showing 13–24 of 27 results

  • TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    $ 550

    TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.

    Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.

    Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.

    Artist: Tapies, Antoni
    Title: Objets et grands formats — Galerie Maeght
    Printer: Mourlot (attributed)
    Origin: France
    Size: 20 x 31 inches / 51 x 79 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1972
    Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.

  • TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    $ 450

    TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.

    The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.

    Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.

    Artist: Picasso, Pablo
    Title: Tete de Femme III — Berggruen — 90 Gravures
    Printer: Mourlot, Paris
    Publisher: Galerie Berggruen
    Origin: France
    Size: 20 x 27.5 inches / 51 x 70 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1971
    Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.

     

  • Walasse Ting – Exhibition Poster Galerie Adrien Maeght Paris 1974

    Walasse Ting – Exhibition Poster Galerie Adrien Maeght Paris 1974

    $ 550

    Walasse Ting – Exhibition Poster, Galerie Adrien Maeght, Paris, 1974

    Original color lithographic poster created for the exhibition of works by Walasse Ting at Galerie Adrien Maeght, 42 rue du Bac, Paris 7. This is a period printing, relatively scarce in this format, featuring a striking reproduction of Ting’s work with vibrant, luminous colors. Signed in the plate.

    Walasse Ting (1929–2010) was a Chinese-born artist whose work bridges Abstract Expressionism, CoBrA, and Pop Art. After early exhibitions in Hong Kong, he settled in Paris where he associated with artists such as Pierre Alechinsky while remaining independent of any formal movement. His work combines elements of traditional Chinese painting with a modern, expressive, and highly gestural style, often focusing on recurring subjects such as women, horses, and flowers. Ting described himself as an autodidact, working freely between Eastern and Western influences, and was awarded a Guggenheim Fellowship in 1970.

    Artist: Walasse Ting
    Year: 1974
    Printer: Arte, Paris
    Dimensions: 71 x 51 cm / 28 x 20 inches
    Medium: Lithograph in colors
    Condition: Excellent

  • WALASSE TING — GALERIE ADRIEN MAEGHT — 1974

    WALASSE TING — GALERIE ADRIEN MAEGHT — 1974

    $ 550

    TING — GALERIE ADRIEN MAEGHT — WALASSE TING — 1974

    Original exhibition poster for a solo show by Walasse Ting at Galerie Adrien Maeght, opening October 16, 1974. The composition reflects Ting’s expressive and decorative style, characterized by fluid brushwork and vibrant color, often inspired by nature and the female form.

    Walasse Ting (1929–2010) was a Chinese-American painter associated with a spontaneous and colorful approach to modern painting. Active internationally, he exhibited widely in Europe and the United States and was connected with artists of the CoBrA movement and other avant-garde circles. His work is known for its energetic execution and use of bold, saturated tones.

    Galerie Adrien Maeght was an important venue for modern and contemporary art, presenting leading international artists and producing exhibition posters of high quality.

    Artist: Ting, Walasse
    Title: Galerie Adrien Maeght
    Printer: Mourlot (attributed)
    Origin: France
    Size: 19.5 x 24.5 inches / 50 x 62 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1974
    Condition & Comments: Excellent condition. Original exhibition poster for Walasse Ting at Galerie Adrien Maeght.

  • Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    $ 315

    Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    A beautiful exhibition poster for painter Yves Brayer, depicting a lone figure walking along a Provençal path filled with color and vegetation. The composition reflects Brayer’s deep connection to the landscapes of southern France, rendered with a rich, expressive sensitivity that defines his work.

    Yves Brayer (1907–1990) was a prominent French painter who trained at the École des Beaux-Arts and exhibited at the Salon d’Automne and the Salon des Indépendants. He was elected to the Académie des Beaux-Arts in 1957. While best known for his evocative interpretations of Provence, Brayer traveled extensively, capturing the character of Spain, Italy, Morocco, and other regions with a distinctive, expressive style.

    This poster was created for his 1972 exhibition at Galerie “65” in Cannes and printed by the renowned Mourlot studio in Paris. Mourlot is celebrated for producing some of the finest lithographic posters of the 20th century, working with artists such as Picasso, Léger, Miró, Matisse, and Chagall.

    Printed as an original lithograph, the poster has strong decorative appeal and represents a fine example of French exhibition poster production from the period.

