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  • A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    $ 275

    La Femme au Perroquet – L’Estampe Moderne

    La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.

    L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.

    The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.

    The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.

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    Artist: A. Yank
    Title: La Femme au Perroquet
    Series: L’Estampe Moderne
    Date: 1897–1899
    Printer: Imprimerie Champenois, Paris
    Size: 12 × 16 in. (30 × 40 cm) approx.
    Print Type: Color Lithograph
    Stamp: Dry stamp of Imprimerie Champenois
    Condition: Excellent “A”

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  • Desvallieres – Porteur d’Amphore – L’Estampe Moderne (1898) Original Lithograph

    Desvallieres – Porteur d’Amphore – L’Estampe Moderne (1898) Original Lithograph

    $ 250
    Porteur d’Amphore, Maurice Desvallières (1862–1913)  1898

    Original color lithograph by Maurice Desvallières, published in L’Estampe Moderne in 1898. The composition shows a young, muscular man in classical Roman or Greek dress carrying a large amphora through a richly detailed architectural interior filled with statues, columns, and patterned tile flooring — a vivid evocation of the grandeur of antiquity. Desvallières combines idealized strength and realism, capturing both the physical tension of the figure and the luminous setting surrounding him. Issued as part of the celebrated monthly portfolio L’Estampe Moderne (1897–99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent example from the original issue with strong color and wide margins.

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    Printer: Imprimerie Champenois, Paris
    Publisher: Masson & Piazza, Paris (L’Estampe Moderne)
    Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
    Print Type: Original stone lithograph on wove paper
    Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
    Comments: A powerful and classically inspired plate from L’Estampe Moderne, showcasing Desvallières’ mastery of the human form and his richly detailed architectural settings.

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