Showing 85–96 of 654 results

  • The Beatles Banner by Richard Avedon for Stern 1967 Beatles

    The Beatles Banner by Richard Avedon for Stern 1967 Beatles

    $ 195

    The Beatles (banner) by Richard Avedon 1967

    Artist: Richard Avedon
    Printer: PPP printers
    Size: 14 5/8 x 39 5/8 in / 37 x 100.5 cm
    On/Off Linen: On Linen
    Print Technique: Offset lithograph
    Year: 1967

    Beatles Banner Poster created by Richard Avedon in 1967 for the Beatles. Released in several countries in different sizes and by different distributors. This is from the Stern Printing. The black and white banner was included in the original complete set.

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  • Touraine Circuits Automobiles French Travel on the Chemin de Fer D'Orleans

    Touraine Circuits Automobiles French Travel on the Chemin de Fer D’Orleans

    $ 750

    Tourraine Chateau D’Usse by Constant Duval c1910t

    Artist: Constant-Duval
    Printer: Champenois, Paris
    Size: 30 x 40 in / 76.2 x 101.6 cm
    On/Off Linen: Delay approx 2 weeks to linen-back before delivery
    Print Technique: Stone lithograph
    Year: 1900c
    Condition & Comments: Excellent A

    Circuits Automobiles in the Loire Vallee passing the Chateau D’Usse Tourraine back in 1910. Stone lithograph printed at the Champenois Imprimerie Paris. The light and water are done excellently with finesse by Duval in this bautiful view of the Chateau in Early Autumn.

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  • Willi's Wine Bar by Ensrud 2000 original vintage poster

    Willi’s Wine Bar by Ensrud 2000 original vintage poster

    $ 250

    Willi’s Wine Bar – Wayne Ensrud (2000)

    Original Serigraph on Vélin Paper – First Edition

    Original Willi’s Wine Bar poster created by Wayne Ensrud in 2000, published in Paris as part of the long-running artist poster series commissioned by Willi’s Wine Bar. Printed by serigraphy on Vélin paper, this first-edition poster was issued in a limited print run of 100 signed copies.

    Wayne Ensrud (b. Minnesota, USA) is an American painter and printmaker whose career has spanned several decades. He studied at the Minneapolis College of Art and Design and became the youngest Art Director of the Department of Motion Pictures and Television at the University of California. Ensrud’s work reflects a lifelong engagement with color, composition, and the world of wine, frequently portraying people and places connected to wine culture without compromising his artistic principles or personal style.

    Artist: Wayne Ensrud
    Date: 2000
    Technique: Serigraphy on Vélin paper
    Publisher: Willi’s Wine Bar, Paris
    Edition: Limited to 100 copies
    Dimensions: 27.5 x 39.5 in. (70 x 100 cm)
    Signature: Signed in the plate
    Condition: Mint (A+)
    Notes: First edition; printed in Paris for Willi’s Wine Bar.

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  • Willi’s Wine Bar – Sophie Herxheimer, 1997 (on watercolor paper)

    Willi’s Wine Bar – Sophie Herxheimer, 1997 (on watercolor paper)

    $ 275

    Original 1997 Willi’s Wine Bar poster designed by Sophie Herxheimer and printed in Paris by Caza Imprimerie. Since 1984, Willi’s Wine Bar has commissioned a different artist each year to create a poster celebrating wine, resulting in a long-running series now considered highly collectible.

    This edition is a serigraph on vélin paper, a fine wove stock often chosen for limited artist prints. Herxheimer’s lively, illustrative style conveys the convivial and spirited atmosphere of Willi’s, combining bold color and playful design.

    The poster is unlined and remains in excellent condition.

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    Details

    Title: Willi’s Wine Bar
    Artist: Sophie Herxheimer
    Year: 1997
    Printer: Caza Imprimerie, Paris
    Size: 27.5 x 39 in / 70 x 100 cm
    Print Technique: Serigraph on vélin
    Linen: Unlined
    Condition: Excellent

    The poster is unlined and remains in excellent condition.

    ⸻

    Details

    Title: Willi’s Wine Bar
    Artist: Sophie Herxheimer
    Design Year: 1997
    Print Year: 2000
    Printer: Caza Imprimerie, Paris
    Size: 27.5 x 39 in / 70 x 100 cm
    Print Technique: Serigraph on vélin
    Linen: Unlined
    Condition: Excellent

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  • batman warhol

    ANDY WARHOL Batman 1997 ORIGINAL VINTAGE POP ART POSTER ON LINEN

    $ 250

    Lo Title: Batman – Turin Museum Retrospective

    Original exhibition poster for Batman – Turin Museum Retrospective, held at the Museo dell’Automobile in Turin, Italy, from November 30, 1996, to March 9, 1997. The poster features artwork by Andy Warhol, linking the Pop Art master with one of the most recognizable figures of popular culture, Batman.