    Details
    Title: Yves Brayer (Provence) — Galerie “65” Cannes
    Artist: Yves Brayer
    Year: 1972
    Size: 21 x 33.3 inches / 53 x 84 cm
    On / Off Linen: On linen
    Condition: Excellent
    Comments: Original lithograph exhibition poster printed by Mourlot for the 1972 exhibition of Yves Brayer at Galerie “65” in Cannes.

  • Armagnac Ryst by Raymond Savignac 1943c vintage poster

    Armagnac Ryst by Raymond Savignac 1943c vintage poster

    $ 1,000

    RYST ARMAGNAC Raymond Savignac, 1943

    Original vintage French advertising poster for Ryst Armagnac by Raymond Savignac (1907–2002). Savignac was one of the most recognized French poster artists of the 20th century and worked early in his career under the influence of the celebrated designer A. M. Cassandre before developing his own distinctive graphic style. His work is known for its clarity of design, effective simplicity, and subtle humor, characteristics that made his advertising imagery highly recognizable.

    This poster was created to promote Ryst Armagnac. Armagnac is a traditional French brandy produced in the Gascony region in southwest France, notably in the departments of Gers, Landes, and Lot-et-Garonne. The RYST-DUPEYRON house was founded in 1905 by distiller Joseph Dupeyron to produce and market Armagnac from the region. Savignac’s work for advertising campaigns has become part of the visual heritage of French commercial art.

    This is an original printing.

    Artist: Raymond Savignac (1907–2002)
    Country: France
    Year: 1943
    Size: 46.5 x 63.5 inches
    On/Off Linen: on linen
    Print Technique: Lithograph
    Condition & Comments: Excellent condition.

  • Cote D'Azur Pablo Picasso 1962 original stone lithograph

    Cote D’Azur Pablo Picasso 1962 original stone lithograph

    $ 2,500

    Cote D’Azur by Pablo Picasso 1962 on linen 

    Artist: Picasso, Pablo
    Printer: Mourlot Imprimerie, Paris
    Size: 26 x 39 ” / 66 x 100 cm
    On / Off Linen: Delay approx 2 weeks to linen-back before delivery
    Print Technique: Stone lithograph
    Year: 1962
    Condition & Comments: Excellent A condition

    Original stone lithography done at the Mourlot imprimerie where artist printing was done in the old technique. View on to the sea the same image was used for Cannes as well. Excellent condition on linen

  • jean Cocteau

    Hommage a Jean Cocteau for the Ville de Nantes 1964 original stone lithograph

    $ 850

    Jean Cocteau – Ville de Nantes / Hommage à Jean Cocteau (1964)

    Original exhibition poster, printed by Mourlot

    This original stone lithograph poster was created for the 1964 exhibition Hommage à Jean Cocteau at the Musée des Beaux-Arts in Nantes, held shortly after Cocteau’s death. Running from May 21 to June 15, the show honored Cocteau’s legacy with a selection of his drawings, lithographs, theatrical designs, and graphic works.

    Printed by the renowned Atelier Mourlot in Paris, the poster features Cocteau’s line drawing Orpheus with Lyre, a lyrical and minimal composition emblematic of his visual style. The clean typography and spacious layout reflect the refined tone of the exhibition itself.

    A true first edition, not a reproduction, this piece is a collectible artifact of mid-20th-century French cultural history—highly sought after by admirers of Cocteau, Surrealism, and postwar graphic art. Exhibition posters printed by Mourlot, particularly for memorial retrospectives of major artists, continue to grow in value and relevance.

    • Artist: Jean Cocteau

    • Title: Ville de Nantes – Hommage à Jean Cocteau

    • Date: 1964

    • Printer: Mourlot, Paris

    • Technique: Stone lithograph

    • Dimensions: Approx. 71 × 47 cm (28 × 18.5 in)

    • Condition:  A condition

    • Origin: France

  • Parade by Pablo Picasso 1973 original for the Joffrey Ballet

    Parade by Pablo Picasso 1973 original for the Joffrey Ballet

    $ 350

    PABLO PICASSO — JOFFREY BALLET, PARADE (1973)

    Original 1973 lithograph poster issued by the Foundation for American Dance for the Joffrey Ballet’s presentation of Parade, with costume and set designs by Pablo Picasso. The ballet was originally created in 1917 for Sergei Diaghilev’s Ballets Russes, with music by Erik Satie and choreography by Léonide Massine. Revived by the Joffrey Ballet at New York’s City Center in 1973, this production marked one of the great intersections of modern art, music, and dance. Picasso’s imagery and the history of Parade make this poster an important document of 20th-century performing arts, celebrating the collaboration between visual art and the stage.

