Original 1897 lithograph Andante Nocturne by F. A. (François-Auguste) Gorguet, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This poetic Art Nouveau composition evokes a quiet, musical reverie — a moonlit scene rendered with Gorguet’s characteristic sensitivity and fluid line.
Details
Artist: F. A. Gorguet
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly subscription portfolio published in Paris from 1897 to 1899, featuring original lithographs by leading artists of the period. Andante Nocturne reflects Gorguet’s lyrical approach and the refined decorative style typical of the series.
Original color lithograph by Belgian artist Henri Berchmans, published in L’Estampe Moderne in 1898. The image shows a standing female nude with a satyr beside her, in a wooded or natural setting. The composition is balanced and finely drawn, typical of Berchmans’ academic style and interest in mythological themes. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A mythological subject from L’Estampe Moderne, showing Berchmans’ precise drawing and controlled figure study.
Published in November 1897 as Issue No. 7 of L’Estampe Moderne, this original stone lithograph by Jacques Wely depicts a young Breton woman standing amid windswept moorland, a symbolic blend of nature and regional identity that was popular in fin-de-siècle France. Wely, a painter and illustrator known for his poetic and sentimental portrayals of women, contributed several works to L’Estampe Moderne, which was among the most celebrated art-print portfolios of the 1890s. Printed by F. Champenois and published by Masson & Piazza, the sheet bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Fleur de Lande (Flower of the Moor)
Artist: Jacques Wely (French, 19th cent.)
Date: November 1897
Issue: No. 7, L’Estampe Moderne
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne (1897–1899)
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of the L’Estampe Moderne portfolio, which featured monthly color lithographs by leading French and European artists of the Art Nouveau period.
CYCLES COMIOT — Théophile-Alexandre Steinlen
Original stone-lithograph plate issued in 1899 at Imprimerie Chaix (Paris) for Les Maîtres de l’Affiche. This plate (no. 183) features Steinlen’s celebrated design for Cycles Comiot, created at the height of the Belle Époque cycling boom.
The poster highlights the exhilaration of modern speed: a rider charges forward on a Comiot bicycle while geese run for cover the composition filled with humor and energy. Steinlen’s strong diagonals and expressive line work capture both motion and excitement, while appealing to the new culture of cycling that swept through Paris in the 1890s.
Les Maîtres de l’Affiche (1895–1900) was a prestigious subscription series directed by Jules Chéret, presenting small-format original lithographs of the era’s most important posters. Printed at Chaix on fine wove paper and issued with the blindstamp, these plates gave collectors direct access to authentic works by leading poster artists, including Steinlen, Mucha, Toulouse-Lautrec, and Chéret himself.
Title: Cycles Comiot
Artist: Théophile-Alexandre Steinlen (1859–1923)
Date: 1899 (Les Maîtres de l’Affiche, plate no. 183)
Printer: Imprimerie Chaix, Paris
Size: 11.5 × 15.5 inches (approx. 29 × 39 cm)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper with blindstamp
Comments: Authentic plate from Les Maîtres de l’Affiche, produced at Chaix under the direction of Jules Chéret. Bright impression with vivid color. A classic Steinlen design celebrating the energy and humor of early French bicycle advertising.
Incandescenza – Giovanni Mattaloni, Plate 72 – 1897
Giovanni (Gianni) Mattaloni (Italian, 1852–1914)
Incandescenza, 1897
An original stone lithograph by Giovanni Mattaloni, issued as Plate 72 in Les Maîtres de l’Affiche, the monthly series published by Jules Cheret at Imprimerie Chaix, Paris, between 1895 and 1900. Each portfolio contained four numbered plates reproducing the most notable posters of the Belle Époque in reduced format.
Mattaloni’s Incandescenza promotes an early electric lighting product. The radiant female figure illuminated from within symbolizes the arrival of electric light, a technology that was rapidly transforming European cities. The design reflects Mattaloni’s distinctive Italian Art Nouveau style—combining flowing line, dramatic color, and a sense of motion characteristic of the Ricordi school.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 72 (1897)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; bright, clean impression on full sheet
Comments
A fine example from the series, highlighting Mattaloni’s contribution to Italian poster design and the era’s fascination with electric light.
Original stone-lithograph plate issued in 1899 at Imprimerie Chaix (Paris) for Les Maîtres de l’Affiche. This plate (no. 197) presents Adolfo Hohenstein’s celebrated poster for the Italian opera Iris, composed by Pietro Mascagni.
Premiered in Rome in 1898, Iris quickly spread to the great opera houses of Europe, admired for Mascagni’s rich score and exotic subject matter. Hohenstein, often called the “father of Italian poster art,” created the striking visual campaign. His design for Iris blends Symbolist and Art Nouveau influences: a graceful female figure radiates light and mystery, surrounded by decorative motifs that suggest both the opera’s dramatic themes and its lush Orientalist setting.
Les Maîtres de l’Affiche (1895–1900) was a prestigious subscription series directed by Jules Chéret, showcasing small-format original lithographs of the era’s most important posters. Printed at the Chaix atelier on fine wove paper and issued with the blindstamp, these plates brought the leading poster artists of Europe to collectors in a refined format.
