Plates Prints Maitres Jules Cheret Poster France has a wide selection and variety of small size posters Covers and prints. From The Chaix Imprimerie printing the Affiches Illustrees to Affiches Etrangeres to Menus and then there are the Das Plakat plates and Estampe Moderne by Champenois Imprimerie in Paris. Also Scena Illustrata keeping up on the Art scene in Florence Italy and Journals like Le Rire and Gil Blas and Figaro Illustres as well. Scena Illustrata A wide variety of offerings of French and Italian small size posters
Showing 61–72 of 534 results
Artist: Robbe
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Menuet d’Automne by Robbe for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Balluriau
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Crepuscule by Balluriau for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Published in 1898 for L’Estampe Moderne, this original stone lithograph by A. Laurens depicts a group of classical nymphs bathing, a subject frequently treated in late-nineteenth-century decorative art. The composition follows the academic tradition of mythological themes, emphasizing form and movement rather than narrative. Laurens contributed several plates to L’Estampe Moderne, a monthly art publication issued in Paris by Masson & Piazza between 1897 and 1899. Each print was produced by F. Champenois and bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Le Bain des Nymphes (The Bath of the Nymphs)
Artist: A. Laurens (French, active late 19th century)
Date: 1898
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of L’Estampe Moderne (1897–1899), the Paris art journal presenting monthly original color lithographs by contemporary artists
Original color lithograph by Raoul Ulmann, published in L’Estampe Moderne in 1898. The composition shows fishing boats anchored near the coast, their masts and rigging reflected in calm water under a subdued sky. The location appears to be a northern French harbor, possibly Brittany, shown in still weather conditions. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A marine subject from L’Estampe Moderne, showing anchored fishing boats in calm water.
Artist: Renouard
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Avant le ballet Renouard for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Prouve
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Le baiser by Prouve for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Heran
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Fleur de Mai by Heran for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Levy
Printer: Champenois, Paris
Size: 12 x 16″ / 30.5 x 40.6 cm
On/Off Linen: Unlined
Year: 1897
Condition & Comments: Excellent A condition
Rabbi Elischa l’aveugle by Levy for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Original 1897 lithograph Andante Nocturne by F. A. (François-Auguste) Gorguet, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This poetic Art Nouveau composition evokes a quiet, musical reverie — a moonlit scene rendered with Gorguet’s characteristic sensitivity and fluid line.
Details
Artist: F. A. Gorguet
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly subscription portfolio published in Paris from 1897 to 1899, featuring original lithographs by leading artists of the period. Andante Nocturne reflects Gorguet’s lyrical approach and the refined decorative style typical of the series.
Original color lithograph by Belgian artist Henri Berchmans, published in L’Estampe Moderne in 1898. The image shows a standing female nude with a satyr beside her, in a wooded or natural setting. The composition is balanced and finely drawn, typical of Berchmans’ academic style and interest in mythological themes. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A mythological subject from L’Estampe Moderne, showing Berchmans’ precise drawing and controlled figure study.
Published in November 1897 as Issue No. 7 of L’Estampe Moderne, this original stone lithograph by Jacques Wely depicts a young Breton woman standing amid windswept moorland, a symbolic blend of nature and regional identity that was popular in fin-de-siècle France. Wely, a painter and illustrator known for his poetic and sentimental portrayals of women, contributed several works to L’Estampe Moderne, which was among the most celebrated art-print portfolios of the 1890s. Printed by F. Champenois and published by Masson & Piazza, the sheet bears the embossed blind stamp of L’Estampe Moderne in the lower margin.
Details
Title: Fleur de Lande (Flower of the Moor)
Artist: Jacques Wely (French, 19th cent.)
Date: November 1897
Issue: No. 7, L’Estampe Moderne
Printer: F. Champenois, Paris
Publisher: Masson & Piazza
Series: L’Estampe Moderne (1897–1899)
Print Type: Original stone lithograph
Size: 12 × 16 inches (31 × 41 cm)
Condition: Excellent
Comments: Issued as part of the L’Estampe Moderne portfolio, which featured monthly color lithographs by leading French and European artists of the Art Nouveau period.
CYCLES COMIOT — Théophile-Alexandre Steinlen
Original stone-lithograph plate issued in 1899 at Imprimerie Chaix (Paris) for Les Maîtres de l’Affiche. This plate (no. 183) features Steinlen’s celebrated design for Cycles Comiot, created at the height of the Belle Époque cycling boom.
The poster highlights the exhilaration of modern speed: a rider charges forward on a Comiot bicycle while geese run for cover the composition filled with humor and energy. Steinlen’s strong diagonals and expressive line work capture both motion and excitement, while appealing to the new culture of cycling that swept through Paris in the 1890s.
Les Maîtres de l’Affiche (1895–1900) was a prestigious subscription series directed by Jules Chéret, presenting small-format original lithographs of the era’s most important posters. Printed at Chaix on fine wove paper and issued with the blindstamp, these plates gave collectors direct access to authentic works by leading poster artists, including Steinlen, Mucha, Toulouse-Lautrec, and Chéret himself.
Title: Cycles Comiot
Artist: Théophile-Alexandre Steinlen (1859–1923)
Date: 1899 (Les Maîtres de l’Affiche, plate no. 183)
Printer: Imprimerie Chaix, Paris
Size: 11.5 × 15.5 inches (approx. 29 × 39 cm)
Print Type: Stone lithograph
Condition: Excellent “A,” near-mint on fine wove paper with blindstamp
Comments: Authentic plate from Les Maîtres de l’Affiche, produced at Chaix under the direction of Jules Chéret. Bright impression with vivid color. A classic Steinlen design celebrating the energy and humor of early French bicycle advertising.
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