Paintings and Fine art pieces with artists Picasso, Tom Palmore, Susan Stewart, Arman, Spencer Stewart, Razzia and others. Paintings in Oil on canvas and sculptures in Fired clay and Resin.
Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.
Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.
This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.
Artist: Miro, Joan
Title: Exhibition Japan
Printer: The Mainichi Newspapers
Publisher: The Mainichi Newspapers / National Museum of Modern Art
Origin: Japan
Size: 22.5 x 15.5 inches / 57 x 39 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1966
Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.
Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.
The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.
Details
Artist: Kazimir Malevich
Title: Peasant in the Fields
Printer: Atelier Mourlot, Paris
Medium: Original lithograph in colours on watermarked Arches paper
Edition: From the edition of 2000
Date: Circa 1980
Size: 29.9 x 21.3 inches / 760 x 540 mm
Condition: Excellent condition
Format: Original lithograph printed on Arches paper
Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.
The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.
Details
Artist: Kazimir Malevich
Title: Portrait
Printer: Atelier Mourlot, Paris
Medium: Original lithograph in colours on watermarked Arches paper
Edition: From the edition of 2000 numbered 218/2000
Date: Circa 1980
Size: 29.9 x 21.3 inches / 760 x 540 mm
Condition: Excellent condition
Format: Original lithograph printed on Arches paper
LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975
Original exhibition poster created for Les Saisons by Dany Lartigue at Galerie Tallien in St Tropez in 1975. The composition reflects Lartigue’s light and imaginative style, with imagery inspired by the landscape and atmosphere of the French Riviera.
Dany Lartigue (1921–2017), son of photographer Jacques Henri Lartigue, developed a body of work centered on nature, color, and poetic interpretation of the environment. He lived for many years in St Tropez, where he established a home museum that included his artwork as well as an extensive collection of butterfly specimens. His work often conveys a strong connection to the natural surroundings of the region.
This poster was produced for an exhibition at Galerie Tallien, a gallery known for presenting posters and illustration in the South of France.
Artist: Lartigue, Dany
Title: Les Saisons — Galerie Tallien, St Tropez
Printer: Unknown
Origin: France
Size: 17 x 25.5 inches / 43 x 65 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster by Dany Lartigue for Galerie Tallien, St Tropez.
Lithographic plate reproducing the poster design Liebigby Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Liebig (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
MAKING SURE MAKES A HIT! — WILLARD FREDERIC ELMES — 1929
Original American poster from the Mather Work Incentive Series designed by Willard Frederic Elmes. The image features a young circus performer balancing in a handstand on the back of a white horse, illustrating the importance of precision, preparation, and confidence. The accompanying slogan “Guesses Make Misses” reinforces the message that success depends on careful planning rather than guesswork.
The Mather Work Incentive Series was widely distributed in American factories and offices during the early twentieth century as part of workplace motivation programs. Using memorable imagery and concise slogans, these posters were intended to promote efficiency, safety, and attention to detail among workers.
Willard Frederic Elmes (1900–1956) was an American illustrator and poster artist trained at the Art Institute of Chicago, where he also taught. He later operated a studio in Chicago producing commercial illustration and advertising work, including projects for the Sears Roebuck catalog. In the late 1940s he moved to Arizona where he became known for paintings of Southwestern landscapes and Native American subjects.
Artist: Elmes, Willard Frederic
Title: Making Sure Makes a Hit!
Origin: USA
Size: 36 1/4 x 44 inches
On / Off Linen: On linen
Print Technique: Stone lithograph
Year: 1929
Condition & Comments: Excellent condition on linen. Original poster from the Mather Work Incentive Series.
Original poster on coated paper by Japanese artist Makoto Saito (born 1952), created in 1991 for Gitanes. Published by Alain Weill and printed in France by Graficaza. The design pays homage to the celebrated Gitanes imagery associated with Max Ponty.
Printed as a serigraph in colours on coated paper.
Details
Artist: Makoto Saito
Title: Gitanes – Hommage a Max Ponty
Year: 1991
Printer: Graficaza, France
Publisher: Alain Weill
Medium: Original colour serigraph on coated paper
Size: 34.3 x 26.4 inches
Condition: Mint condition
Format: Original vintage poster
ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Onaranze a Volta (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972
Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.
Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.
Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.
Artist: Tapies, Antoni
Title: Objets et grands formats — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 20 x 31 inches / 51 x 79 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.
TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971
Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.
The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.
Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.
Artist: Picasso, Pablo
Title: Tete de Femme III — Berggruen — 90 Gravures
Printer: Mourlot, Paris
Publisher: Galerie Berggruen
Origin: France
Size: 20 x 27.5 inches / 51 x 70 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1971
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.
