Showing 349–360 of 676 results
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Chantilly – Prix du Jockey Club, Lancia – RareOriginal serigraph by Razzia (Gérard Courbouleix-Dénériaz), created in 1992 for the Prix du Jockey Club horse race at Chantilly, sponsored by Lancia. The Prix du Jockey Club, often referred to as the “French Derby,” is one of Europe’s most prestigious flat races, held each June at the historic Chantilly Racecourse. The 1992 running was won by Polytain with jockey Frankie Dettori.This edition, printed on fine Arches paper, measures 22 × 30 inches (56 × 76 cm). Executed in serigraphy, it displays Razzia’s bold Art Deco–inspired style, here applied to the themes of luxury, tradition, and equestrian sport.DetailsTitle: Chantilly – Prix du Jockey Club, LanciaArtist: Razzia (Gérard Courbouleix-Dénériaz)Year: 1992Printer / Sponsor: LanciaPrint Type: Serigraph on Arches paperSize: 22 × 30 in. (56 × 76 cm)Linen: Not backed (unlined)Condition: ExcellentCommentsAn original Razzia serigraph issued for the 1992 Prix du Jockey Club at Chantilly. Printed on Arches paper and preserved in excellent condition. A documented and authentic work that represents Razzia’s collaboration with major luxury sponsors and one of France’s premier sporting events.
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Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896
$ 250Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896
Artist: Cheret
Printer: Chaix Imprimerie, Paris
Size: 8.5 x 11.8 ” / 21.5 x 30 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A conditionLes Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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Carnaval 1894 Theatre de l’opera by Cheret for Les Affiches Illustrees
$ 385Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.
The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.
Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.
Title: Carnaval 1894 – Théâtre de l’Opéra
Artist: Jules Chéret (1836–1932)
Date: c.1896 (after the original 1894 poster)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball. -
Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894
$ 175Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894
Artist: Cheret
Printer: Chaix Imprimerie, Paris
Size: 8.5 x 11.8 ” / 21.5 x 30 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A conditionLes Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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Publicity for Musical Score for Les Affiches Etrangeres 1894
$ 175Keynote SEries American Musical score poster for Les Affiches Etrangeres 1894
Artist: Anon
Printer: Chaix Imprimerie, Paris
Size: 9 x 12.5 ” / 22.8 x 30.5 cm
On / Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A conditionLes Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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Cote D’Azur Pablo Picasso 1962 original stone lithograph
$ 2,500Cote D’Azur by Pablo Picasso 1962 on linen
Artist: Picasso, Pablo
Printer: Mourlot Imprimerie, Paris
Size: 26 x 39 ” / 66 x 100 cm
On / Off Linen: Delay approx 2 weeks to linen-back before delivery
Print Technique: Stone lithograph
Year: 1962
Condition & Comments: Excellent A conditionOriginal stone lithography done at the Mourlot imprimerie where artist printing was done in the old technique. View on to the sea the same image was used for Cannes as well. Excellent condition on linen
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Rassenfosse for Les Affiches Etrangeres 1894
$ 195Rassenfosse for Les Affiches Etrangeres 1894
Artist: Rassenfosse
Printer: Chaix Imprimerie, Paris
Size: 9 x 12.5 ” / 22.8 x 30.5 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A conditionLes Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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100 Affiches Pablo Picasso 1966 original stone lithograph
$ 450100 Afiches by Pablo Picasso 1966 on linen
Artist: Picasso, Pablo
Printer: Mourlot Imprimerie, Paris
Size: 19.25 x 29.25 ” / 48.9 x 74.3 cm
On / Off Linen: Unlined
Print Technique: Stone lithograph
Year: 1966
Condition & Comments: Excellent A conditionOriginal stone lithography done at the Mourlot imprimerie where artist printing was done in the old technique. Excellent condition on linen
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Pablo Picasso Flowers or Bouquet of Peace original lithograph 1958
$ 950Bouquet of Peace (1958) — Pablo Picasso
Pablo Picasso’s Bouquet of Peace was created in 1958 as a symbol of hope, unity, and peace in the aftermath of World War II and during the tensions of the Cold War. Commissioned for the Stockholm Peace Congress held in July 1958, the artwork was used as a poster to promote the ideals of global solidarity and nonviolence.
The image shows two hands offering a colorful bouquet of flowers, rendered in Picasso’s signature line drawing style. The simple gesture of giving flowers becomes a poetic metaphor for reconciliation and harmony across nations. Unlike more complex or confrontational political art, Bouquet of Peace communicates its message with warmth and optimism.
Originally printed as a color lithograph by the master printer Fernand Mourlot in Paris, many editions were produced on fine Arches wove paper, a high-quality French paper known for its durability and subtle texture. These editions were distributed widely as posters and remain among the most beloved examples of Picasso’s postwar graphic work.
Bouquet of Pieace
Artist: Picasso
year: 1958
size: 19 x 23.5 inches on arches paper
condition: Excellent -
Harpers by Penfield for Les Affiches Etrangeres 1894
$ 250Harpers by Penfield for Les Affiches Etrangeres 1894
Artist: Penfield
Printer: Chaix Imprimerie, Paris
Size: 9 x 12.5 ” / 22.8 x 30.5 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A conditionLes Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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The echo by Bradley for Les Affiches Etrangeres 1894
$ 515The echo by Bradley for Les Affiches Etrangeres 1894
Artist: Bradley
Printer: Chaix Imprimerie, Paris
Size: 9 x 12.5 ” / 22.8 x 30.5 cm
On / Off Linen: Unlined
Year: 1896
Condition & Comments: Excellent A conditionLes Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
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Hommage a Jean Cocteau for the Ville de Nantes 1964 original stone lithograph
$ 850Jean Cocteau – Ville de Nantes / Hommage à Jean Cocteau (1964)
Original exhibition poster, printed by Mourlot
This original stone lithograph poster was created for the 1964 exhibition Hommage à Jean Cocteau at the Musée des Beaux-Arts in Nantes, held shortly after Cocteau’s death. Running from May 21 to June 15, the show honored Cocteau’s legacy with a selection of his drawings, lithographs, theatrical designs, and graphic works.
Printed by the renowned Atelier Mourlot in Paris, the poster features Cocteau’s line drawing Orpheus with Lyre, a lyrical and minimal composition emblematic of his visual style. The clean typography and spacious layout reflect the refined tone of the exhibition itself.
A true first edition, not a reproduction, this piece is a collectible artifact of mid-20th-century French cultural history—highly sought after by admirers of Cocteau, Surrealism, and postwar graphic art. Exhibition posters printed by Mourlot, particularly for memorial retrospectives of major artists, continue to grow in value and relevance.
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Artist: Jean Cocteau
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Title: Ville de Nantes – Hommage à Jean Cocteau
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Date: 1964
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Printer: Mourlot, Paris
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Technique: Stone lithograph
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Dimensions: Approx. 71 × 47 cm (28 × 18.5 in)
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Condition: A condition
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Origin: France
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