Showing 1–12 of 14 results

  • Folies bergere l'arc en ciel by Cheret for Les Affiches Illustrees 1896

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    $ 250

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Carnaval 1894 Theatre de l'opera by Cheret for Les Affiches Illustrees

    Carnaval 1894 Theatre de l’opera by Cheret for Les Affiches Illustrees

    $ 385

    Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.

    The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.

    Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.

    Title: Carnaval 1894 – Théâtre de l’Opéra
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original 1894 poster)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.

  • Parade by Pablo Picasso 1973 original for the Joffrey Ballet

    Parade by Pablo Picasso 1973 original for the Joffrey Ballet

    $ 350

    PABLO PICASSO — JOFFREY BALLET, PARADE (1973)

    Original 1973 lithograph poster issued by the Foundation for American Dance for the Joffrey Ballet’s presentation of Parade, with costume and set designs by Pablo Picasso. The ballet was originally created in 1917 for Sergei Diaghilev’s Ballets Russes, with music by Erik Satie and choreography by Léonide Massine. Revived by the Joffrey Ballet at New York’s City Center in 1973, this production marked one of the great intersections of modern art, music, and dance. Picasso’s imagery and the history of Parade make this poster an important document of 20th-century performing arts, celebrating the collaboration between visual art and the stage.

    Title: Joffrey Ballet — Parade
    Artist: Pablo Picasso (1881–1973)
    Date: 1973
    Printer: Foundation for American Dance
    Size: 35 × 25 in (approx. 89 × 63.5 cm)
    Print Type: Lithograph
    Condition: Excellent “A” condition, not linen-backed
    Comments: Original poster issued for the Joffrey Ballet’s 1973 production of Parade at City Center, New York. Features Pablo Picasso’s designs first created in 1917 for Diaghilev’s Ballets Russes. Rare and historically significant dance poster highlighting one of the greatest artistic collaborations of the 20th century.

  • Festival Cirque Bouglione d'hiver de l'Affiche Raymond Savignac 1993

    XVI Festival Cirque de Demain 1993 by Raymond Savignac original excellent

    $ 750

    XVI Festival Cirque de Demain 1993 by Raymond Savignac original excellent

    The Festival Cirque Bouglione poster by Raymond Savignac captures the lively spirit of one of France’s most famous circuses. Designed in Savignac’s signature bold and humorous style, the poster features a playful, eye-catching composition that reflects the excitement of the circus. Cirque Bouglione, established in 1934, became a major name in French entertainment, known for performances at the historic Cirque d’Hiver in Paris. Savignac, one of France’s most renowned graphic artists, was celebrated for his simple yet striking designs that brought a sense of fun and charm to advertising. His work remains highly collectible, and this poster is a great example of his ability to convey energy and movement through minimal yet expressive imagery.

    Artist: Savignac, Raymond
    Printer: Ministere Culture, Paris
    Size: 47 x 63 inches / 120 x 160 cm
    On/Off Linen: Unlined
    Print Technique: serigraph
    Year: 1993
    Condition & Comments: Excellent (10 days delay to linen-back)

  • Cirage Jacquot by Lefevre 1894 for Les Affiches Illustrees

    Cirage Jacquot by Lefevre 1894 for Les Affiches Illustrees

    $ 300

    Cirage Jacquot by Lefevre 1894 for Les Affiches Illustrees

    Artist: Lefevre
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Cirage Jaquot by Lucien Lefevre FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    Cirage Jaquot by Lucien Lefevre FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    $ 275

    CIRAGE JACQUOT — Lefèvre

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Lefèvre’s colorful advertising poster for Cirage Jacquot, a French shoe polish brand whose whimsical marketing campaigns were widely recognized in the late 19th century. The poster, with its bold typography and cheerful imagery, reflects the era’s fascination with turning everyday products into art through the medium of the illustrated affiche.

    Les Affiches Illustrées (1896–1899) was among the earliest publications dedicated to poster art, issued in limited numbers to collectors. Produced under the direction of Jules Chéret at the Chaix workshop, each plate was a carefully executed lithographic reduction of a major contemporary poster. These editions, printed on fine paper with the same techniques as the full-size affiches, allowed subscribers to collect authentic works by leading artists of the Belle Époque in a smaller, more practical format.

    The Cirage Jacquot design is a fine example of the commercial poster’s role in shaping modern visual culture. With its lively character and clear branding, it demonstrates how advertising lithography blended humor, style, and function—qualities that made such works both effective marketing tools and enduring collectibles.

    Title: Cirage Jacquot

    Artist: Lefèvre

    Date: c.1896 (after the original advertising poster)

    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)

    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)

    Print Type: Stone lithograph

    Condition: Excellent “A,” near-mint on fine wove paper

    Comments: Authentic original plate from Les Affiches Illustrées, produced at Chaix under the direction of Jules Chéret. Bright, clean impression in superb condition. A playful example of late 19th-century French advertising art.

  • Pantomimes Lumineuses by Jules Cheret 1894 for Les Affiches Illustrees

    Pantomimes Lumineuses by Jules Cheret 1894 for Les Affiches Illustrees

    $ 275

    MUSÉE GRÉVIN – PANTOMIMES — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph of Jules Chéret’s lively poster for the Pantomimes Lumineuses at the Musée Grévin, one of Paris’s most popular venues of the Belle Époque.