    Title: Joffrey Ballet — Parade
    Artist: Pablo Picasso (1881–1973)
    Date: 1973
    Printer: Foundation for American Dance
    Size: 35 × 25 in (approx. 89 × 63.5 cm)
    Print Type: Lithograph
    Condition: Excellent “A” condition, not linen-backed
    Comments: Original poster issued for the Joffrey Ballet’s 1973 production of Parade at City Center, New York. Features Pablo Picasso’s designs first created in 1917 for Diaghilev’s Ballets Russes. Rare and historically significant dance poster highlighting one of the greatest artistic collaborations of the 20th century.

  • francis bacon poster

    Francis Bacon Feria Nimes 1969/1992 original serigraphie

    $ 550

    Francis Bacon Feria Nimes poster for the  1969/1992 and it is an art print done in serigraphy 

    Artist Bacon, Francis
    Printer Caza, Paris
    Size 18 x 24 ” / 47.7 x 61 cm
    On / Off linen On Linen
    Print Technique serigraph
    Year 1992
    Condition & Comments Excellent A condiiton

    Francis Bacon created this striking poster for the 1992 Feria de Nîmes, the city’s famous bullfighting festival. The design draws inspiration from his 1969 painting Study for Bullfight No. 1. This captures the intense energy and movement of a bullfight in his signature style.

    Caza Imprimerie in Paris printed this original serigraph on linen in 1992. The poster not only celebrates the Feria de Nîmes but also highlights Bacon’s ability to translate the drama of bullfighting into a powerful visual experience. Collectors highly value it as a unique fusion of fine art and cultural tradition.

  • chagall Galerie Maeght

    Galerie Maeght – Marc Chagall, 1962 – “Le Oiseau Vert” (The Green Bird)

    $ 750

    Galerie Maeght – Marc Chagall, 1962 – “Le Oiseau Vert” (The Green Bird)

    In 1962, Marc Chagall created this stone lithograph to promote his exhibition at the renowned Galerie Maeght in Saint-Paul-de-Vence, on the Côte d’Azur in southern France. The gallery, established by Aimé Maeght, was one of the most important modern art venues in Europe, representing artists such as Miró, Braque, Calder, and Chagall himself.

    This particular poster, also known as Le Oiseau Vert (The Green Bird), showcases Chagall’s hallmark dreamlike imagery—blending vivid colors, floating figures, and symbolic animals. Printed by Imprimerie Mourlot in Paris, one of the leading fine art lithography ateliers of the 20th century, it exemplifies the collaborative tradition between Chagall and Mourlot, whose craftsmanship brought the artist’s painterly textures and luminous tones to life in print form.

    Unlined and in excellent condition, the poster measures 21 x 28 inches (53.5 x 71.1 cm). It stands as both a piece of exhibition history and a fine example of mid-20th-century French art lithography.

    Artist: Marc Chagall

    Printer: Imprimerie Mourlot, Paris

    Size: 21 x 28 in / 53.5 x 71.1 cm

    On/Off Linen: Unlined

    Print Technique: Stone Lithograph

    Year: 1962

    Condition & Comments: Excellent; also known as Le Oiseau Vert (The Green Bird), produced for Chagall’s exhibition at Galerie Maeght, Saint-Paul-de-Vence.

  • LA MAISON DE MON VILLAGE – MARC CHAGALL – 1969

    LA MAISON DE MON VILLAGE – MARC CHAGALL – 1969

    $ 450

    LA MAISON DE MON VILLAGE – MARC CHAGALL – 1969

    Original lithographic poster titled La maison de mon village, printed in 1969 by Mourlot Imprimerie, Paris. The poster was produced for a travelling exhibition of Marc Chagall’s lithographs. This is an original lithographic printing, not a reproduction. It was issued in an edition of 2,500 copies and is unnumbered, as published. The poster was printed on ordinary paper. The image measures 44 × 56 cm, with an overall paper size of 51.5 × 78 cm. The work is referenced in Sorlier, pages 116 and 117. The poster is unlined and in excellent / perfect condition.

    Details
    Artist: Marc Chagall
    Title: La maison de mon village
    Year: 1969
    Printer: Mourlot Imprimerie, Paris
    Print Technique: Lithograph
    Edition: 2,500 copies, unnumbered
    Paper: Ordinary
    Image Size: 44 × 56 cm
    Paper Size: 51.5 × 78 cm / approx. 20.3 × 30.7 inches
    On / Off Linen: Unlined
    Reference: Sorlier, pp. 116–117
    Condition & Comments: Excellent

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