Showing 1–12 of 23 results

  • Absinthe Robette by Privat Livemont for Les Affiche Etrangeres Chaix Imprimerie 1896

    Absinthe Robette by Privat Livemont for Les Affiche Etrangeres Chaix Imprimerie 1896

    $ 1,250

    ABSINTHE ROBETTE — Privat Livemont – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This plate features Privat Livemont’s celebrated design for Absinthe Robette, a Belgian advertising poster that has become one of the most iconic images of Art Nouveau.

    The image depicts a graceful young woman in flowing robes, holding aloft a glass of absinthe that catches the light, while stylized tendrils and ornamental patterns surround her. Livemont, often referred to as the “Belgian Mucha,” was renowned for his elegant depictions of women framed within decorative motifs. Absinthe Robette exemplifies his refined style and perfectly conveys the Belle Époque fascination with elegance, beauty, and the mystique of absinthe.

    Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, dedicated to showcasing important poster designs by international artists. Published under the direction of Jules Chéret at the Chaix atelier, these plates were printed in reduced format but retained the full stone-lithographic technique of the originals, making them prized collector’s items.

    Title: Absinthe Robette
    Artist: Privat Livemont (1861–1936)
    Date: c.1896 (after the original 1896 poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Étrangères)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” nice condition on fine wove paper
    Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Bright, clean impression with vivid colors. Among the most celebrated Art Nouveau posters, representing both the allure of absinthe and Livemont’s masterful design.

     

  • Confetti Toulouse Lautrec

    Confetti by Henri de Toulouse Lautrec for Les Affiche Etrangeres Chaix Imprimerie 1897 stone lithograph

    $ 1,650

    Confetti by Henri de Toulouse-Lautrec for Les Affiches Étrangères, Chaix Imprimerie, 1897 (Stone Lithograph)

    Jules Chéret created Les Affiches Étrangères at the Chaix Imprimerie to showcase international poster artists. His goal was to offer the public a book featuring 65 color plates and numerous black-and-white illustrations. The poster-collecting craze that began in France in 1895 increased demand for this collection. As a result, the book highlighted famous posters from artists outside France. Each artist approved their plate, and Chaix Imprimerie produced them using stone lithography in 1897. The collection includes works by Toulouse-Lautrec, Mucha, Chéret, and others. This lithograph is an opportunity to own an original piece created during Lautrec’s lifetime with his consent. Today, museums worldwide feature this work.

    Toulouse-Lautrec designed the Confetti poster in 1894 as a lively advertisement for Palais de la Nouveauté, a Parisian company selling confetti. During that time, confetti was a popular item for carnival season and festive events.

    This plate appears in Les Affiches Étrangères because, although Lautrec was a French artist, he designed the poster for a London-based company that produced confetti for festivals.

  • Maxfield Parrish – The Century (Les Maîtres de l’Affiche, 1895–1899) Original Lithograph – Chaix, Paris

    Maxfield Parrish – The Century (Les Maîtres de l’Affiche, 1895–1899) Original Lithograph – Chaix, Paris

    $ 750

    The Century – Les Maîtres de l’Affiche – Maxfield Parrish

    Original plate The Century by Maxfield Parrish, published as part of the Les Maîtres de l’Affiche series. This important project ran from 1895 to 1899 and reproduced, in reduced format, the best poster designs of the period. Subscribers received four plates each month, printed by the Imprimerie Chaix in Paris under the direction of Jules Chéret, the “father of the modern poster.”

    Maxfield Parrish (1870–1966) was an American painter and illustrator whose career spanned the late 19th and early 20th centuries. Known for his brilliant colors, idealized imagery, and graphic clarity, Parrish was a major figure in American illustration and design. His inclusion in Les Maîtres de l’Affiche reflected the international reach of the poster movement of the Belle Époque.

    Chaix, the Paris printer, was at the center of poster production in the 1890s. Under Chéret’s artistic leadership, the firm pioneered high-quality color lithography and published both the original large posters and the Les Maîtres de l’Affiche plates, which remain highly collectible today.

    This plate is printed on fine wove paper, measures 12 × 16 in. (30.5 × 40.6 cm), and has been professionally mounted on linen. It is preserved in excellent “A” condition.

