Showing 541–552 of 1257 results

  • copy of Automobiles Ader by Georges Meunier 1900 ORIGINAL VINTAGE POSTER

    Automobiles Ader by Georges Meunier 1900 ORIGINAL VINTAGE POSTER

    $ 650

     

     

    Artist Meunier, Georges
    Printer Chaix, Paris
    Size15.5 x 22.5 “/ 39,4x 57,1 cm
    On / Off linen Delay approx 2 weeks to linen-back before delivery
    Print Technique stone lithograph
    Year1900
    Condition & Commentsexcellent

    Automobiles Ader by Georges Meunier 1900 ORIGINAL POSTER

    Seems to be a a traffic situation on a small bridge somewhere in France. On one side the elegant crew in their Auto Ader and not giving way is the farm lady with her animals. Whose going to back up ? Typical humor of the time by Georges Meunier an important poster artist of the time. Excellent on linen

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  • 1890's Auto poster by Spahn 1900 ORIGINAL VINTAGE POSTER

    1890’s Auto poster by Spahn 1900 ORIGINAL VINTAGE POSTER

    $ 650

    untitled poster from the turn of the century 1900 ORIGINAL POSTER

    Artist: Spahn
    Printer: Paris
    Size: 28.5 x 22 ” / 72.4 x 56 cm
    On/Off Linen: Delay approx 2 weeks to linen-back before delivery
    Print Technique: stone lithograph
    Year: 1900
    Condition & Comments: excellent

    humor in france at the turn of the century. Automobiles made a lot of noise. The artist takes liberty to make of of the annoyances of early cars. on linen

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  • Razzia Louis Vuitton Bagatelle 1999 original original sm

    Razzia Louis Vuitton Bagatelle 1999 original original sm

    $ 250

    Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 20 x 30 ” / 51 x 76 cm
    On/Off Linen: Unlined
    Print Technique: serigraph

    Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

     

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  • Razzia Louis Vuitton Bagatelle 1999 original original lg

    Razzia Louis Vuitton Bagatelle 1999 original original lg

    $ 480

    Razzia Louis Vuitton Bagatelle 1999 original (Gerard Courbouleix)

    Artist: Razzia
    Printer: Louis Vuitton
    Size: 45 x 60 ” / 114.3 x 152.4 cm
    On/Off Linen: Unlined
    Print Technique: serigraph

    Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.

     

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  • 1982 Grand Prix Automobile San Marino on linen by MIchael Turner

    1982 Grand Prix Automobile San Marino on linen by MIchael Turner

    $ 150

    Grand Prix San Marino 1982 by Michael Turner on linen

    Artist: Turner, Michael
    Size: 12.6 x 17 ” / 32 x 43 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1982
    Condition & Comments: Excellent A condition

    • The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s. 
    • 2nd Gran Premio San Marino on linen excellent
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  • Imola Grand Prix – San Marino 1982, Michael Turner Poster

    Imola Grand Prix – San Marino 1982, Michael Turner Poster

    $ 250

    Imola Grand Prix – San Marino 1982 Poster by Michael Turner

    This is an original poster for the 2º Gran Premio di San Marino, held in 1982 at the legendary Autodromo Enzo e Dino Ferrari in Imola. Although officially named for the nearby Republic of San Marino, the race was staged at Imola, one of Formula 1’s most iconic circuits and closely associated with Ferrari.

    The artwork is by Michael Turner, the renowned British motorsport illustrator celebrated from the 1960s through the 1980s for his dramatic depictions of Formula 1 and racing cars. Printed by Polografici, Bologna using offset lithography, the poster has been professionally mounted on linen for preservation.

    The 1982 San Marino Grand Prix remains one of the most famous and controversial races in F1 history. Due to a political boycott, only 14 cars took the start, and the battle came down to the two Ferraris of Didier Pironi and Gilles Villeneuve. After apparent team orders to slow down, Villeneuve believed positions were fixed, but Pironi overtook in the closing laps to seize victory. Villeneuve, furious at what he considered a betrayal, vowed never to speak to Pironi again — a vow cut short by his tragic fatal accident just two weeks later at Zolder. Pironi’s win at Imola, with Villeneuve second and Michele Alboreto (Tyrrell-Ford) third, became one of the defining moments of the 1982 season, adding lasting historical weight to this poster.

    Details
    Artist: Michael Turner
    Year: 1982
    Event: 2Âş Gran Premio di San Marino (Imola Grand Prix)
    Location: Autodromo Enzo e Dino Ferrari, Imola
    Printer: Polografici, Bologna
    Size: approx. 27.5 x 39 in / 70 x 100 cm
    Print Technique: Offset Lithograph
    On/Off Linen: On Linen (museum-quality backing)
    Condition & Comments: Excellent condition. Clean surface, vivid colors, well-preserved.