    Printed by Mastergraph in Milan, this offset lithograph was produced for the official show and has since become collectible both as part of Warhol’s extended graphic legacy and as a unique example of the intersection between fine art and comic book iconography. The poster measures 67.5 x 94.5 cm 26 x38 inches and has been professionally mounted on linen for preservation.

    This poster brings together two 20th-century icons: Warhol, whose bold style defined the Pop Art movement, and Batman, a character whose presence in art, film, and culture remains enduring. In excellent condition, this original 1996–1997 exhibition issue offers a rare opportunity to acquire a well-preserved piece connected to both modern art and popular culture.

    Title: Batman – Turin Museum Retrospective
    Artist: Andy Warhol
    Date: November 30, 1996 – March 9, 1997
    Printer: Mastergraph, Milan
    Size: 67.5 x 94.5 cm 26 x 38 inches
    Print Type: Offset Lithograph
    Condition: Excellent, on linen

    Poster made for the exposition of a retrospective of Any Warhol in a Museum in Torino in 1997. The poster is on heavy paper and mounted on linen in excellent condition

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  • La Loie Fuller by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    La Loie Fuller by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 875

    Folies Bergere by Jules Cheret of Loie Fuller Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Artist: Cheret, Jules
    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Folies Bergere poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. Loie Fuller was an American dancer who attained fame in Paris at the turn of the century with her danses which featured special colored lighting to enhance the spectacle.

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  • Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 350

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Artist: Grasset, Eugene
    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Salon des Cent poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. 

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  • Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    $ 450

    ENCRE MARQUET — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate presents Eugène Grasset’s elegant advertising design for Encre Marquet, a French ink manufacturer. Grasset, one of the pioneers of Art Nouveau, was celebrated for his graceful line work, flattened color harmonies, and stylized decorative compositions that drew on medieval and Japanese sources. His poster for Encre Marquet exemplifies this refined approach, transforming a simple commercial product into a work of artistic sophistication.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, issued in limited numbers for collectors. Published under the artistic direction of Jules Chéret at the Chaix atelier, each issue contained stone-lithograph reductions of major affiches, printed on fine paper using the same techniques as the large-format originals. These plates offered collectors access to authentic poster art by the leading designers of the Belle Époque in a more practical and collectible format.

    Grasset’s Encre Marquet remains an iconic example of French poster design in the 1890s, combining functionality, elegance, and the stylistic innovation that defined Art Nouveau.

    Title: Encre Marquet
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original advertising poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Strong, clean impression with vivid color. A classic Art Nouveau design by Grasset, highlighting his refined decorative style in commercial poster art.

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  • Les Arts 4 by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Les Arts 4 by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 295

    Les Arts by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Arts by Jules Cheret poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition.

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  • Menard – Automne – L Estampe Moderne (1897) Original Lithograph

    Menard – Automne – L Estampe Moderne (1897) Original Lithograph

    $ 395
    Automne  Marie-Émile-René Ménard (1862–1930)  1897

    Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.

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    Printer: Imprimerie Champenois, Paris
    Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
    Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
    Print Type: Original stone lithograph on wove paper
    Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
    Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.

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  • Albert Donnay – Artemis, 1897 | Original Lithograph – L’Estampe Moderne

    Albert Donnay – Artemis, 1897 | Original Lithograph – L’Estampe Moderne

    $ 575
    Albert Donnay – Artemis (1897)

    Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.

    Details
    Artist: Albert Donnay
    Printer: L’Imprimerie Champenois, Paris
    Year: 1897
    Size: 12 x 16 in / 30.5 x 40.6 cm
    Print Type: Original Lithograph
    On/Off Linen: Unlined
    Condition: Excellent A condition
    Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.

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  • Henri-Gabriel Ibels – Pantomime, 1898 – L’Estampe Moderne Original Stone Lithograph

    Henri-Gabriel Ibels – Pantomime, 1898 – L’Estampe Moderne Original Stone Lithograph

    $ 275
    Henri-Gabriel Ibels – Pantomime (1898)
    Published in 1898 for the Paris art journal L’Estampe Moderne, this original stone lithograph by Henri-Gabriel Ibels portrays a theatrical pantomime scene, a subject closely tied to Ibels’ lifelong interest in popular entertainment and Parisian street culture. A founding member of the Nabis group and associate of Bonnard and Vuillard, Ibels combined simplified color areas and strong outlines to convey the expressive rhythm of modern life. Printed by F. Champenois and published by Masson & Piazza, the work bears the blind stamp of L’Estampe Moderne in the lower margin.

    Details
    Title: Pantomime
    Artist: Henri-Gabriel Ibels (French, 1867–1936)
    Date: 1898
    Printer: F. Champenois, Paris
    Publisher: Masson & Piazza
    Series: L’Estampe Moderne
    Print Type: Original stone lithograph
    Size: 12 × 16 inches (31 × 41 cm)
    Condition: Excellent; strong impression with light age toning consistent with the series
    Comments: Issued as part of the L’Estampe Moderne portfolio (1897–1899), which featured monthly color lithographs by leading artists of the period.

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