Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This plate features Privat Livemont’s celebrated design for Absinthe Robette, a Belgian advertising poster that has become one of the most iconic images of Art Nouveau.
The image depicts a graceful young woman in flowing robes, holding aloft a glass of absinthe that catches the light, while stylized tendrils and ornamental patterns surround her. Livemont, often referred to as the “Belgian Mucha,” was renowned for his elegant depictions of women framed within decorative motifs. Absinthe Robette exemplifies his refined style and perfectly conveys the Belle Époque fascination with elegance, beauty, and the mystique of absinthe.
Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, dedicated to showcasing important poster designs by international artists. Published under the direction of Jules Chéret at the Chaix atelier, these plates were printed in reduced format but retained the full stone-lithographic technique of the originals, making them prized collector’s items.
Title: Absinthe Robette
Artist: Privat Livemont (1861–1936)
Date: c.1896 (after the original 1896 poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Étrangères)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” nice condition on fine wove paper
Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Bright, clean impression with vivid colors. Among the most celebrated Art Nouveau posters, representing both the allure of absinthe and Livemont’s masterful design.
Confetti by Henri de Toulouse-Lautrec for Les Affiches Étrangères, Chaix Imprimerie, 1897 (Stone Lithograph)
Jules Chéret created Les Affiches Étrangères at the Chaix Imprimerie to showcase international poster artists. His goal was to offer the public a book featuring 65 color plates and numerous black-and-white illustrations. The poster-collecting craze that began in France in 1895 increased demand for this collection. As a result, the book highlighted famous posters from artists outside France. Each artist approved their plate, and Chaix Imprimerie produced them using stone lithography in 1897. The collection includes works by Toulouse-Lautrec, Mucha, Chéret, and others. This lithograph is an opportunity to own an original piece created during Lautrec’s lifetime with his consent. Today, museums worldwide feature this work.
Toulouse-Lautrec designed the Confetti poster in 1894 as a lively advertisement for Palais de la Nouveauté, a Parisian company selling confetti. During that time, confetti was a popular item for carnival season and festive events.
This plate appears in Les Affiches Étrangères because, although Lautrec was a French artist, he designed the poster for a London-based company that produced confetti for festivals.
Leçons de Violin – Les Maîtres de l’Affiche – Paul Berthon
Original plate Leçons de Violin by Paul Berthon, published as part of the Les Maîtres de l’Affiche series. Issued between 1895 and 1899, this celebrated project reproduced in reduced format the leading poster designs of the Belle Époque. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the artistic direction of Jules Chéret.
Paul Berthon (1872–1909) was a French Art Nouveau artist and lithographer, admired for his elegant line, decorative motifs, and refined use of color. His work reflects the aesthetics of the Art Nouveau period, often compared to Alphonse Mucha, and includes both poster design and decorative arts.
The plate was printed by Chaix, the foremost Parisian printer of posters at the time, whose work defined the visual culture of the 1890s.
This example measures 11 × 16 in. (28 × 40.6 cm) and is preserved in excellent “A” condition.
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Artist: Paul Berthon
Printer: Imprimerie Chaix, Paris
Date: 1895–1899 (Les Maîtres de l’Affiche series)
Size: 11 × 16 in. (28 × 40.6 cm)
Print Type: Stone Lithograph
On Linen: No
Condition: Excellent “A”
The Century – Les Maîtres de l’Affiche – Maxfield Parrish
Original plate The Century by Maxfield Parrish, published as part of the Les Maîtres de l’Affiche series. This important project ran from 1895 to 1899 and reproduced, in reduced format, the best poster designs of the period. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the direction of Jules Chéret, the “father of the modern poster.”
Maxfield Parrish (1870–1966) was an American painter and illustrator whose career spanned the late 19th and early 20th centuries. Known for his brilliant colors, idealized imagery, and graphic clarity, Parrish was a major figure in American illustration and design. His inclusion in Les Maîtres de l’Affiche reflected the international reach of the poster movement of the Belle Époque.
Chaix, the Paris printer, was at the center of poster production in the 1890s. Under Chéret’s artistic leadership, the firm pioneered high-quality color lithography and published both the original large posters and the Les Maîtres de l’Affiche plates, which remain highly collectible today.
This plate is printed on fine wove paper, measures 12 × 16 in. (30.5 × 40.6 cm), and has been professionally mounted on linen. It is preserved in excellent “A” condition.
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Artist: Maxfield Parrish
Printer: Imprimerie Chaix, Paris
Date: 1895–1899 (Les Maîtres de l’Affiche series)
Size: 12 × 16 in. (30.5 × 40.6 cm)
Print Type: Stone Lithograph
On Linen: Yes
Condition: Excellent “A”
7 SEpt Cine-Photo 1920’s rare printers poster sampler Early camera biplane and seashore
A small yet striking printer’s sample from around 1920, created to showcase the skill of Ancienne Établissements Gillot in four-color gravure, with final printing by C.L. Courtois. Signed by the renowned illustrator E. Vila, the composition captures two elegantly dressed women on a breezy seashore, one holding an early camera. In the distance, a small vintage automobile and a biplane evoke the modern spirit of the early 20th century.
Adding to its charm is a whimsical touch hidden in the title: the number “7” in Sept contains a caricature of a man holding a camera. The fine halftone detail reflects the photogravure process—used before the dominance of offset printing—known for its tonal richness and precision. A rare and delightful piece that merges advertising, technology, and Art Deco-era elegance.
Ciné Foto Sept – Printer’s Sample
Artist: E. Vila (Émile Vila)
Printer: Anc. Établissements Gillot (gravure), tirage de C. L. Courtois
Size: 8 × 10.5 in / 20.3 × 26.7 cm
On/Off Linen: on linen
Print Technique: Four-color gravure
Year: c. 1920
Condition: Excellent
A Gaiety Girl by Hardy for Les Affiches Etrangeres 1894
Artist: A Gaiety Girl by Hardy Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Pseudonym Autonym Beardsley by Beardsley for Les Affiches Etrangeres 1894
Artist: Beardsley Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Comedy Theatre London by Albert George Morrow for Les Affiches Etrangeres 1894
>Artist: Comedy Theatre London by Albert George Morrow Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm<br />On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Concerts Ysaye by Georges Meunier for Les Affiches Etrangeres 1894
Artist: Concerts Ysaye by Georges Meunier Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Harpers Magazine Eugene Grasset for Les Affiches Etrangeres 1894
Artist: Harpers Magazine Eugene Grasset Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Artist: Keynotes Series Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Kock de Koekelberg Berchmans for Les Affiches Etrangeres 1894
Artist: Berchmans Printer: Chaix Imprimerie, Paris Size: 9 x 12.5 ” / 22.8 x 30.5 cm On / Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
