Original exhibition poster produced for the 1963 Galerie Maeght exhibition Georges Braque : papiers colles 1912–1914. The poster features a study by Braque and relates to his pioneering work in papier collé, a key development within early Cubism.
Georges Braque (1882–1963) was one of the principal figures in the development of Cubism, working closely with Pablo Picasso in the early 20th century. His introduction of collage elements into painting, particularly between 1912 and 1914, marked a significant moment in modern art, expanding the language of composition through the use of paper, texture, and layered imagery. Beyond Cubism, Braque continued a long and influential career focused largely on still life and spatial exploration.
Galerie Maeght played an important role in exhibiting major modern artists and was known for its strong program of twentieth-century painting, sculpture, and graphic works. This poster was issued in conjunction with the 1963 exhibition dedicated to Braque’s early collage work.
Artist: Braque, Georges
Title: Papiers Colles 1912–1914 — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 13.5 x 34 inches
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1963
Condition & Comments: Excellent condition. Original exhibition poster from Galerie Maeght featuring a study by Georges Braque.
HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973
Original exhibition poster produced for Galerie Melki in Paris, featuring Josef Albers’ celebrated Homage to the Square series. This example is the yellow color variation, reflecting Albers’ exploration of color relationships through nested square forms.
Josef Albers (1888–1976), a key figure of the Bauhaus, was known for his rigorous approach to color and form. Through the Homage to the Square series, begun in 1950, Albers examined how colors interact and influence one another when placed in simple geometric arrangements. His work had a lasting impact on modern art and design, further reinforced by his influential publication Interaction of Color.
This poster was issued in conjunction with an exhibition at Galerie Melki and presents a clear example of Albers’ systematic investigation of color perception using minimal means.
Artist: Albers, Josef
Title: Homage to the Square — Galerie Melki (yellow)
Printer: Unknown
Origin: France
Size: 23 x 33.5 inches / 58 x 85 cm
On / Off Linen: Unlined
Print Technique: Screenprint on paper
Year: 1973
Condition & Comments: Excellent condition. Original exhibition poster for Josef Albers at Galerie Melki, Paris, featuring the Homage to the Square series.
Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.
Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.
This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.
Artist: Miro, Joan
Title: Exhibition Japan
Printer: The Mainichi Newspapers
Publisher: The Mainichi Newspapers / National Museum of Modern Art
Origin: Japan
Size: 22.5 x 15.5 inches / 57 x 39 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1966
Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.
LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975
Original exhibition poster created for Les Saisons by Dany Lartigue at Galerie Tallien in St Tropez in 1975. The composition reflects Lartigue’s light and imaginative style, with imagery inspired by the landscape and atmosphere of the French Riviera.
Dany Lartigue (1921–2017), son of photographer Jacques Henri Lartigue, developed a body of work centered on nature, color, and poetic interpretation of the environment. He lived for many years in St Tropez, where he established a home museum that included his artwork as well as an extensive collection of butterfly specimens. His work often conveys a strong connection to the natural surroundings of the region.
This poster was produced for an exhibition at Galerie Tallien, a gallery known for presenting posters and illustration in the South of France.
Artist: Lartigue, Dany
Title: Les Saisons — Galerie Tallien, St Tropez
Printer: Unknown
Origin: France
Size: 17 x 25.5 inches / 43 x 65 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster by Dany Lartigue for Galerie Tallien, St Tropez.
Monaco Grand Prix 1970 by Michael Turner on linen vintage poster
The official poster for the 1970 Monaco Grand Prix was created by the renowned artist Michael Turner. This artwork showcases the intense action of Formula 1 racing, with the McLaren M7A leading the iconic Gold Leaf Lotus 49. The dynamic illustration captures the thrilling atmosphere of racing through the narrow streets of Monte Carlo, highlighting the elegance and speed of the cars in one of the most prestigious events on the Formula 1 calendar.
