JANE AVRIL – JARDIN DE PARIS — Henri de Toulouse-Lautrec
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Henri de Toulouse-Lautrec’s famous poster of Jane Avril, one of Montmartre’s most celebrated dancers, created to advertise her performances at the Jardin de Paris.
Jane Avril (1868–1943), a close friend and muse of Lautrec, became an icon of Parisian nightlife through her eccentric, serpentine style of dance. Lautrec’s posters of her are among his most enduring works, capturing both her elegance and her unconventional energy. In this design, Avril dominates the composition, her figure twisting in rhythm, while the bold curves and flat colors reflect Lautrec’s revolutionary approach to poster art.
Les Affiches Illustrées (1896–1899) was among the first journals dedicated to poster art, issued in small runs for collectors. Produced at the Chaix atelier, each plate was a stone-lithograph reduction of an important affiche, printed on fine paper for subscribers. These editions gave collectors authentic examples of the finest Belle Époque posters in a smaller, more practical format than the large affiches pasted on Paris walls.
Title: Jane Avril – Jardin de Paris
Artist: Henri de Toulouse-Lautrec (1864–1901)
Date: c.1896 (after the original 1893 poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix. Crisp impression with strong colors. One of Lautrec’s most iconic poster designs, immortalizing Jane Avril and the artistic vibrancy of fin-de-siècle Paris.
Artist: Woodbury Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
JULY CENTURY BY WOODBURY FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Original vintage advertising poster for Kinagin, created by Eugène Patkévitch and printed by MARSENS. This striking composition promotes the Kinagin beverage—a mix of gin, vermouth, and quinine—reflecting the popular aperitif culture of the period.
The design features bold graphic elements characteristic of early 20th-century European advertising, with strong color contrasts and a refined sense of composition typical of Patkévitch’s work. Posters for aperitifs and quinine-based drinks were widely produced during this era, often emphasizing both elegance and the perceived health benefits of such beverages.
Printed as a lithograph, this piece exemplifies the quality and visual impact of classic poster printing techniques. Large-format examples such as this were intended for prominent display and are increasingly difficult to find today, particularly in well-preserved condition.
Details
Title: Kinagin Vermouth
Artist: Eugène Patkévitch
Year: circa 1941
Size: 35.4 x 50.4 inches / 90 x 128 cm
On / Off Linen: On linen
Condition: Excellent
Comments: Original lithographic advertising poster for Kinagin, printed by MARSENS. Promotes a beverage combining gin, vermouth, and quinine.
Artist: Skonsgaard Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
KINDERNES BY SKNOSGAARD FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Original stone lithograph poster by Hugo D’Alesi promoting travel to Italy via the St. Gotthard railway route. Issued circa 1900, the poster was printed in Paris by Ateliers Hugo D’Alesi for the Chemins de Fer. The composition presents a view toward Italy with Mount Vesuvius shown active in the distance. A female figure dressed in period costume stands in the foreground, while surrounding vignettes depict views of the lakes of the Swiss Alps. D’Alesi produced numerous railway posters during this period, later working extensively for PLM and creating large-scale decorative murals for train stations. This example measures 30 x 41.5 inches and has been professionally mounted on linen. It is in excellent “A” condition.
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Details
Title: L’Italie par St Gotthard
Artist: Hugo D’Alesi
Date: circa 1900
Printer: Ateliers Hugo D’Alesi, Paris
Print Technique: Stone Lithograph
Size: 30 x 41.5 inches
On / Off Linen: Mounted on linen
Condition & Comments: Excellent “A” condition
RARE POSTER BY HUGO D’ALESI FOR THE CHEMINS DE FER TRAVEL TO ITALIE STONE LITHOGRAPH FROM 1900
RARE POSTER FOR TRAVEL THROUGH ST GOTTHARDS PASS TO ITALY. RARE EXCELLENT WITH FINAL DESTINATION NAPLES. THIS IS QUITE INTERESTING AS THE VOLCANO MT VESUVIOUS IS ACTIVE IN THE DISTANCE. THE LADY IS DRESSED IN THE COSTUME OF THE DAY. THE VIGNETTES ARE VIEWS OF THE LAKES IN THE SWISS ALPES. HUGO D’ALESI WAS A MASTER ARTIST WHO DID A LARGE BODY OF WORKS FOR THE CHEMINS DE FER AND LATER PLM INCLUDING MURALES AT TRAIN STATIONS. GREAT STUFF.
Lithographic plate reproducing the poster design Liebigby Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Liebig (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Designed in 1909 by Italian artist Remg (Remo Branca), this lithograph promotes the Liquore del Reno, a liqueur produced by the Giulio Tartarini distillery in Pieve di Cento, Ferrara. The company was active in the early 20th century and proudly displayed its Grand Prix Medaglia d’Oro from the 1909 Florence exposition.
This 1940 printing is in lithography, just as the original was, and depicts a finely dressed woman enjoying a glass of the liqueur, accompanied by elegant period typography.
The poster is linen-backed and in excellent condition, preserving both the design and printing quality.
Liquore del Reno
Artist: Remg (Remo Branca)
Date: 1909 design, printed 1940
Size: 14.25 × 21.5 in / 36.1 × 54.6 cm
Print Technique: Lithograph
On Linen: Yes
Condition: Excellent (A)
Luxardo Zara (1938) Original Italian Liqueur Poster by A. Pomi
Original 1938 advertisement for Luxardo Zara, the Italian liqueur company known for its Maraschino and cherry brandies. Designed by Armando Pomi, this lithographic poster reflects the style of late-1930s Italian commercial art, a period when illustrated posters were the main form of brand communication.
