Showing 37–48 of 757 results
Artist: Lucien Fontanarosa
Printer: SNCF
Size: 26 x 39 in / 66 x 100 cm
On/Off Linen: On Linen
Print Technique: Offset lithograph
Year: 1960C
Condition & Comments: Excellent
French Alpes by Lucien Fontanarosa 1960c vintage poster on linen
SNCF poster to the French Alpes on linen excellent
Artist: Gruau, Rene
Size: 47 x 63 in / 120 x 160 cm
On/Off Linen: On Linen
Print Technique: Offset lithograph
Year: 1980c
Condition & Comments: Excellent condition on linen
Impeccable by Rene Gruau on linen 1980’s
Poster is a an original printing done for Marcelle Griffon Catalogue. It is in excellent condition and mounted on linen
Artist: Woodbury
Printer: Das Moderne Plakat
Size: 8.25 x 11.3 in / 21 x 28.7 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
JULY CENTURY BY WOODBURY FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Skonsgaard
Printer: Das Moderne Plakat
Size: 8.25 x 11.3 in / 21 x 28.7 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
KINDERNES BY SKNOSGAARD FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Alesi, Hugi D’
Printer: IMP Hugo D’Alesi
Size: 31 x 42 in / 80 x 107 cm
On/Off Linen: On Linen
Print Technique: Stone lithograph
Year: 1900
Condition & Comments: Excellent A condition
RARE POSTER BY HUGO D’ALESI FOR THE CHEMINS DE FER TRAVEL TO ITALIE STONE LITHOGRAPH FROM 1900
RARE POSTER FOR TRAVEL THROUGH ST GOTTHARDS PASS TO ITALY. RARE EXCELLENT
WITH FINAL DESTINATION NAPLES. THIS IS QUITE INTERESTING AS THE VOLCANO MT VESUVIOUS IS ACTIVE IN THE DISTANCE. THE LADY IS DRESSED IN THE COSTUME OF THE DAY. THE VIGNETTES ARE VIEWS OF THE LAKES IN THE SWISS ALPES. HUGO D’ALESI WAS A MASTER ARTIST WHO DID A LARGE BODY OF WORKS FOR THE CHEMINS DE FER AND LATER PLM INCLUDING MURALES AT TRAIN STATIONS. GREAT STUFF.
Artist: D’Alesi, Hugo
Printer: Atelier Hugo D’Aleso, Paris
Size: 30.5 x 42 in / 77.5 x 106.7 cm
On/Off Linen: Delay approx 2 weeks to linen-back before delivery
Print Technique: Stone lithograph
Year: 1900
Condition & Comments: Excellent A condition
PLM poster for Lake Annecy by Hugo D’Alesi c1900 on linen
Important poster for travel to Lake Annecy in the Haute Savoie. The view is of La Tournette which is the mountain that rises to 2500 meters directly from the lake. The boat La France sails in the foreground. The boat later sank and has become a favorite diving spot. The poster in excellent condition on linen
Artist: Cappiello, Leonetto
Printer: Vercasson, Paris
Size: 45 x 63 in / 114.3 x 160 cm
On/Off Linen: On Linen
Print Technique: Lithograph
Year: 1901
Artist: Razzia
Printer: Razzia, Fontainebleau
Size: 29.5 x 37 inches / 75 x 94 cm
On/Off Linen: Unlined
Print Technique: Numerique
Condition & Comments: Excellent
LECONS DE VIOLON BY BERTHON FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Lemans 1964 poster by Thivillier 24 heures du Mans
The 1964 24 Hours of Le Mans, held on June 20-21, continued the tradition of featuring the previous year’s winning cars on its promotional poster. The poster showcased the Ferrari 250 P, which secured victory in 1963. This practice of depicting the prior year’s winners was customary, as posters were printed before the current race results were known. The 1964 poster is considered rare and highly collectible.
In the 1964 race, Ferrari maintained its dominance. The North American Racing Team (NART), a privateer team, achieved an overall win with drivers Jean Guichet and Nino Vaccarella piloting a Ferrari 275 P. This victory underscored Ferrari’s continued success at Le Mans during the early 1960s.
The 1964 event was notable for intense competition between manufacturers, particularly Ferrari and Ford. Ford’s GT40 made its Le Mans debut, aiming to challenge Ferrari’s supremacy. However, mechanical issues plagued the GT40s, preventing them from finishing the race. Ferrari’s reliability and performance secured their position at the forefront of endurance racing during this period.