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  • 1984 Grand Prix Automobile San Marino on linen by MIchael Turner

    1984 Grand Prix Automobile San Marino on linen by MIchael Turner

    $ 150

    Grand Prix San Marino 1984 by Michael Turner on linen

    Artist: Turner, Michael
    Size: 12.6 x 17 ” / 32 x 43 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1982
    Condition & Comments: Excellent A condition

    • The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s. 
    • 4thd Gran Premio San Marino on linen excellent
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  • 1985 Grand Prix Automobile San Marino on linen by MIchael Turner

    1985 Grand Prix Automobile San Marino on linen by MIchael Turner

    $ 150

    Grand Prix San Marino 1985 by Michael Turner on linen

    Artist: Turner, Michael
    Size: 12.6 x 17 ” / 32 x 43 cm
    On/Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1982
    Condition & Comments: Excellent A condition

    • The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s. 
    • 5th Gran Premio San Marino on linen excellent
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  • 1998 Grand Prix Automobile San Marino on linen by MIchael Turner

    1998 Grand Prix Automobile San Marino on linen by MIchael Turner

    $ 150

    Grand Prix San Marino 1998 by Michael Turner on linen

    Artist: Turner, Michael
    Size: 12.6 x 17 ” / 32 x 43 cm
    On / Off Linen: On Linen
    Print Technique: offset lithograph
    Year: 1982
    Condition & Comments: Excellent A condition

    • The Grand Prix of San Marino always showed the winning car of the previous year in the poster as it was printed before the race was won. MIchael Turner was the most important racing poster artist fromt he 60’s through the 80’s. 
    • 18th Gran Premio San Marino on linen excellent
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  • Crazy Horse de Paris 1981 by Razzia original

    Crazy Horse de Paris 1981 by Razzia original

    $ 395

    Razzia Crazy Horse de Paris 1981 (Gerard Courbouleix)

    Artist: Razzia
    Printer: Caza, Paris
    Size: 14 x 21 ” / 35.6 x 53.4 cm
    On / Off Linen: Unlined
    Print Technique: serigraph
    Condition & Comments: Excellent

    Razzia created this poster for the Jubilee show of 30 years celebrating 1951 to 1981. this is the original printing in serigraphy not a later printing rare. by Razzia 

     

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  • Cinematheque Musee de l'affiche 1982 by Razzia original

    Cinematheque Musee de l’affiche 1982 by Razzia original

    $ 250

    Cinémathèque (Museum of the Poster Paris) Razzia 1983

    Poster Cinémathèque by Razzia (Gérard Courbouleix-Dénériaz), created in 1983 and printed in Paris by the Musée de l’Affiche as a fine art serigraph. The design was issued in recognition of the Cinémathèque Française, one of the world’s leading film archives and cultural institutions devoted to preserving and exhibiting the history of cinema.

    Razzia (b. 1950) is regarded as the last contemporary poster artist to consistently use traditional lithographic and serigraphic printing methods. Known for his bold compositions and strong graphic language, he produced iconic posters for luxury brands, cultural events, and exhibitions, continuing the French tradition established by earlier masters of the affiche.

    This serigraph measures 24 × 32 in. (61 × 81 cm) and remains in excellent “A” condition. The poster carries Razzia’s printed signature within the design.

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    Artist: Razzia (Gérard Courbouleix-Dénériaz)
    Title: Cinémathèque (Museum of the Poster Paris)
    Date: 1983
    Printer: Musée de l’Affiche, Paris
    Size: 24 Ă— 32 in. (61 Ă— 81 cm)
    Print Type: Serigraph
    On Linen: —
    Condition: Excellent “A” – Signed in the plate

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  • Chantilly – Razzia - Prix du Jockey Club 1992, Lancia - Rare

    Chantilly – Razzia – Prix du Jockey Club 1992, Lancia – Rare

    $ 750
    Chantilly – Prix du Jockey Club, Lancia – Rare
     
    Original serigraph by Razzia (Gérard Courbouleix-Dénériaz), created in 1992 for the Prix du Jockey Club horse race at Chantilly, sponsored by Lancia. The Prix du Jockey Club, often referred to as the “French Derby,” is one of Europe’s most prestigious flat races, held each June at the historic Chantilly Racecourse. The 1992 running was won by Polytain with jockey Frankie Dettori.
     
    This edition, printed on fine Arches paper, measures 22 × 30 inches (56 × 76 cm). Executed in serigraphy, it displays Razzia’s bold Art Deco–inspired style, here applied to the themes of luxury, tradition, and equestrian sport.
     
    Details
     
    Title: Chantilly – Prix du Jockey Club, Lancia
    Artist: Razzia (Gérard Courbouleix-Dénériaz)
    Year: 1992
    Printer / Sponsor: Lancia
    Print Type: Serigraph on Arches paper
    Size: 22 Ă— 30 in. (56 Ă— 76 cm)
    Linen: Not backed (unlined)
    Condition: Excellent
     
    Comments
     
    An original Razzia serigraph issued for the 1992 Prix du Jockey Club at Chantilly. Printed on Arches paper and preserved in excellent condition. A documented and authentic work that represents Razzia’s collaboration with major luxury sponsors and one of France’s premier sporting events.
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