Showing 13–24 of 24 results

  • keynotes SEries Affiche etrangeres

    Keynotes Series for Les Affiches Etrangeres 1894

    $ 300

    Keynotes Series for Les Affiches Etrangeres 1894

    Artist: Keynotes Series
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Bock de Koekelberg

    Kock de Koekelberg Berchmans for Les Affiches Etrangeres 1894

    $ 300

    Kock de Koekelberg Berchmans for Les Affiches Etrangeres 1894

    Artist: Berchmans
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • le cenacle by Mignot

    Le Cenacle by Victor Mignot for Les Affiches Etrangeres 1897

    $ 350

    Le Cenacle by Victor Mignot for Les Affiches Etrangeres 1894

    Artist: Le Cenacle by Victor Mignot
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • leon solon affiches etrangeres cheret 1897

    Les affiches etrangeres Leon Solon The Studio 1897

    $ 350

    The Studio by Leon Solon for Les Affiches Etrangeres 1894

    Artist: The Studio by Leon Solon
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • the glasgow institute of the fine arts

    MCNAIR & MACDONALD – GLASGOW INSTITUTE – ORIGINAL 1897 CHAIX LITHOGRAPH – AFFICHES ÉTRANGÈRES

    $ 750

    THE GLASGOW INSTITUTE OF FINE ARTS — McNair & MacDonald

    Original stone-lithograph plate printed in 1897 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This design by Glasgow artists McNair & MacDonald was created for the Glasgow Institute of Fine Arts, reflecting the innovative style of the Scottish Arts and Crafts and early Art Nouveau movement often associated with the Glasgow School. The imagery, signed in the stone, highlights the ornamental linearity and symbolic forms characteristic of this circle, which also included Charles Rennie Mackintosh.

    Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, published under the artistic direction of Jules Chéret. The series showcased posters by important non-French artists, giving collectors access to authentic lithographs from across Europe. Each plate was issued in a numbered edition of 1,050 copies, printed at the Chaix atelier in Paris using the same multi-color stone-lithography techniques as the full-size posters.

    Title: The Glasgow Institute of Fine Arts
    Artists: McNair & MacDonald (Glasgow School)
    Date: 1897 (Les Affiches Étrangères)
    Printer: Imprimerie Chaix, Paris
    Edition: One of 1,050 copies issued
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Multi-color stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Signed in the stone. A fine example of Glasgow School poster design, representing the international reach of Art Nouveau at the end of the 19th century.

  • sarah bernhardt

    Sarah Bernhardt – Amsterdam Performances BEGGARSTAFF BROS William Nicholson & James Pryde ORIGINAL 1897 RARE !

    $ 1,850

    Sarah Bernhardt – Amsterdam Performances BEGGARSTAFF BROS William Nicholson & James Pryde ORIGINAL 1897

    The Sarah Bernhardt poster designed by the Beggarstaff Brothers (William Nicholson and James Pryde) in 1897 is one of the most iconic and rare examples of late 19th-century poster design. Created for Bernhardt’s Amsterdam performances that October, it showcases the Beggarstaffs’ groundbreaking minimalist style—marked by bold silhouettes, flat colors, and graphic restraint that stood in contrast to the ornate Art Nouveau designs of the time. Printed as a stone lithograph, the poster is relatively small in size but highly prized for its historical significance, visual impact, and rarity. It remains a sought-after collector’s item which has sold at auction in NYC for $3500 !