Measuring approximately 60 x 40 cm (23 x 15 inches), the poster was printed using offset lithography by J. Ramel in Nice and Imprimerie Monegasque in Monte Carlo. Its vibrant design and historical significance make it a sought-after piece for motorsport enthusiasts and collectors alike.
The 1970 Monaco Grand Prix, held on May 10, marked the third round of the Formula 1 World Championship. Jochen Rindt claimed victory in his Lotus 49C-Ford after a dramatic final-lap pass. Jack Brabham finished second in his Brabham BT33-Ford, and Henri Pescarolo took third place in a Matra MS120. The race, which covered 80 laps of the 3.145 km (1.954 mi) street circuit, was a true test of skill and strategy, with Rindt’s remarkable performance capping a thrilling event.
Artist: Michael Turner
Size: 23 x 15 inches
Print Technique: Offset Lithograph
Year: 1970 second Printing
Condition & Comments: Excellent A condition
Monaco Grand Prix 1970 by Turner on linen
The Grand Prix of Monaco always showed the winning car of the previous year in the poster as it was printed before the race was won.
This poster is second printing made around the 1980’s in exactly te same way as the original ie: printing technique, paper, size etc
Poster is in excellent condition and mounted on linen by museum quality professional
1971 Grand Prix Automobile of Monaco by Carpenter on linen Special printing given out to VIP Guests at the Race tirage number #870
The 1971 Monaco Grand Prix took place on May 23 as the second round of the Formula One World Championship. Jackie Stewart delivered a dominant performance in his Tyrrell-Ford. He secured pole position, set the fastest lap, and led the race from start to finish. Ronnie Peterson came in second, while Jacky Ickx finished third. The race unfolded on the iconic Monte Carlo street circuit, a track known for its tight corners and unforgiving layout.
The official event poster reflected the bold, modernist design style of the early 1970s. It featured a stylized Formula One car set against the famous Monaco harbor backdrop. As a result, the poster became a favorite among collectors of motorsport and design.
Steve Carpenter, an American artist, created the 1971 Monaco Grand Prix poster. He studied in Chicago and Los Angeles before working as an illustrator for Walt Disney. Later, he moved to Monte Carlo in the late 1960s. There, he taught at the École des Beaux-Arts and operated his own studio. Additionally, the Principality of Monaco commissioned him to design tourism posters, the 1971 Grand Prix poster, and postage stamps honoring Prince Rainier III. Notably, his clients included Princess Grace and Prince Rainier.
Artist: Steve Carpenter Size: 19 x 25 ” / 48.25 x 63.5 cm On / Off linen: On Linen Print Technique: offset lithograph Year: 1971 Condition & Comments: Excellent A rare VIP print #870 Monaco Grand Prix 1971 by Carpenter on linen
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1979 Condition & Comments: Original print, Excellent on linen
This original 1979 poster by Bernard Villemot, titled “C’est Fou!” for Perrier, is a striking blend of art and advertising. Measuring 19.5 x 25.5 inches (49.5 x 66.77 cm), it showcases Villemot’s skill with vibrant colors and a bold design inspired by Henri Matisse and New Wave art.
In excellent condition, this poster is a rare find for collectors. Its unique blend of artistic influences elevates it beyond typical advertising, making it a true standout in vintage poster art.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1977 Condition & Comments: Excellent on linen
Perrier “Femme Noir” by Bernard Villemot 1977 Authentic original printing on linen excellent
The poster is an original 1977 printing of Perrier poster by Villemot. The poster is on linen and in excellent condition.
TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972
Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.
Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.
Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.
Artist: Tapies, Antoni
Title: Objets et grands formats — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 20 x 31 inches / 51 x 79 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.
TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971
Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.
The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.
Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.
Artist: Picasso, Pablo
Title: Tete de Femme III — Berggruen — 90 Gravures
Printer: Mourlot, Paris
Publisher: Galerie Berggruen
Origin: France
Size: 20 x 27.5 inches / 51 x 70 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1971
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.
