Plates Prints Maitres Jules Cheret Poster France has a wide selection and variety of small size posters Covers and prints. From The Chaix Imprimerie printing the Affiches Illustrees to Affiches Etrangeres to Menus and then there are the Das Plakat plates and Estampe Moderne by Champenois Imprimerie in Paris. Also Scena Illustrata keeping up on the Art scene in Florence Italy and Journals like Le Rire and Gil Blas and Figaro Illustres as well. Scena Illustrata A wide variety of offerings of French and Italian small size posters
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Étrangères. This plate features Privat Livemont’s celebrated design for Absinthe Robette, a Belgian advertising poster that has become one of the most iconic images of Art Nouveau.
The image depicts a graceful young woman in flowing robes, holding aloft a glass of absinthe that catches the light, while stylized tendrils and ornamental patterns surround her. Livemont, often referred to as the “Belgian Mucha,” was renowned for his elegant depictions of women framed within decorative motifs. Absinthe Robette exemplifies his refined style and perfectly conveys the Belle Époque fascination with elegance, beauty, and the mystique of absinthe.
Les Affiches Étrangères (1896–1899) was a companion series to Les Affiches Illustrées, dedicated to showcasing important poster designs by international artists. Published under the direction of Jules Chéret at the Chaix atelier, these plates were printed in reduced format but retained the full stone-lithographic technique of the originals, making them prized collector’s items.
Title: Absinthe Robette
Artist: Privat Livemont (1861–1936)
Date: c.1896 (after the original 1896 poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Étrangères)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” nice condition on fine wove paper
Comments: Authentic plate from Les Affiches Étrangères, produced at Chaix under Jules Chéret. Bright, clean impression with vivid colors. Among the most celebrated Art Nouveau posters, representing both the allure of absinthe and Livemont’s masterful design.
Original 1897 cover for L’Estampe Moderne, designed by Alphonse (Alfons) Mucha and printed by L’Imprimerie Champenois, Paris. This monthly publication presented a series of fine art lithographs mailed directly to subscribers, each issue featuring four plates. The decorative cover, created by Mucha exclusively for the series, captures his elegant Art Nouveau style with soft lines, floral motifs, and harmonious composition.
Please note: I have several original covers from L’Estampe Moderne available. The example shown is representative of what you will receive — all were printed in the same year by the same printer, with only the issue number and date differing. Condition, size, and artwork are identical.
Details
Artist: Alfons Mucha
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Original cover for L’Estampe Moderne, used across the monthly editions of 1897–1898. A beautifully preserved example of Mucha’s collaboration with the Paris printer Champenois and one of the classic Art Nouveau designs of the period.
Artist: Metivet, Lucien Printer: Das Moderne Plakat Size: 8.25 x 11.3 ” / 21 x 28.7 cm On / Off linen: Unlined Year: 1897 Condition & Comments: Excellent A condition Amabassadeurs by Lucien Metivet FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Fay Printer: Chaix Imprimerie, Paris Size: 12 x 16 ” / 30.5 x 40.6 cm On / Off linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition AMIEUX-FRERES BY FAY FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Size: 8.5 x 11.8 ” / 21.5 x 30 cm Printer: Chaix Imprimerie, Paris On / Off linen: Unlined Year: 1896 Print Technique: Stone lithograph Condition & Comments: Excellent A condiiton Armour 1894 for Les Affiches Illustrees 1894
Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Artist: Berchmans Size: 8.25 x 11.3 ” / 21 x 28.7 cm Printer: Das Moderne Plakat On / Off linen: Unlined Year: 1897 Condition & Comments: Excellent A condiiton ART INDEPENDANT BY BERCHMANS FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Cheret Printer: Chaix Imprimerie, Paris Size: 8.5 x 11.8 in / 21.5 x 30 cm On/Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition
Lithographic plate reproducing the poster design Buffoni by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Buffoni (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Lithographic plate reproducing the poster design Costinas Coffee Co by Franz Laskoff, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Franz Laskoff was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Franz Laskoff
Title: Costinas Coffee Co (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Confetti by Henri de Toulouse-Lautrec for Les Affiches Étrangères, Chaix Imprimerie, 1897 (Stone Lithograph)
Jules Chéret created Les Affiches Étrangères at the Chaix Imprimerie to showcase international poster artists. His goal was to offer the public a book featuring 65 color plates and numerous black-and-white illustrations. The poster-collecting craze that began in France in 1895 increased demand for this collection. As a result, the book highlighted famous posters from artists outside France. Each artist approved their plate, and Chaix Imprimerie produced them using stone lithography in 1897. The collection includes works by Toulouse-Lautrec, Mucha, Chéret, and others. This lithograph is an opportunity to own an original piece created during Lautrec’s lifetime with his consent. Today, museums worldwide feature this work.
Toulouse-Lautrec designed the Confetti poster in 1894 as a lively advertisement for Palais de la Nouveauté, a Parisian company selling confetti. During that time, confetti was a popular item for carnival season and festive events.
This plate appears in Les Affiches Étrangères because, although Lautrec was a French artist, he designed the poster for a London-based company that produced confetti for festivals.
Artist: Fischer Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
DIE ALTE STADT BY FISCHER FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Unger Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
ESTEY ORGELM BY UNGER FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