Title: Iris (opera by Pietro Mascagni)
Artist: Adolfo Hohenstein (1854–1928)
Date: 1899 (Les Maîtres de l’Affiche, plate no. 197)
Printer: Imprimerie Chaix, Paris
Size: 11.5 × 15.5 inches (approx. 29 × 39 cm)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper with blindstamp
Comments: Authentic plate from Les Maîtres de l’Affiche, produced at Chaix under the direction of Jules Chéret. Brilliant impression and vivid color. A rare example of Italian poster design represented in the series, celebrating Hohenstein’s elegant artwork for Mascagni’s Iris.
Artist: Hohenstein Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
A LA PLACE CLICHY BY PEAN FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Rassenfosse Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
GRANDE BRASSERIE BY RASSENFOSSE FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Jeanne d’Arc – Eugène Grasset, Sarah Bernhardt, Les Affiches Illustrées, 1896 Original Lithograph on linen
Original 1896 lithograph by Eugène Grasset, published in Paris by Imprimerie Chaix as part of the celebrated series Les Affiches Illustrées. This edition features Grasset’s striking design of Jeanne d’Arc, created for Sarah Bernhardt’s legendary stage portrayal. The image presents the saintly figure with halo, armor, and banner, rendered in Grasset’s signature medieval-inspired decorative style that helped define the French Art Nouveau movement.
Les Affiches Illustrées was issued in limited numbers (1,050 copies), each plate showcasing a poster design by leading artists of the 1890s. Grasset’s Jeanne d’Arc remains one of the highlights of the series for its bold imagery and direct connection to Bernhardt’s celebrated role.
This example is preserved in Excellent “A” condition, professionally mounted on linen.
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Details
Title: Jeanne d’Arc (Sarah Bernhardt) – Les Affiches Illustrées
Artist: Eugène Grasset
Date: 1896
Printer: Imprimerie Chaix, Paris
Size: approx. 12 x 16 in / 31 x 41 cm
Print Type: Color lithograph
Linen: On linen
Condition: Excellent “A”
Eugène Grasset (1845–1917)
Jeanne d’Arc – Sarah Bernhardt, 1899
A richly colored stone lithograph by Eugène Grasset, issued as Plate 174 in Les Maîtres de l’Affiche, the celebrated monthly series published by Jules Chéret at the Imprimerie Chaix in Paris between 1895 and 1900. Subscribers received four plates each month over five years, reproducing the most accomplished poster designs of the Belle Époque in reduced format. The complete series comprised 256 numbered plates created by the foremost artists of the day.
This plate portrays the legendary actress Sarah Bernhardt in her celebrated role as Jeanne d’Arc. Grasset, a major figure of the Art Nouveau movement, combines stylized design with spiritual dignity, expressing both Bernhardt’s theatrical power and the idealized purity of the saint.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 174 (1899)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; vivid impression on full sheet
Comments
An outstanding example from Les Maîtres de l’Affiche, uniting Grasset’s refined Art Nouveau style with the timeless image of Sarah Bernhardt as France’s national heroine.
Chamonix–Strasbourg was created by Roger Broders in 1926 for the PLM (Paris–Lyon–Méditerranée) railway company to promote travel between the French Alps and Alsace. The design features two women in the traditional dress of their respective regions — the wide-brimmed bow headdress of Strasbourg and the alpine attire of Chamonix — standing against a backdrop that links snow-covered peaks to the architectural landmarks of eastern France.
Broders, one of France’s most celebrated travel poster artists, was known for his bold compositions, clear lines, and rich color palettes. This work reflects his signature style of pairing stylized landscapes with strong graphic design to capture the romance of rail travel in the interwar period.
Printed in Paris by Lucien Serre using lithography, this large-format poster has been mounted on linen for preservation and is in excellent “A” condition.
Title: Chamonix–Strasbourg
Artist: Roger Broders
Date: 1926
Printer: Lucien Serre, Paris
Size: 31 × 42 in / 80 × 107 cm
Print Type: Lithograph
On/Off Linen: On linen
Condition: Excellent “A”
Comments: Issued by PLM to promote travel between the French Alps and Alsace, showing women in traditional costumes from Chamonix and Strasbourg.
PARIS OPERA ROMEO AND JULIETTE BY MARC CHAGALL 1964
Marc Chagall painted the ceiling of the Paris Opera, officially known as the Palais Garnier, in 1963. His work replaced the original design by Jules-Eugène Lenepveu and was unveiled in 1964. The mural spans 2,400 square feet and celebrates famous composers like Mozart, Wagner, and Debussy. Using vivid colors and dreamlike imagery, Chagall created a striking contrast with the opera’s classical architecture. Initially, some critics felt it clashed with the historic setting, but it later became a beloved feature of the opera house.
In 1969, Chagall designed a travel poster for Air France featuring Romeo and Juliet. The artwork shows the lovers floating in an embrace above a colorful landscape, blending fantasy and romance. His deep blues, reds, and yellows create a dreamlike atmosphere, reflecting France’s cultural richness. Today, this poster remains one of the most well-known travel images linked to his work.
Artist: CHAGALL, MARC Printer: MOURLOT IMPRIMERIE Size: 25 x 39″ / 62 x 100 cm On/Off Linen: On Linen Print Technique: stone lithograph Year: 1964 Condition & Comments: Excellent A condition
PARIS OPERA ROMEO AND JULIETTE BY MARC CHAGALL 1964
Chagall who painted the ceilings of the Paris Opera had this poster take a portion from the ceiling and reproduced it by mourlot a artistic printer who does printing by way of stone lithography rare…