The 1964 Le Mans poster, featuring the victorious Ferrari 250 P from the previous year, serves as a historical artifact reflecting Ferrari’s era of dominance and the competitive spirit of endurance racing in the 1960s.
Title: 24h DU Mans 1964
Artist: Photo Paris MatchDate: 1964
Printer: IMp Thivillier
Size: 16 x 24 inches
Print Type: Offset Lithography and Lithography
Condition: Excellent “A” on linen
Comments: 24h du Mans 1964 poster on linen. This authentic original printing is from 1964. Have you ever seen so many 250 GTOs and LMs in one photo?
Lemans 1964 poster by Thivillier 24 heures du Mans
The 1964 24 Hours of Le Mans, held on June 20-21, continued the tradition of featuring the previous year’s winning cars on its promotional poster. The poster showcased the Ferrari 250 P, which secured victory in 1963. This practice of depicting the prior year’s winners was customary, as posters were printed before the current race results were known. The 1964 poster is considered rare and highly collectible.
In the 1964 race, Ferrari maintained its dominance. The North American Racing Team (NART), a privateer team, achieved an overall win with drivers Jean Guichet and Nino Vaccarella piloting a Ferrari 275 P. This victory underscored Ferrari’s continued success at Le Mans during the early 1960s.
The 1964 event was notable for intense competition between manufacturers, particularly Ferrari and Ford. Ford’s GT40 made its Le Mans debut, aiming to challenge Ferrari’s supremacy. However, mechanical issues plagued the GT40s, preventing them from finishing the race. Ferrari’s reliability and performance secured their position at the forefront of endurance racing during this period.
The 1964 Le Mans poster, featuring the victorious Ferrari 250 P from the previous year, serves as a historical artifact reflecting Ferrari’s era of dominance and the competitive spirit of endurance racing in the 1960s.
Title: 24h DU Mans 1964
Artist: Photo Paris MatchDate: 1964
Printer: IMp Thivillier
Size: 16 x 24 inches
Print Type: Offset Lithography and Lithography
Condition: Excellent “A” on linen
Comments: 24h du Mans 1964 poster on linen. This a second printing from 1970’s. Have you ever seen so many 250 GTOs and LMs in one photo?
Liquore Del Reno
Designed in 1909 by Italian artist Remg (Remo Branca), this lithograph promotes the Liquore del Reno, a liqueur produced by the Giulio Tartarini distillery in Pieve di Cento, Ferrara. The company was active in the early 20th century and proudly displayed its Grand Prix Medaglia d’Oro from the 1909 Florence exposition.
This 1940 printing is in lithography, just as the original was, and depicts a finely dressed woman enjoying a glass of the liqueur, accompanied by elegant period typography.
The poster is linen-backed and in excellent condition, preserving both the design and printing quality.
Liquore del Reno
Artist: Remg (Remo Branca)
Date: 1909 design, printed 1940
Size: 14.25 × 21.5 in / 36.1 × 54.6 cm
Print Technique: Lithograph
On Linen: Yes
Condition: Excellent (A)
Parc de Bagatelle 1991 – Voitures de Stars (Automobiles Classiques et Louis Vuitton) – Razzia, 1991 – Original Serigraph on Linen
This rare original poster was created by Razzia (Gérard Courbouleix-Dénériaz) in 1991 for the “Automobiles Classiques et Louis Vuitton” Concours d’Élégance held at the Parc de Bagatelle on September 7–8 of that year. The elegantly rendered faces of Clark Gable and Rita Hayworth, paired with a classic automobile in the foreground, evoke the glamour of Old Hollywood and vintage motoring at its finest.
Printed in Paris by Caza using serigraph lithography, this is the first edition—not one of the artist’s later digital inkjet prints. The piece measures 20 × 30 inches (51 × 76 cm), is unlined, and remains in excellent “A” condition—vivid, crisp, and collector-ready.
Artist: Razzia (Gérard Courbouleix-Dénériaz)
Printer: Caza, Paris
Size: 20 × 30 in / 51 × 76 cm
On/Off Linen: Unlined
Print Technique: Serigraph lithograph
Year: 1991
Condition & Comments: Excellent “A” condition; first serigraph printing; features Clark Gable, Rita Hayworth, and a classic automobile from the Concours d’Élégance.
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