Paintings and Fine art pieces with artists Picasso, Tom Palmore, Susan Stewart, Arman, Spencer Stewart, Razzia and others. Paintings in Oil on canvas and sculptures in Fired clay and Resin.
Lithographic plate reproducing the poster design Liebigby Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Liebig (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
MAKING SURE MAKES A HIT! — WILLARD FREDERIC ELMES — 1929
Original American poster from the Mather Work Incentive Series designed by Willard Frederic Elmes. The image features a young circus performer balancing in a handstand on the back of a white horse, illustrating the importance of precision, preparation, and confidence. The accompanying slogan “Guesses Make Misses” reinforces the message that success depends on careful planning rather than guesswork.
The Mather Work Incentive Series was widely distributed in American factories and offices during the early twentieth century as part of workplace motivation programs. Using memorable imagery and concise slogans, these posters were intended to promote efficiency, safety, and attention to detail among workers.
Willard Frederic Elmes (1900–1956) was an American illustrator and poster artist trained at the Art Institute of Chicago, where he also taught. He later operated a studio in Chicago producing commercial illustration and advertising work, including projects for the Sears Roebuck catalog. In the late 1940s he moved to Arizona where he became known for paintings of Southwestern landscapes and Native American subjects.
Artist: Elmes, Willard Frederic
Title: Making Sure Makes a Hit!
Origin: USA
Size: 36 1/4 x 44 inches
On / Off Linen: On linen
Print Technique: Stone lithograph
Year: 1929
Condition & Comments: Excellent condition on linen. Original poster from the Mather Work Incentive Series.
ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Onaranze a Volta (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972
Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.
Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.
Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.
Artist: Tapies, Antoni
Title: Objets et grands formats — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 20 x 31 inches / 51 x 79 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.
TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971
Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.
The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.
Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.
Artist: Picasso, Pablo
Title: Tete de Femme III — Berggruen — 90 Gravures
Printer: Mourlot, Paris
Publisher: Galerie Berggruen
Origin: France
Size: 20 x 27.5 inches / 51 x 70 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1971
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.
Theaterkunst Ausstellung / Zurich — Carl Roesch — 1914
A striking and rare exhibition poster by Carl Roesch for the Theaterkunst Ausstellung (Theatrical Art Exhibition) held at the Museum of Applied Art in Zurich in 1914. The composition features a contemplative harlequin figure drawing back theater curtains, inviting the viewer behind the scenes into the world of costume and stage design. The image is both poetic and theatrical, capturing the spirit of early 20th-century stage arts with a refined and symbolic approach.
Carl Roesch (1884–1979), born in Diessenhofen, Switzerland, was a painter, graphic artist, and art teacher who studied fine and applied arts throughout Switzerland and Germany. After returning to his hometown in 1907, he developed a diverse career that included painting, graphic design, and large-scale decorative work such as murals, stained glass, and mosaics. His later work shows influences of Impressionism and Expressionism, while this early poster demonstrates a more structured and geometric approach, bridging his painterly sensibility with the emerging modernist graphic style of the period.
This design is one of only two known posters created by Roesch for the 1914 Theaterkunst exhibition, making it a particularly rare and important example of Swiss graphic design from the pre-war era. Executed in stone lithography, the poster reflects the highest standards of early 20th-century printing and remains exceptionally well preserved.
Details
Title: Theaterkunst Ausstellung / Zurich
Artist: Carl Roesch
Year: 1914
Size: 23.75 x 33.25 inches / 60 x 84 cm
On / Off Linen: On linen
Print Type: Stone lithograph
Condition: Excellent A
Comments: Original exhibition poster for the Theaterkunst Ausstellung in Zurich, featuring a harlequin figure revealing the theatrical world behind the curtain. One of two known designs by Roesch for this event.
Original color lithographic poster created for the exhibition of works by Walasse Ting at Galerie Adrien Maeght, 42 rue du Bac, Paris 7. This is a period printing, relatively scarce in this format, featuring a striking reproduction of Ting’s work with vibrant, luminous colors. Signed in the plate.
Walasse Ting (1929–2010) was a Chinese-born artist whose work bridges Abstract Expressionism, CoBrA, and Pop Art. After early exhibitions in Hong Kong, he settled in Paris where he associated with artists such as Pierre Alechinsky while remaining independent of any formal movement. His work combines elements of traditional Chinese painting with a modern, expressive, and highly gestural style, often focusing on recurring subjects such as women, horses, and flowers. Ting described himself as an autodidact, working freely between Eastern and Western influences, and was awarded a Guggenheim Fellowship in 1970.
Artist: Walasse Ting
Year: 1974
Printer: Arte, Paris
Dimensions: 71 x 51 cm / 28 x 20 inches
Medium: Lithograph in colors
Condition: Excellent
Original exhibition poster for a solo show by Walasse Ting at Galerie Adrien Maeght, opening October 16, 1974. The composition reflects Ting’s expressive and decorative style, characterized by fluid brushwork and vibrant color, often inspired by nature and the female form.
Walasse Ting (1929–2010) was a Chinese-American painter associated with a spontaneous and colorful approach to modern painting. Active internationally, he exhibited widely in Europe and the United States and was connected with artists of the CoBrA movement and other avant-garde circles. His work is known for its energetic execution and use of bold, saturated tones.
Galerie Adrien Maeght was an important venue for modern and contemporary art, presenting leading international artists and producing exhibition posters of high quality.
Artist: Ting, Walasse
Title: Galerie Adrien Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 19.5 x 24.5 inches / 50 x 62 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1974
Condition & Comments: Excellent condition. Original exhibition poster for Walasse Ting at Galerie Adrien Maeght.
A beautiful exhibition poster for painter Yves Brayer, depicting a lone figure walking along a Provençal path filled with color and vegetation. The composition reflects Brayer’s deep connection to the landscapes of southern France, rendered with a rich, expressive sensitivity that defines his work.
Yves Brayer (1907–1990) was a prominent French painter who trained at the École des Beaux-Arts and exhibited at the Salon d’Automne and the Salon des Indépendants. He was elected to the Académie des Beaux-Arts in 1957. While best known for his evocative interpretations of Provence, Brayer traveled extensively, capturing the character of Spain, Italy, Morocco, and other regions with a distinctive, expressive style.
This poster was created for his 1972 exhibition at Galerie “65” in Cannes and printed by the renowned Mourlot studio in Paris. Mourlot is celebrated for producing some of the finest lithographic posters of the 20th century, working with artists such as Picasso, Léger, Miró, Matisse, and Chagall.
Printed as an original lithograph, the poster has strong decorative appeal and represents a fine example of French exhibition poster production from the period.
Details
Title: Yves Brayer (Provence) — Galerie “65” Cannes
Artist: Yves Brayer
Year: 1972
Size: 21 x 33.3 inches / 53 x 84 cm
On / Off Linen: On linen
Condition: Excellent
Comments: Original lithograph exhibition poster printed by Mourlot for the 1972 exhibition of Yves Brayer at Galerie “65” in Cannes.
Lithographic plate reproducing the poster design Zolfi by Ettore Malerba, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Ettore Malerba
Title: Zolfi (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