    Artist: Maxfield Parrish
    Printer: Imprimerie Chaix, Paris
    Date: 1895–1899 (Les Maîtres de l’Affiche series)
    Size: 12 × 16 in. (30.5 × 40.6 cm)
    Print Type: Stone Lithograph
    On Linen: Yes
    Condition: Excellent “A”

  • Vichy by Ploz rare important PLM travel poster c1900 on linen

    Vichy by Ploz rare important PLM travel poster c1900 on linen

    $ 3,200

    Artist: Ploz
    Printer: Champenois, Paris
    Size: 29 x 41″ / 73.7 x 104.1 cm
    On/Off Linen: On Linen
    Print Technique: stone lithograph
    Year: 1900
    Condition & Comments: Excellent A condition

    PLM poster for travel to the Vichy by Ploz c1900 on linen

    Important poster for travel to Vichy by Ploz. View on to the Casino of Vichy with Elegant people out and about the town. Ploz does this elegant poster which is now a rare find. The poster in excellent condition on linen

  • LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    $ 875

    FOLIES-BERGÈRE – LOÏE FULLER — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s celebrated poster for the Folies-Bergère, featuring the American dancer Loïe Fuller, whose revolutionary “serpentine dance” with colored lights and flowing silk fabric made her an international sensation in the 1890s.

    Loïe Fuller transformed performance art through her innovative use of stage lighting, tinted gels, and swirling movement that turned her dances into living, luminous abstractions. At the Folies-Bergère she became one of the greatest stars of the Belle Époque, embodying both the glamour of Parisian nightlife and the experimental spirit of modern art. Chéret’s poster captures her radiant energy, with the dancer enveloped in cascading waves of fabric, illuminated by light effects that echo her pioneering stagecraft.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated entirely to poster art, issued in small editions for collectors. Produced at the Chaix atelier under Chéret’s artistic supervision, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper. These works, smaller than the street posters but identical in technique, gave collectors a way to preserve the finest poster art of the era.

    Title: Folies-Bergère – Loïe Fuller
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Brilliant impression with strong colors. An iconic image of Loïe Fuller, whose luminous dance defined the artistic daring of the Belle Époque stage.

  • camera 1920

    7 SEpt Cine-Photo 1920’s rare printers poster sampler Early camera biplane and seashore

    $ 395

    7 SEpt Cine-Photo 1920’s rare printers poster sampler Early camera biplane and seashore

    A small yet striking printer’s sample from around 1920, created to showcase the skill of Ancienne Établissements Gillot in four-color gravure, with final printing by C.L. Courtois. Signed by the renowned illustrator E. Vila, the composition captures two elegantly dressed women on a breezy seashore, one holding an early camera. In the distance, a small vintage automobile and a biplane evoke the modern spirit of the early 20th century.

    Adding to its charm is a whimsical touch hidden in the title: the number “7” in Sept contains a caricature of a man holding a camera. The fine halftone detail reflects the photogravure process—used before the dominance of offset printing—known for its tonal richness and precision. A rare and delightful piece that merges advertising, technology, and Art Deco-era elegance.

    Ciné Foto Sept – Printer’s Sample
    Artist: E. Vila (Émile Vila)
    Printer: Anc. Établissements Gillot (gravure), tirage de C. L. Courtois
    Size: 8 × 10.5 in / 20.3 × 26.7 cm
    On/Off Linen: on linen
    Print Technique: Four-color gravure
    Year: c. 1920
    Condition: Excellent

  • gaiety girl hardy

    A Gaiety Girl by Hardy for Les Affiches Etrangeres 1894

    $ 300

    A Gaiety Girl by Hardy for Les Affiches Etrangeres 1894

    Artist: A Gaiety Girl by Hardy
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • beggarstaff a trip to chinatown

    A Trip to Chinatown Beggarstaff for Les Affiches Etrangeres 1894

    $ 300

    Pseudonym Autonym Beardsley by Beardsley for Les Affiches Etrangeres 1894

    Artist: Beardsley
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • comedy theatre george morrow

    Comedy Theatre London by Albert George Morrow for Les Affiches Etrangeres 1897

    $ 350

    Comedy Theatre London by Albert George Morrow for Les Affiches Etrangeres 1894

    >Artist: Comedy Theatre London by Albert George Morrow
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm<br />On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Concerts Ysaye Georges Meunier

    Concerts Ysaye by Georges Meunier for Les Affiches Etrangeres 1894

    $ 350

    Concerts Ysaye by Georges Meunier for Les Affiches Etrangeres 1894

    Artist: Concerts Ysaye by Georges Meunier
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • harpers magazine eugene grasser

    Harpers Magazine Eugene Grasset for Les Affiches Etrangeres 1894

    $ 550

    Harpers Magazine Eugene Grasset for Les Affiches Etrangeres 1894

    Artist: Harpers Magazine Eugene Grasset
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • keynotes SEries Affiche etrangeres

    Keynotes Series for Les Affiches Etrangeres 1894

    $ 300

    Keynotes Series for Les Affiches Etrangeres 1894

    Artist: Keynotes Series
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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