Artist: Razzia Printer: Louis Vuitton Size: 30.5 x 37.5 in / 77.5 x 95.25 cm On/Off Linen: Unlined Print Technique: Serigraph Condition & Comments: Excellent on linen
Razzia Louis Vuitton Bagatelle 1989 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image.
The poster is hand-signed by the artist and comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic.
Artist: Razzia Printer: Louis Vuitton Size: 20 x 30 in / 51 x 76 cm On/Off Linen: Unlined Print Technique: Serigraph
Razzia Louis Vuitton Bagatelle 1999 hand signed original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image. This is the original serigraphy printing not a later impression by Razzia
Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
Original 1970s edition of René Gruau’s celebrated design Le Rouge Baiser. First created in 1950 for the French cosmetics brand, the image has become one of Gruau’s most enduring works, with its striking silhouette of a woman in a red headscarf and bold lipstick. This later printing was produced in offset lithography at a smaller format (17.5 × 22 in) and has been professionally mounted on linen for preservation and display.
This example is in Excellent “A” condition, with rich color and well-preserved surfaces.
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Details
Title: Le Rouge Baiser
Artist: René Gruau
Date: 1970s printing
Size: 17.5 × 22 in / 44 × 56 cm
Print Type: Offset lithograph
Linen: On linen
Condition: Excellent “A”
Rouge Baiser poster designed by the renown fashion poster artist Rene Gruau was the world’s first “kiss-proof” lipstick. It was designed to provide long-lasting color that didn’t smudge, even after eating or kissing. This was groundbreaking for the time. Its innovative formula, developed by chemist Paul Baudecroux, used a type of cosmetic dye that stained the lips, offering durability far beyond traditional lipsticks. Women seeking bold, smudge-proof, and long-lasting lip color
Sarajevo 1984 Ski Jump – Ismar Mujezinović, Original Olympics Poster
Original 1984 Sarajevo Winter Olympics poster titled “Gorenje”, designed by Ismar Mujezinović and produced for the official Olympic organizing committee. This work is part of the series of posters commissioned for the XIV Winter Games, each highlighting either a sport or a sponsor associated with the event. Gorenje, one of Yugoslavia’s largest home appliance manufacturers, was a major corporate sponsor of the Sarajevo Olympics, and posters like this celebrated both national industry and international sport.
The 1984 Winter Olympics were the first held in a socialist and Slavic-speaking country, with Sarajevo hosting athletes from 49 nations. Mujezinović, a Bosnian painter and graphic artist, created multiple official designs for these Games, including dynamic representations of alpine skiing, ski jumping, speed skating, and sponsor-related imagery. His bold, energetic style captured both the athleticism of the sports and the cultural pride of Yugoslavia in presenting itself on the world stage.
This example was printed as an offset lithograph, professionally mounted on linen, and survives in excellent condition. It remains a significant piece of Olympic history and a collectible from one of the most memorable Games of the 20th century.
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Details
Title: Sarajevo 1984 Olympics – “Gorenje”
Artist: Ismar Mujezinović
Year: 1984
Printer: Official Olympic organizing committee
Size: 27.5 × 39 in (70 × 100 cm)
Print Technique: Offset lithograph
Linen: On linen
Condition: Excellent
Sarajevo 1984 Winter Olympics – Ice Hockey – Ismar Mujezinović – Original Poster
Original poster created by Bosnian artist Ismar Mujezinović for the 1984 Winter Olympic Games in Sarajevo, Yugoslavia. This striking design celebrates the ice hockey competition and is part of a series of eight sporting posters produced for the XIV Olympic Winter Games.
Mujezinović (born 1942), a prominent Bosnian painter and graphic artist, brought a distinctive expressionist style to the Olympic series, using dynamic compositions and bold colors to capture the movement, energy, and excitement of winter sports.
The Sarajevo Games were particularly significant as the first Winter Olympics held in a socialist country and the only Winter Olympics hosted by Yugoslavia.
An increasingly difficult-to-find original Olympic poster, especially desirable for collectors of Olympic memorabilia, winter sports, and modern graphic design.
Comments: Rare original 1984 Sarajevo Winter Olympics ice hockey poster by Ismar Mujezinović. Professionally linen backed and preserved in excellent condition.
Title: Savoie France – Fêtes du centenaire Artist: Auriac Date: 1960 Printer: Société d’Exploitation Etablissements de La Vasselais, Paris Size: 27 x 39 inches
This poster image was used both for celebrating 100 years of Savoie Region and also exists with the title Megeve. You can see its summertime with flowers about but in the background is the famous Mont Blanc which stays white with snow through the whole summer.