    Details

    • Title: Sarah Bernhardt – Amsterdam Performances
    • Artists: Beggarstaff Brothers (William Nicholson & James Pryde)
    • Date: 1897
    • Printing Method: Original stone lithography
    • Dimensions: Approx. 10.75″ × 10.25″
    • Design: Minimalist silhouette of Bernhardt; bold, graphic aesthetic
    • Occasion: Created for Bernhardt’s 1897 tour at the Stadsschouwburg in Amsterdam
    • Notable performances included: La Dame aux Camélias, La Tosca, Phèdre, Fedora
    • Condition: Excellent (Grade A), untrimmed and unrestored

  • spa ferme crespin

    Spa Ferme Frahinfaz by Crespin for Les Affiches Etrangeres 1894

    $ 300

    Spa Ferme Frahinfaz by Crespin for Les Affiches Etrangeres 1894

    Artist: Spa Ferme Frahinfaz by Crespin
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • sunlight savon berchmans

    Sunlight Savon Berchmans for Les Affiches Etrangeres 1894

    $ 300

    Kock de Koekelberg Berchmans for Les Affiches Etrangeres 1894

    Artist: Berchmans
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • The Chap Book by Bradley for Les Affiches Etrangeres 1894

    The Chap Book by Bradley for Les Affiches Etrangeres 1894

    $ 400

    The Chap Book by Bradley for Les Affiches Etrangeres 1894

    Artist: The Chap Book by Bradley
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • womens edition gifford

    Womens Edition Courier by Gifford for Les Affiches Etrangeres 1894

    $ 300

    Womens Edition Courier by Gifford for Les Affiches Etrangeres 1894

    Artist: Womens Edition Courier by Gifford
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Folies bergere Le Miroir by Jules Cheret 1894 for Les Affiches Illustrees

    Folies bergere Le Miroir by Jules Cheret 1894 for Les Affiches Illustrees

    $ 350

    FOLIES-BERGÈRE – LE MIROIR — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph for Jules Chéret’s exuberant poster for the Folies-Bergère music hall, advertising Le Miroir, one of its popular Belle Époque spectacles.

    The Folies-Bergère was at the center of Parisian nightlife in the late 19th century, famous for its lavish revues, dancers, acrobats, and theatrical innovations. Le Miroir was among the celebrated productions of the 1890s, staged with elaborate sets and reflected effects that dazzled contemporary audiences. Chéret’s design captures this atmosphere of festivity, with lively figures, flowing ribbons, and radiant color—a hallmark of the artist who became known as the “father of the modern poster.”

    Les Affiches Illustrées (1896–1899) was one of the first publications dedicated exclusively to poster art, issued in small runs for collectors. Produced at Chaix under Chéret’s direction, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper and offered in a more practical format than the large street posters. Today, these plates remain highly collectible as authentic examples of Belle Époque lithography.

    Title: Folies-Bergère – Le Miroir
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Bright, crisp impression with vivid color. A classic Chéret design celebrating the glamour and energy of the Folies-Bergère at the height of the Belle Époque.

  • Quinquina Dubonnet Aperitif Jules Cheret 1894 for Les Affiches Illustrees

    Quinquina Dubonnet Aperitif Jules Cheret 1894 for Les Affiches Illustrees

    $ 325

    QUINQUINA DUBONNET — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph for Jules Chéret’s famous poster for Quinquina Dubonnet, the French apéritif wine infused with quinine.

    First created in 1846 by Joseph Dubonnet, the fortified wine was promoted not only as a fashionable aperitif but also as a tonic with supposed health benefits. By the 1890s it had become a household name, thanks in part to striking posters like those of Chéret. His design for Dubonnet features an exuberant female figure in swirling dress and ribbons, raising a glass with infectious energy — the very embodiment of the Belle Époque’s joie de vivre.

    Les Affiches Illustrées (1896–1899) was among the first collector series dedicated to poster art, issued in small editions. Produced at the Chaix atelier under Chéret’s supervision, each plate was a carefully executed stone-lithograph reduction of a major affiche, printed on fine paper. These works allowed collectors to own high-quality, authentic examples of poster art in a more practical format than the large affiches that covered Parisian walls.

    Title: Quinquina Dubonnet – Apéritif
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original 1890s poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Bright, crisp impression with vivid colors. A classic advertising design linking the world of apéritifs with the exuberant art of the Belle Époque.

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