Paintings and Fine art pieces with artists Picasso, Tom Palmore, Susan Stewart, Arman, Spencer Stewart, Razzia and others. Paintings in Oil on canvas and sculptures in Fired clay and Resin.
Original color silkscreen print created by Peter Gee in 1969 as part of a Merrill Lynch advertising campaign. The design reflects the visual language of financial information and communications. The image appears to depict an electronic stock market news or quotation board rendered as a photomontage and transformed through Gee’s vivid Pop art color palette. The result is a striking composition suggesting the rapid flow of financial information and activity associated with the trading floor.
Peter Gee (1932–2005) was a British-born artist and graphic designer associated with the Pop art movement in New York. After serving as a graphic designer in the British Army and exhibiting in London and Paris, he moved to New York in 1962 where his distinctive graphic style gained recognition. Gee participated in the Word and Image exhibition at the Museum of Modern Art in 1968 alongside artists such as Andy Warhol and Robert Indiana. His silkscreen prints are known for their strong graphic structure, vivid color combinations, and influences drawn from Bauhaus design principles and modernist abstraction.
Gee also taught color theory and design at the School of Visual Arts in New York, the Rhode Island School of Design, and Harvard University. His work is held in the permanent collections of the Museum of Modern Art in New York, the Victoria and Albert Museum in London, the Smithsonian Institution, and the Museum of Modern Art in Kyoto.
Artist: Gee, Peter
Title: Communications (Merrill Lynch)
Size: 30 5/8 x 20 5/8 inches / 78 x 52 cm (sight)
On / Off Linen: Unlined
Print Technique: Screenprint in colors
Year: 1969
Signature: Hand signed by the artist
Condition & Comments: Perfect condition.
172 DESSINS RECENTS — GALERIE LOUISE LEIRIS — PABLO PICASSO — 1972
Original exhibition poster published for 172 Dessins Recents, presented at the Galerie Louise Leiris in 1972. The image is after a drawing by Pablo Picasso and reflects the artist’s late-period work, with a composition depicting a young woman alongside an aging figure, characteristic of themes explored during the final years of his career.
Printed by Mourlot in Paris, this poster was produced under the supervision of master printer Henri Deschamps, who worked closely with Picasso over many years. The quality of the lithographic reproduction reflects the high standards associated with Mourlot’s workshop and its collaboration with major twentieth-century artists.
Galerie Louise Leiris was one of the principal galleries representing Picasso in Paris and played an important role in exhibiting his later works, including drawings and prints.
Artist: Picasso, Pablo
Title: 172 Dessins Recents — Galerie Louise Leiris
Printer: Mourlot, Paris
Publisher: Galerie Louise Leiris
Origin: France
Size: 28.5 x 19 inches / 72.4 x 48.3 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1972
Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, printed by Mourlot for the Galerie Louise
Original 1897 cover for L’Estampe Moderne, designed by Alphonse (Alfons) Mucha and printed by L’Imprimerie Champenois, Paris. This monthly publication presented a series of fine art lithographs mailed directly to subscribers, each issue featuring four plates. The decorative cover, created by Mucha exclusively for the series, captures his elegant Art Nouveau style with soft lines, floral motifs, and harmonious composition.
Please note: I have several original covers from L’Estampe Moderne available. The example shown is representative of what you will receive — all were printed in the same year by the same printer, with only the issue number and date differing. Condition, size, and artwork are identical.
Details
Artist: Alfons Mucha
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Original cover for L’Estampe Moderne, used across the monthly editions of 1897–1898. A beautifully preserved example of Mucha’s collaboration with the Paris printer Champenois and one of the classic Art Nouveau designs of the period.
APPLE iPOD — SILHOUETTE ADVERTISING POSTER — c.2000–2007
Original large-format advertising poster produced by Apple for the promotion of the iPod. Part of the well-known “silhouette” campaign used internationally during the early 2000s, the design features a black dancing figure holding the distinctive white iPod and headphones set against a vivid brightly colored background. This graphic campaign became one of the most recognizable visual identities associated with Apple and the iPod during its rise in popularity.
Printed for bus-stop and outdoor advertising displays, these posters were produced in large format on coated poster stock with highly saturated colors intended for high visibility in public spaces. The French-language version reads “10,000 chansons dans la poche. Mac ou PC,” referring to the iPod’s ability to store thousands of songs and its compatibility with both Mac and PC computers.
The silhouette series appeared in several color variations including green, pink, yellow, and purple. Because these posters were originally produced for outdoor advertising displays, examples preserved in excellent condition are relatively scarce.
Artist: Apple Inc. Advertising
Printer: Apple Inc.
Origin: USA / France (French-language promotional version)
Size: 47 x 69 inches / 118 x 175 cm
On / Off Linen: Unlined
Print Technique: Offset lithograph on coated advertising poster paper
Year: c.2000–2007
Condition & Comments: Excellent A condition. Original Apple iPod bus-stop advertising poster from the iconic silhouette advertising campaign.
