Paintings and Fine art pieces with artists Picasso, Tom Palmore, Susan Stewart, Arman, Spencer Stewart, Razzia and others. Paintings in Oil on canvas and sculptures in Fired clay and Resin.
Perrier – Andy Warhol, c. 1983 – Original Offset Lithograph on Linen
This original Perrier advertising poster features artwork by Andy Warhol and was produced in 1983 by Edité par la Source Perrier in France. It is one of two color variations Warhol created for the campaign, each showing his signature Pop Art interpretation of the iconic green Perrier bottle.
The design presents two overlapping bottles rendered in vivid green and blue, with Warhol’s plate signature visible in the lower margin. Measuring 23.75 × 17.75 inches (60 × 45 cm), the work is printed in offset lithography and has been professionally mounted on linen for preservation.
This example is from the first printing by Perrier. A later printing was produced by Lalande-Courbet in Vézère, France, which is not considered part of the original 1983 issue. Warhol’s Perrier designs are celebrated for their seamless blend of fine art and commercial imagery, reflecting his ongoing fascination with consumer brands.
Title: Perrier
Artist: Andy Warhol
Date: 1983 (first printing)
Printer: Edité par la Source Perrier, France
Size: 23.75 × 17.75 in / 60 × 45 cm
Print Type: Offset lithograph
On Linen: Yes
Condition: Excellent “A” on linen
Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.
Details
Artist: Albert Donnay
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.
Original 1897 lithograph Le Jugement de Paris by Paul Jouve, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This early work by Jouve, who would later become one of France’s foremost animal painters and sculptors, illustrates the classical myth of Paris choosing between Hera, Athena, and Aphrodite. The composition already shows Jouve’s developing mastery of form and his refined sense of line and balance.
Details
Artist: Paul Jouve
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the celebrated monthly Parisian portfolio published between 1897 and 1899. Each issue contained four original lithographs by prominent artists of the Art Nouveau period. Le Jugement de Paris is an important early example of Jouve’s work, revealing his emerging style and the precision that later defined his career.
La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.
L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.
The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.
The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.
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Artist: A. Yank
Title: La Femme au Perroquet
Series: L’Estampe Moderne
Date: 1897–1899
Printer: Imprimerie Champenois, Paris
Size: 12 × 16 in. (30 × 40 cm) approx.
Print Type: Color Lithograph
Stamp: Dry stamp of Imprimerie Champenois
Condition: Excellent “A”
Porteur d’Amphore, Maurice Desvallières (1862–1913) 1898
Original color lithograph by Maurice Desvallières, published in L’Estampe Moderne in 1898. The composition shows a young, muscular man in classical Roman or Greek dress carrying a large amphora through a richly detailed architectural interior filled with statues, columns, and patterned tile flooring — a vivid evocation of the grandeur of antiquity. Desvallières combines idealized strength and realism, capturing both the physical tension of the figure and the luminous setting surrounding him. Issued as part of the celebrated monthly portfolio L’Estampe Moderne (1897–99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent example from the original issue with strong color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
Comments: A powerful and classically inspired plate from L’Estampe Moderne, showcasing Desvallières’ mastery of the human form and his richly detailed architectural settings.
A sensuous and finely balanced lithograph by French artist Charles Guérin, published in L’Estampe Moderne in 1898. The composition shows Guérin’s refined handling of color and line, merging Symbolist atmosphere with the decorative elegance characteristic of the fin-de-siècle. The work reflects the influence of both Gauguin and Odilon Redon, revealing Guérin’s lyrical approach to the female form and mythological subjects.
Details
Lithograph on wove paper
Signed on the plate lower left margin
Blind stamp of L’Estampe Moderne (bottom right)
Printed in Paris, 1898
Sheet size: 40.5 × 30.5 cm / 15.9 × 12 in.
Condition: Excellent; on its full sheet
Charming original color lithograph by Firmin Bouisset, published in L’Estampe Moderne in 1899. It depicts a young flower seller holding a bouquet, rendered in Bouisset’s soft, naturalistic Art Nouveau style. Issued as plate no. 20 of the celebrated monthly portfolio L’Estampe Moderne (1897 – 99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and Bouisset’s printed signature within the image. This is an excellent example from the original issue — clean, fresh color and wide margins, ideal for framing.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, No. 20)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
Comments: A fine example from the distinguished L’Estampe Moderne series, representing Bouisset’s lyrical side beyond his well-known advertising work.
A graceful lithograph from L’Estampe Moderne series showing a ballerina backstage, poised delicately en pointe in her white tutu as she awaits her turn to dance. The work captures Henri Boutet’s refined sensitivity to gesture and atmosphere—his reputation as “le peintre de la femme” (the painter of women) is evident in this quiet, expectant moment. Published in 1897 by Imprimerie Champenois in Paris, this print was issued by monthly subscription, four plates delivered by post to collectors throughout Europe. Each carried the embossed L’Estampe Moderne blind stamp and exemplified the high quality of French lithography at the close of the century.
This example is in excellent condition, unlined, with fine color and impression. The one shown is representative; all available editions are identical in design and quality, differing only by printed number and month of issue.
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Details
Artist: Henri Boutet
Title: Dans les Coulisses
Date: 1897
Printer: Imprimerie Champenois, Paris
Series: L’Estampe Moderne
Size: 12 × 16 in / 30.5 × 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition & Comments: Excellent A condition
Published in 1898 for L’Estampe Moderne, this original stone lithograph by A. Laurens depicts a group of classical nymphs bathing, a subject frequently treated in late-nineteenth-century decorative art. The composition follows the academic tradition of mythological themes, emphasizing form and movement rather than narrative. Laurens contributed several plates to L’Estampe Moderne, a monthly art publication issued in Paris by Masson & Piazza between 1897 and 1899. Each print was produced by F. Champenois and bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Le Bain des Nymphes (The Bath of the Nymphs)
Artist: A. Laurens (French, active late 19th century)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of L’Estampe Moderne (1897–1899), the Paris art journal presenting monthly original color lithographs by contemporary artists
Original 1897 lithograph Andante Nocturne by F. A. (François-Auguste) Gorguet, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This poetic Art Nouveau composition evokes a quiet, musical reverie — a moonlit scene rendered with Gorguet’s characteristic sensitivity and fluid line.
Details
Artist: F. A. Gorguet
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly subscription portfolio published in Paris from 1897 to 1899, featuring original lithographs by leading artists of the period. Andante Nocturne reflects Gorguet’s lyrical approach and the refined decorative style typical of the series.
