Plates Prints Maitres Jules Cheret Poster France has a wide selection and variety of small size posters Covers and prints. From The Chaix Imprimerie printing the Affiches Illustrees to Affiches Etrangeres to Menus and then there are the Das Plakat plates and Estampe Moderne by Champenois Imprimerie in Paris. Also Scena Illustrata keeping up on the Art scene in Florence Italy and Journals like Le Rire and Gil Blas and Figaro Illustres as well. Scena Illustrata A wide variety of offerings of French and Italian small size posters
Simplicissimus by Marcello Dudovich Brennendes Heimweh 1913 original
Artist: Dudovich, Marcello Printer: Simplicissimus, Austria Size: 11 x 15 in / 28 x 38.1 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Chromolithograph Year: 1913 Condition & Comments: Excellent A condition
Marcello Dudovich went to Austria during 1913 and did many illustrations for Corso Italia and Simplicissimus a Journal of the times in Austria. Its rare to find any of these as not so many survived. In Excellent condition. Fashionable people riding car.
Simplicissimus by Marcello Dudovich Fashionable bal 1913 original
Artist: Dudovich, Marcello Printer: Simplicissimus, Austria Size: 11 x 15 in / 28 x 38.1 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Chromolithograph Year: 1913 Condition & Comments: Excellent A condition
Marcello Dudovich went to Austria during 1913 and did many illustrations for Corso Italia and Simplicissimus a Journal of the times in Austria. Its rare to find any of these as not so many survived. In Excellent condition. Fashionable bal man kissing woman.
Simplicissimus by Marcello Dudovich Im Foner 1913 original
Artist: Dudovich, Marcello Printer: Simplicissimus, Austria Size: 11 x 15 in / 28 x 38.1 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Chromolithograph Year: 1913 Condition & Comments: Excellent A condition
Marcello Dudovich went to Austria during 1913 and did many illustrations for Corso Italia and Simplicissimus a Journal of the times in Austria. Its rare to find any of these as not so many survived. In Excellent condition. Fashionable people smoking.
Artist: Schulz Printer: Simplicissimus, Austria Size: 11 x 15 in / 28 x 38.1 cm On/Off Linen: On Linen Print Technique: Chromolithograph Year: 1913 Condition & Comments: Excellent A condition
Lithographic plate reproducing the poster design Superator by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Superator (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Lithographic plate reproducing the poster design Zolfi by Ettore Malerba, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Ettore Malerba
Title: Zolfi (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Folies Bergere by Jules Cheret of Loie Fuller Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate
Artist: Cheret, Jules Printer: Chaix, Paris Size: 9 x 12.5 in / 22.8 x 30.5 cm On/Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Folies Bergere poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. Loie Fuller was an American dancer who attained fame in Paris at the turn of the century with her danses which featured special colored lighting to enhance the spectacle.
Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate
Artist: Grasset, Eugene Printer: Chaix, Paris Size: 9 x 12.5 in / 22.8 x 30.5 cm On/Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Salon des Cent poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition.
Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate presents Eugène Grasset’s elegant advertising design for Encre Marquet, a French ink manufacturer. Grasset, one of the pioneers of Art Nouveau, was celebrated for his graceful line work, flattened color harmonies, and stylized decorative compositions that drew on medieval and Japanese sources. His poster for Encre Marquet exemplifies this refined approach, transforming a simple commercial product into a work of artistic sophistication.
Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, issued in limited numbers for collectors. Published under the artistic direction of Jules Chéret at the Chaix atelier, each issue contained stone-lithograph reductions of major affiches, printed on fine paper using the same techniques as the large-format originals. These plates offered collectors access to authentic poster art by the leading designers of the Belle Époque in a more practical and collectible format.
Grasset’s Encre Marquet remains an iconic example of French poster design in the 1890s, combining functionality, elegance, and the stylistic innovation that defined Art Nouveau.
Title: Encre Marquet
Artist: Eugène Grasset (1845–1917)
Date: c.1896 (after the original advertising poster)
Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper
Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Strong, clean impression with vivid color. A classic Art Nouveau design by Grasset, highlighting his refined decorative style in commercial poster art.
Les Arts by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate
Printer: Chaix, Paris Size: 9 x 12.5 in / 22.8 x 30.5 cm On/Off Linen: Unlined Year: 1896 Condition & Comments: Excellent A condition
Les Arts by Jules Cheret poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition.
Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.
Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.
Details
Artist: Albert Donnay
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.