The “célèbre clocher à bulbes” (famous onion-shaped bell tower) in the Savoie region of France refers to the distinct bulbous bell towers found in many churches in the region. These towers, also known as “clochers à bulbes”, are a hallmark of Baroque architecture introduced in the 17th and 18th centuries, especially under the influence of the Counter-Reformation.
These onion-shaped domes are particularly common in alpine regions, including Savoie, and are a reminder of the strong religious influence in the area. One of the most famous examples in Savoie is the bell tower of the Saint-Martin Church in Saint-Martin-de-Belleville, though many other towns and villages in Savoie feature similar structures.
Title: MONTREUX Switzerland Artist: Brenot, Pierre Laurent Date: c.1955 Printer: S.A. Lith. Klausfelder, Vevey, Switzerland Size: 40 x 25 in / 102 x 64 cm Print Type: Offset Lithograph Condition: Excellent “A” on linen
Comments Beautiful poster with the Chateau de Chillon in the rear and Lake Geneva. In the far distance you can see Mont Blanc the highest peak in Europe. The poster is in absolute excellent condition on linen
Swissair – Japan – Uemura Shōkō, 1968, 25 × 38.5 in
Description
Vintage travel poster commissioned by Swissair in 1968 to promote flights to Japan. The design features a geisha in kimono with the word “JAPAN” printed in metallic gold ink, a printing detail often used in Japanese tourism posters of the period to emphasize luxury and refinement. The artwork is derived from Uemura Shōkō’s 1936 painting Jo no Mai, a study of a Noh dance prelude. Uemura worked in the Nihonga tradition, which fused traditional Japanese painting techniques with modern presentation, making his imagery a natural fit for mid-century cultural promotion. This original offset lithograph was printed in Japan, mounted on linen, and remains in excellent “A” condition.
Artist: Uemura Shōkō
Date: 1968 Printer: Japan Tourist Association (for Swissair) Print Type: Offset lithograph (with metallic gold) Condition: Excellent “A,” linen backed
Comments: Original Swissair travel poster for Japan, featuring Uemura Shōkō’s celebrated Jo no Mai image in the Nihonga style. Linen mounted and in excellent condition.
TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972
Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.
Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.
Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.
Artist: Tapies, Antoni
Title: Objets et grands formats — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 20 x 31 inches / 51 x 79 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.
TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971
Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.
The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.
Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.
Artist: Picasso, Pablo
Title: Tete de Femme III — Berggruen — 90 Gravures
Printer: Mourlot, Paris
Publisher: Galerie Berggruen
Origin: France
Size: 20 x 27.5 inches / 51 x 70 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1971
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.
Theaterkunst Ausstellung / Zurich — Carl Roesch — 1914
A striking and rare exhibition poster by Carl Roesch for the Theaterkunst Ausstellung (Theatrical Art Exhibition) held at the Museum of Applied Art in Zurich in 1914. The composition features a contemplative harlequin figure drawing back theater curtains, inviting the viewer behind the scenes into the world of costume and stage design. The image is both poetic and theatrical, capturing the spirit of early 20th-century stage arts with a refined and symbolic approach.
Carl Roesch (1884–1979), born in Diessenhofen, Switzerland, was a painter, graphic artist, and art teacher who studied fine and applied arts throughout Switzerland and Germany. After returning to his hometown in 1907, he developed a diverse career that included painting, graphic design, and large-scale decorative work such as murals, stained glass, and mosaics. His later work shows influences of Impressionism and Expressionism, while this early poster demonstrates a more structured and geometric approach, bridging his painterly sensibility with the emerging modernist graphic style of the period.
This design is one of only two known posters created by Roesch for the 1914 Theaterkunst exhibition, making it a particularly rare and important example of Swiss graphic design from the pre-war era. Executed in stone lithography, the poster reflects the highest standards of early 20th-century printing and remains exceptionally well preserved.
Details
Title: Theaterkunst Ausstellung / Zurich
Artist: Carl Roesch
Year: 1914
Size: 23.75 x 33.25 inches / 60 x 84 cm
On / Off Linen: On linen
Print Type: Stone lithograph
Condition: Excellent A
Comments: Original exhibition poster for the Theaterkunst Ausstellung in Zurich, featuring a harlequin figure revealing the theatrical world behind the curtain. One of two known designs by Roesch for this event.
Artist: Constant-Duval Printer: Champenois, Paris Size: 30 x 40 in / 76.2 x 101.6 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Stone lithograph Year: 1900c Condition & Comments: Excellent A
Circuits Automobiles in the Loire Vallee passing the Chateau D’Usse Tourraine back in 1910. Stone lithograph printed at the Champenois Imprimerie Paris. The light and water are done excellently with finesse by Duval in this bautiful view of the Chateau in Early Autumn.
