Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home. In this cover you see a man offering to help a woman.
Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home. In this cover you see a mother kissing her son.
Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home. In this cover you see a woman carrying two buckets of milk. In the scenery you can see sunflowers.
Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home. In this cover you see a young girl singing at her first recital.
Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home. In this cover you see a reference to fashion.
Artist: Steinlen, Theofile Printer: Gil Blas, Paris Size: 11 x 16 ” / 28 x 40,65 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: chromolithograph Year: 1890c Condition & Comments: Excellent A condition
Gil Blas was a Weekly Journal with informations on almost everything cultural of the time. Steinlen was often inspired by his surroundings including his wife their babysitter, his cats and his home.
Artist: Michel Beligond Size: 16 x 24″ / 40 x 60 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1959/1970’s second printing Condition & Comments: Excellent A condition
The 24 hours lemans had always showed the winning cars of the previous year in the poster as it was printed before the race was won.
This poster is a second printing made around the 1970’s in exactly te same way as the original ie: printing technique, paper, size etc
Poster is in excellent condition and mounted on linen by museum quality professional
Razzia Bugatti Atlantic hand signed original (Gerard Courbouleix)
Artist: Razzia Printer: Louis Vuitton Size: 27.5 x 39 ” / 70 x 100 cm On/Off Linen: Unlined Print Technique: serigraph Condition & Comments: Excellent on linen
Louis Vuitton sponsored a Car show every year and each year Razzia created a new image.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Artist: Anon Printer: Taitinger Paris Size: 20 x 32 ” / 50.8 x 81.25 cm On/Off Linen: On Linen Print Technique: offset lithograph Year: 1980 Condition & Comments: Excellent
Captures the Instant with Champagne by Taitinger with Grace Kelly as the reference behind the champagne glass. The poster is on linen and in excellent condition.
Campari Soda was created by Carlo Fisanotti in 1948 and printed by Gros Monti, Torino. Issued in the years following World War II, the design reflects the early wave of Italian modernism that would come to dominate the 1950s in art, advertising, furniture, and automotive styling. Fisanotti’s composition is minimal yet striking, presenting the iconic Campari Soda bottle in a bold, graphic treatment that was ahead of its time for postwar commercial design.
Printed in lithography, this example will be mounted on linen for preservation before delivery and is in excellent condition.
Title: Campari Soda
Artist: Carlo Fisanotti
Date: 1948
Printer: Gros Monti, Torino
Size: 27.5 × 39 in / 70 × 100 cm
Print Type: Lithograph
On/Off Linen: on linen
Condition: Excellent
Comments: Early postwar Italian advertising design featuring the Campari Soda bottle in a minimalist, modernist style. Reflects the emerging aesthetic that would define Italian design in the 1950s.