Lithographic plate reproducing the poster design Costinas Coffee Co by Franz Laskoff, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Franz Laskoff was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Franz Laskoff
Title: Costinas Coffee Co (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Original 1897 lithograph La Servante by Ferdinand Luigini, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. Luigini was known for his refined landscape and genre scenes, often depicting rural life in France with a quiet, painterly sensibility. In La Servante, he captures a moment of simple domestic grace, rendered with soft tonal harmony and delicate line — characteristic of the lyrical realism that runs through much of his work.
Details
Artist: Ferdinand Luigini
Printer: L’Imprimerie Champenois, Paris
Year: 1897
Size: 12 x 16 in / 30.5 x 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition: Excellent A condition
Comments: Issued as part of L’Estampe Moderne, the monthly Parisian series published from 1897 to 1899, featuring original lithographs by leading artists of the Art Nouveau era. La Servante is a serene example of Luigini’s delicate composition and the exceptional printing quality of Champenois.
GALERIE “65” CANNES (GRASSE) — ROBERT SAVARY — 1975
Original exhibition poster created for Robert Savary at Galerie “65” in Cannes in 1975. The composition presents a landscape view of the region around Grasse on the French Riviera, rendered in Savary’s characteristic figurative style with attention to color, light, and atmosphere.
Robert Savary (1920–2000) was a French painter, engraver, and illustrator associated with the School of Paris. Trained at the Ecole des Beaux-Arts in Paris, he developed a body of work focused on landscapes, still lifes, and scenes of rural life, often depicting the French countryside with clarity and balance. In addition to his paintings, Savary was active as a printmaker and book illustrator.
This poster was printed by Atelier Mourlot in Paris, one of the leading lithographic studios of the twentieth century, known for producing exhibition posters for major artists and galleries.
Artist: Savary, Robert
Title: Galerie “65” Cannes (Grasse)
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 31.8 inches / 52 x 81 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster for Robert Savary at Galerie “65” in Cannes, featuring a landscape of the Grasse region.
Original exhibition poster produced for the 1963 Galerie Maeght exhibition Georges Braque : papiers colles 1912–1914. The poster features a study by Braque and relates to his pioneering work in papier collé, a key development within early Cubism.
Georges Braque (1882–1963) was one of the principal figures in the development of Cubism, working closely with Pablo Picasso in the early 20th century. His introduction of collage elements into painting, particularly between 1912 and 1914, marked a significant moment in modern art, expanding the language of composition through the use of paper, texture, and layered imagery. Beyond Cubism, Braque continued a long and influential career focused largely on still life and spatial exploration.
Galerie Maeght played an important role in exhibiting major modern artists and was known for its strong program of twentieth-century painting, sculpture, and graphic works. This poster was issued in conjunction with the 1963 exhibition dedicated to Braque’s early collage work.
Artist: Braque, Georges
Title: Papiers Colles 1912–1914 — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 13.5 x 34 inches
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1963
Condition & Comments: Excellent condition. Original exhibition poster from Galerie Maeght featuring a study by Georges Braque.
GERMANIA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Germania by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Germania (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Grand Hotel Regoledo – Aldo Mazza – RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Grand Hotel Regoledo by Aldo Mazza issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Aldo Mazza was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Aldo Mazza
Title: CGrand Hotel Regoledo (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Sold with matt board presented in photos ready to frame
HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973
Original exhibition poster produced for Galerie Melki in Paris, featuring Josef Albers’ celebrated Homage to the Square series. This example is the yellow color variation, reflecting Albers’ exploration of color relationships through nested square forms.
Josef Albers (1888–1976), a key figure of the Bauhaus, was known for his rigorous approach to color and form. Through the Homage to the Square series, begun in 1950, Albers examined how colors interact and influence one another when placed in simple geometric arrangements. His work had a lasting impact on modern art and design, further reinforced by his influential publication Interaction of Color.
This poster was issued in conjunction with an exhibition at Galerie Melki and presents a clear example of Albers’ systematic investigation of color perception using minimal means.
Artist: Albers, Josef
Title: Homage to the Square — Galerie Melki (yellow)
Printer: Unknown
Origin: France
Size: 23 x 33.5 inches / 58 x 85 cm
On / Off Linen: Unlined
Print Technique: Screenprint on paper
Year: 1973
Condition & Comments: Excellent condition. Original exhibition poster for Josef Albers at Galerie Melki, Paris, featuring the Homage to the Square series.
Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.
Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.
This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.
Artist: Miro, Joan
Title: Exhibition Japan
Printer: The Mainichi Newspapers
Publisher: The Mainichi Newspapers / National Museum of Modern Art
Origin: Japan
Size: 22.5 x 15.5 inches / 57 x 39 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1966
Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.