    Founded in 1882, the Musée Grévin was both a wax museum and a showcase for visual spectacles. In the 1890s it became famous for its “pantomimes lumineuses,” or illuminated pantomimes — short theatrical works combining actors, costumes, and projected effects, a hybrid between shadow theatre and early cinema. These productions were highly fashionable and foreshadowed the rise of motion-picture entertainment.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated to poster art, issued in small runs for the growing collector market. Published under Jules Chéret’s direction at the Chaix atelier, the series presented high-quality stone-lithograph reductions of important affiches by leading artists. Printed with the same techniques as the large posters but in a smaller format, they allowed subscribers to own authentic works by masters like Chéret, Grasset, Mucha, and Toulouse-Lautrec.

    Chéret’s design for the Pantomimes bursts with movement and color: elegant female figures whirl across the stage, evoking music, light, and theatrical excitement. The composition captures both the joyous atmosphere of Parisian nightlife and Chéret’s reputation as the “father of the modern poster.”

    Title: Musée Grévin – Pantomimes Lumineuses

    Artist: Jules Chéret (1836–1932)

    Date: c.1896 (after the original poster of the early 1890s)

    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)

    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)

    Print Type: Stone lithograph

    Condition: Excellent “A,” near-mint on fine wove paper

    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret’s direction. Bright color, crisp impression. A classic example of Chéret’s theatrical advertising, reflecting the excitement of the Pantomimes Lumineuses at the Musée Grévin.

  • Scaramouche by Cheret 1894 for Les Affiches Illustrees

    Scaramouche by Cheret 1894 for Les Affiches Illustrees

    $ 175

    Scaramouche by Cheret 1894 for Les Affiches Illustrees

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Festival du Cirque de Demain – Raymond Savignac (1988) Original French Circus Poster Printed by Éts Saint Martin, Asnières – On Line

    Festival du Cirque de Demain – Raymond Savignac (1988) Original French Circus Poster Printed by Éts Saint Martin, Asnières – On Line

    $ 450

    Festival du Cirque de Demain (1988)
    Original French Circus Poster
    Designed by Raymond Savignac — Printed by Éts Saint Martin, Asnières

    Created by the celebrated French graphic artist Raymond Savignac (1907–2002), this whimsical poster announces the 11th Festival Mondial du Cirque de Demain, held in Paris from January 20–27, 1988. The event—literally the “Circus of Tomorrow”—was founded to spotlight new generations of circus artists from around the world, combining innovation and traditional spectacle under the dome of the Cirque d’Hiver Bouglione.

    Savignac’s design captures his unmistakable humor and clarity: a simple, colorful composition that conveys joy, movement, and the human element of performance. His ability to distill complex ideas into playful visual symbols made him one of the most beloved French poster artists of the 20th century, known for works for Air France, Perrier, Monsavon, and countless cultural events.

    Printed in serigraphy by Établissements Saint Martin in Asnières, this is the original 1988 edition, professionally mounted on linen and preserved in excellent condition.

    Details
    Artist: Raymond Savignac
    Printer: Établissements Saint Martin, Asnières
    Technique: Serigraph (silkscreen)
    Year: 1988
    Size: 16 x 24 in. (40 x 60 cm)
    Linen: Mounted on linen
    Condition: Excellent

    Comment:
    A joyful and collectible original by Raymond Savignac for the 11th Festival Mondial du Cirque de Demain, printed in vivid serigraphy by Éts Saint Martin. A fine example of Savignac’s lighthearted visual wit and the enduring charm of French cultural poster art.

  • Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    $ 100

    Au Cirque lithographs Henri de Toulouse Lautrec 1952 

    Artist: Lautrec, Henri de Toulouse
    Printer: Sauret, Monte Carlo
    Size: 9.8 x 12.6 ” / 25 x 32 cm
    On/Off Linen: Unlined
    Print Technique: chromolithograph
    Year: 1952
    Condition & Comments: Excellent A condition

    Au Cirque a chromolithograhie or phototypie print on arches paper made in 1952 in Monte Carlo. 

  • Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    $ 100

    Au Cirque lithographs Henri de Toulouse Lautrec 1952 

    Artist: Lautrec, Henri de Toulouse
    Printer: Sauret, Monte Carlo
    Size: 9.8 x 12.6 ” / 25 x 32 cm
    On/Off Linen: Unlined
    Print Technique: chromolithograph
    Year: 1952
    Condition & Comments: Excellent A condition

    Au Cirque a chromolithograhie or phototypie print on arches paper made in 1952 in Monte Carlo. 

  • Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    Henri de Toulouse Lautrec Au Cirque Images of The Circus 1952

    $ 125

    Au Cirque lithographs Henri de Toulouse Lautrec 1952 

    Artist: Lautrec, Henri de Toulouse
    Printer: Sauret, Monte Carlo
    Size: 9.8 x 12.6 ” / 25 x 32 cm
    On/Off Linen: Unlined
    Print Technique: chromolithograph
    Year: 1952
    Condition & Comments: Excellent A condition

    Au Cirque a chromolithograhie or phototypie print on arches paper made in 1952 in Monte Carlo. 

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