Showing 121–132 of 733 results
Artist: Razzia
Printer: Louis Vuitton
Size: 24 x 32 in / 61 x 81 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Razzia Louis Vuitton Bagatelle 1996 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
Artist: Razzia
Printer: Louis Vuitton
Size: 24 x 31 in / 61 x 80 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Condition & Comments: Excellent on linen
Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
Artist: Razzia
Printer: Louis Vuitton
Size: 30.5 x 37.5 in / 77.5 x 95.25 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Condition & Comments: Excellent on linen
Razzia Louis Vuitton Bagatelle 1989 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic.
Artist: Razzia
Printer: Louis Vuitton
Size: 20 x 30 in / 51 x 76 cm
On/Off Linen: Unlined
Print Technique: Serigraph
Razzia Louis Vuitton Bagatelle 1999 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image. This is the original serigraphy printing not a later impression by Razzia
Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Razzia
Printer: Louis Vuitton
Size: 29 x 37 inches
On/Off Linen: Unlined
Print Technique: Serigraph
Condition & Comments: Excellent on linen
Razzia Louis Vuitton Classic Boheme Run 2006 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.
Artist: Razzia
Printer: Louis Vuitton
Size: 28 x 34.5 inches
On/Off Linen: Unlined
Razzia Louis Vuitton Cup 2003 Auckland hand signed original (Gerard Courbouleix)
Louis Vuitton Cup Original hand signed
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Original 1970s edition of René Gruau’s celebrated design Le Rouge Baiser. First created in 1950 for the French cosmetics brand, the image has become one of Gruau’s most enduring works, with its striking silhouette of a woman in a red headscarf and bold lipstick. This later printing was produced in offset lithography at a smaller format (17.5 × 22 in) and has been professionally mounted on linen for preservation and display.
This example is in Excellent “A” condition, with rich color and well-preserved surfaces.
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Details
Title: Le Rouge Baiser
Artist: René Gruau
Date: 1970s printing
Size: 17.5 × 22 in / 44 × 56 cm
Print Type: Offset lithograph
Linen: On linen
Condition: Excellent “A”
Rouge Baiser poster designed by the renown fashion poster artist Rene Gruau was the world’s first “kiss-proof” lipstick. It was designed to provide long-lasting color that didn’t smudge, even after eating or kissing. This was groundbreaking for the time. Its innovative formula, developed by chemist Paul Baudecroux, used a type of cosmetic dye that stained the lips, offering durability far beyond traditional lipsticks. Women seeking bold, smudge-proof, and long-lasting lip color
Title: Savoie France – Fêtes du centenaire
Artist: Auriac
Date: 1960
Printer: Société d’Exploitation Etablissements de La Vasselais, Paris
Size: 27 x 39 inches
This poster image was used both for celebrating 100 years of Savoie Region and also exists with the title Megeve. You can see its summertime with flowers about but in the background is the famous Mont Blanc which stays white with snow through the whole summer.
The “célèbre clocher à bulbes” (famous onion-shaped bell tower) in the Savoie region of France refers to the distinct bulbous bell towers found in many churches in the region. These towers, also known as “clochers à bulbes”, are a hallmark of Baroque architecture introduced in the 17th and 18th centuries, especially under the influence of the Counter-Reformation.
These onion-shaped domes are particularly common in alpine regions, including Savoie, and are a reminder of the strong religious influence in the area. One of the most famous examples in Savoie is the bell tower of the Saint-Martin Church in Saint-Martin-de-Belleville, though many other towns and villages in Savoie feature similar structures.
SUPERATOR — LEOPOLDO METLICOVITZ — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Superator by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Superator (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Title: MONTREUX Switzerland
Artist: Brenot, Pierre Laurent
Date: c.1955
Printer: S.A. Lith. Klausfelder, Vevey, Switzerland
Size: 40 x 25 in / 102 x 64 cm
Print Type: Offset Lithograph
Condition: Excellent “A” on linen
TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972
Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.
Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.
Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.
Artist: Tapies, Antoni
Title: Objets et grands formats — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 20 x 31 inches / 51 x 79 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.
TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971
Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.
The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.
Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.
Artist: Picasso, Pablo
Title: Tete de Femme III — Berggruen — 90 Gravures
Printer: Mourlot, Paris
Publisher: Galerie Berggruen
Origin: France
Size: 20 x 27.5 inches / 51 x 70 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1971
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.
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