1971 Grand Prix Automobile of Monaco by Carpenter on linen Special printing given out to VIP Guests at the Race tirage number #870
The 1971 Monaco Grand Prix took place on May 23 as the second round of the Formula One World Championship. Jackie Stewart delivered a dominant performance in his Tyrrell-Ford. He secured pole position, set the fastest lap, and led the race from start to finish. Ronnie Peterson came in second, while Jacky Ickx finished third. The race unfolded on the iconic Monte Carlo street circuit, a track known for its tight corners and unforgiving layout.
The official event poster reflected the bold, modernist design style of the early 1970s. It featured a stylized Formula One car set against the famous Monaco harbor backdrop. As a result, the poster became a favorite among collectors of motorsport and design.
Steve Carpenter, an American artist, created the 1971 Monaco Grand Prix poster. He studied in Chicago and Los Angeles before working as an illustrator for Walt Disney. Later, he moved to Monte Carlo in the late 1960s. There, he taught at the École des Beaux-Arts and operated his own studio. Additionally, the Principality of Monaco commissioned him to design tourism posters, the 1971 Grand Prix poster, and postage stamps honoring Prince Rainier III. Notably, his clients included Princess Grace and Prince Rainier.
Artist: Steve Carpenter Size: 19 x 25 ” / 48.25 x 63.5 cm On / Off linen: On Linen Print Technique: offset lithograph Year: 1971 Condition & Comments: Excellent A rare VIP print #870 Monaco Grand Prix 1971 by Carpenter on linen
Size: 16 x 24″ / 40 x 60 cm On / Off linen: On Linen Print Technique: offset lithograph Year: 1980 Condition & Comments: Excellent A condition Monaco Grand Prix 1980 on linen
The Grand Prix of Monaco always showed the winning car of the previous year in the poster as it was printed before the race was won.
This poster is second printing made around the 1980’s in exactly te same way as the original ie: printing technique, paper, size etc
Poster is in excellent condition and mounted on linen by museum quality professional
Monaco Grand Prix 1981 by J Grognet original printing
The poster for the 39th Monaco Grand Prix in 1981 was created by the artist J. Grognet. It features Alan Jones in the Williams FW07, a car that became an iconic symbol of this era in Formula 1. The artwork captures the thrilling atmosphere of the Monaco Grand Prix, with its challenging street circuit winding through the picturesque principality. The design prominently displays the car in motion, emphasizing speed and precision against the backdrop of Monaco’s harbor.
The poster measures approximately 60 x 40 cm (23 x 15 inches) and was printed using offset lithography by AIP in Monaco. Known for its vibrant colors and dynamic composition, the poster is a prized collectible for motorsport enthusiasts and art collectors alike. Its excellent condition and rarity enhance its value as a piece of racing history.
Monaco Grand Prix 25e 1966 by Michael Turner on linen
The official poster for the 1966 Monaco Grand Prix highlights the artistry of British illustrator Michael Turner. His dynamic depiction showcases Formula 1 cars racing along the picturesque Monaco coastline, with the city’s iconic marina and architecture in the background. The artwork captures the excitement of the event, focusing on the cars as they navigate the challenging street circuit.
Measuring approximately 60 x 40 cm (23 x 15 inches), the poster uses offset lithography for its vibrant and detailed print. Additionally, it features the “Monte Carlo 1866-1966” seal in the lower right corner, commemorating the centenary of Monte Carlo. As a result, collectors and motorsport enthusiasts highly value this poster for its historical and artistic significance.
Held on May 22, the 1966 Monaco Grand Prix marked the 24th running of the prestigious event. Jackie Stewart claimed victory in a BRM P261, achieving a significant milestone in his career. The tight corners and elevation changes of the Monaco circuit created a thrilling spectacle for fans while pushing drivers to their limits.
Napoleon Cognac “Aigle Rouge” by Imp. Moullot, c. 1928 – Original Stone Lithograph Poster
This is an original large-format French advertising poster for Napoleon Cognac “Aigle Rouge”, produced around 1928 by Imprimerie Moullot in Marseille. The design features the imperial eagle, symbol of Napoleon’s legions, used here to represent the strength and heritage of the Brugerolle cognac brand.
The bold stone lithograph imagery combines patriotic symbolism with the elegance of French spirits advertising from the early 20th century. Measuring nearly 4 × 5 feet, the poster has been professionally mounted on linen for preservation and is in excellent condition. Rare in this size and format, it is a significant piece of vintage drinks advertising art.
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Title: Napoleon Cognac “Aigle Rouge”
Artist / Imprint: Anonymous / Imp. Moullot, Marseille
Date: Circa 1928
Printer: Imprimerie Moullot, Marseille
Size: 45.7 × 61.9 in. / 116 × 157 cm
Print Technique: Stone lithograph
On Linen: Yes
Condition: Excellent
Comments: Original large-format advertising poster for Leopold Brugerolle’s Napoleon Cognac “Aigle Rouge.” Linen-backed and well preserved; rare example of French spirits promotion from the interwar period.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1979 Condition & Comments: Original print, Excellent on linen
This original 1979 poster by Bernard Villemot, titled “C’est Fou!” for Perrier, is a striking blend of art and advertising. Measuring 19.5 x 25.5 inches (49.5 x 66.77 cm), it showcases Villemot’s skill with vibrant colors and a bold design inspired by Henri Matisse and New Wave art.
In excellent condition, this poster is a rare find for collectors. Its unique blend of artistic influences elevates it beyond typical advertising, making it a true standout in vintage poster art.
Perrier “The Embrace” or “L’Entreinte”, 1981, by Bernard Villemot.
This original vintage poster captures the elegance and sophistication of Perrier. Villemot’s artwork depicts two lovers embracing on a tranquil beach, using composition, form, and color to create a visually striking image. Shadows on the couple and the Perrier bottle add depth and realism, evoking the warmth of a serene summer day.
An original 1981 printing, professionally mounted on linen and in excellent condition. A rare find for collectors of vintage advertising art and Villemot’s work.
Artist: Bernard Villemot
Size: 18 x 24 inches / 45.72 x 61 cm
Print Technique: Offset lithograph
Year: 1981 original printing
Condition: Excellent, professionally mounted on linen for preservation.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1977 Condition & Comments: Excellent on linen
Perrier “Femme Noir” by Bernard Villemot 1977 Authentic original printing on linen excellent
The poster is an original 1977 printing of Perrier poster by Villemot. The poster is on linen and in excellent condition.
Artist: Scott, Georges Printer: Devambez, Paris Size: 47 x 63 in / 120 x 160 cm On/Off Linen: On Linen Print Technique: Lithograph Year: 1917 Condition & Comments: Excellent A
Pour La Drapeau Pour La Victoire by Georges Scott 1917
Rare size Emprunt or War bonds poster as its Calle din the USA. For the Flag and for Victory as Marianne holds up the sword leading the marching troops. Airplanes fly in the sky. Emprunts were made mostly in a 31 x 47 inch size and its rare if ever to see a 47×63 inch size as paper was scarce so this was considered an important piece. Excellent on linen
Artist: Scott, Georges Printer: Devambez, Paris Size: 31 x 47 in / 80 x 120 cm On/Off Linen: Delay approx 2 weeks to linen-back before delivery Print Technique: Lithograph Year: 1917 Condition & Comments: Excellent A
Pour La Drapeau Pour La Victoire by Georges Scott 1917
Emprunt or War bonds poster as its Called in the USA. For the Flag and for Victory as Marianne holds up the sword leading the marching troops. Airplanes fly in the sky. Emprunts were made mostly in a 31 x 47 inch size. Excellent on linen