The image was created to promote Luxardo’s products produced in Zara (Dalmatia) before the company relocated to northern Italy after World War II. It remains an authentic document of Italian advertising history and of one of the country’s oldest liqueur producers.
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Details
Artist: Armando Pomi
Year: c. 1938
Country: Italy
Printer: Arti Grafiche Navarra, Milano Italy
Print Technique: Lithograph
Size: 39 × 55 in / 100 × 140 cm (approx. 150 × 110 cm)
Condition: Excellent A condition
On Linen: Optional; allow ≈ 2 weeks for linen-backing before shipment
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Comments
Original lithograph, not a reproduction. Well-preserved example of Italian pre-war advertising for Luxardo, a company still producing liqueurs today.
This original Razzia poster was created in 2004 for the Louis Vuitton Classic, the prestigious vintage automobile event held at Waddesdon Manor in Buckinghamshire, England. The Louis Vuitton Classic gathered some of the world’s most exceptional historic cars in one of Britain’s most refined settings—a stately manor owned by the Rothschild family—combining art, elegance, and automotive heritage in true Louis Vuitton style.
Razzia’s design captures the glamour and sophistication of the event, reflecting his signature approach that fuses bold imagery with refined graphic composition. The poster was printed as a serigraph/lithograph in Paris and is hand-signed by the artist. It comes directly from Razzia himself.
Unlike generic reprints, this is a guaranteed authentic hand-signed original, and a Certificate of Authenticity can be provided upon request.
Artist: Razzia (Gérard Coubouleix-Dénériaz)
Title: LV Classic – Waddesdon Manor
Date: 2004
Printer: Razzia Studio, Paris
Size: 29 x 38 inches
Print Type: Serigraph / Lithograph
Condition: Excellent “A”
Comments: Hand-signed by the artist. Original authentic edition obtained directly from Razzia. Certificate of Authenticity available upon request.
About the Artist:
Razzia, born Gérard Coubouleix-Dénériaz, is one of the foremost contemporary poster artists. His works for Louis Vuitton, Deauville, Monte Carlo, and leading Paris institutions have made him an enduring figure in modern graphic art. His bold imagery and Art Deco influences have secured his place as the last great poster artist continuing the tradition of Cappiello, Cassandre, and Villemot.
MAKING SURE MAKES A HIT! — WILLARD FREDERIC ELMES — 1929
Original American poster from the Mather Work Incentive Series designed by Willard Frederic Elmes. The image features a young circus performer balancing in a handstand on the back of a white horse, illustrating the importance of precision, preparation, and confidence. The accompanying slogan “Guesses Make Misses” reinforces the message that success depends on careful planning rather than guesswork.
The Mather Work Incentive Series was widely distributed in American factories and offices during the early twentieth century as part of workplace motivation programs. Using memorable imagery and concise slogans, these posters were intended to promote efficiency, safety, and attention to detail among workers.
Willard Frederic Elmes (1900–1956) was an American illustrator and poster artist trained at the Art Institute of Chicago, where he also taught. He later operated a studio in Chicago producing commercial illustration and advertising work, including projects for the Sears Roebuck catalog. In the late 1940s he moved to Arizona where he became known for paintings of Southwestern landscapes and Native American subjects.
Artist: Elmes, Willard Frederic
Title: Making Sure Makes a Hit!
Origin: USA
Size: 36 1/4 x 44 inches
On / Off Linen: On linen
Print Technique: Stone lithograph
Year: 1929
Condition & Comments: Excellent condition on linen. Original poster from the Mather Work Incentive Series.
MARSALA FLORIO — PLINIO CODOGNATO — 1951 – Italian Wine
Original Italian advertising poster for Marsala Florio designed by Plinio Codognato. The striking composition features a powerful classical figure in red raising his arm beneath the bold yellow lettering of the Florio brand name. The dramatic lighting and monumental figure evoke the strength and vitality associated with the famous Sicilian wine. The slogan below reads “Ristora • Rinfranca • Rinforza,” emphasizing the restorative and invigorating qualities of Marsala Florio.
This 1951 printing was issued by Gros Monti & Co., Torino, and is considered a later printing of Codognato’s celebrated Marsala Florio design originally created in the early 1930s. The poster is a strong example of Italian advertising graphics of the period, combining classical imagery with modern typography.
Plinio Codognato (1878–1940) was an important Italian poster artist and illustrator whose work helped shape Italian commercial graphic design in the early twentieth century. His posters are known for their bold figures, dramatic compositions, and clear graphic impact.
Artist: Codognato, Plinio
Title: Marsala Florio
Printer: Gros Monti & Co., Torino
Size: approx. 39 x 55 inches / 140 x 100 cm
On / Off Linen: On linen
Print Technique: Lithograph
Year: 1951
Condition & Comments: Excellent condition on linen.
Martini & Rossi Vermouth poster, originally sold in Italy, hails from the 1930s but was later officially printed by Martini around 1960. It is in superb condition, professionally mounted on linen to ensure museum-quality preservation. This official printing commemorates the earlier Martini posters and stands as a testament to the brand’s rich history and enduring appeal.
In 1863, the dynamic partnership of Martini’s entrepreneurial spirit and Rossi’s creative genius gave rise to a vermouth that has remained unparalleled for over 160 years: the iconic MARTINI Rosso. From the aromatic botanicals that define its renowned vermouth to the golden effervescence of the Asti wines, MARTINI’s influence has traversed continents and generations. Nevertheless, its core essence remains firmly anchored in the picturesque Piedmont region.
Title: Martini & Rossi Vermouth Vintage Poster Artist: Marco Date: 1930s (printed by Martini, c. 1960) Printer: Martini Size: 27 x 39 inches Print Type: Lithography (NOT OFFSET) Condition: Excellent “A” on linen
