Statendam
Artist: A.M. Cassandre
Date: 1995 (original design 1929)
Printer: Bibliothèque nationale de Paris
Size: 27.5 × 39 in. (70 × 100 cm)
Print Technique: Serigraph / Lithograph
Condition: Excellent “A”
On Linen: No (unlined)
Comments:
Statendam by A.M. Cassandre, officially reprinted in 1995 by the Bibliothèque nationale de Paris. This edition was produced directly by the museum from the 1929 original design, one of Cassandre’s most celebrated ocean liner posters.
The printing was carried out as a limited museum edition using lithographic techniques on heavy stock paper, authorized and distributed exclusively by the Bibliothèque nationale. This example comes directly from the Bibliothèque nationale and is an authentic official issue, not a reproduction or unauthorized copy.
Artist: Meunier Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
CIRQUE ROYAL BY MEUNIER FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: BEGGARSTAFF Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
HARPERS BY BEGGARSTAFF FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Fix-Masseau Size: 25 x 39″ / 62 x 100 cm On/Off Linen: Unlined Print Technique: lithograph Year: 1982
Exactitude by Fix Masseau original travel poster on arches paper
Fix Masseau originally did this poster in 1932 and then this was reprinted by the original printer in 1982 on Arches water color paper. It is an official printing and original. in excellent condition
Original lithographic plate from the publication Affiches Illustrees issued by Librairie Romantique and published by Boudet in 1896. The composition by Eugene Grasset depicts a woman dressed in black reading the publication “L’Age du Romantisme”. At her feet appears a vanitas motif, while in the background stands the Cathedral of Notre-Dame de Paris, shown after its 19th century neo-Gothic restoration by Viollet-le-Duc. The image reflects the melancholic spirit associated with the Romantic era.
Artist: Grasset, Eugene
Printer: Imprimerie Chaix
Publisher: Boudet, Librairie Romantique
Size: 9 x 12 inches / 22.5 x 31.5 cm
On / Off Linen: Unlined
Print Technique: Stone lithograph
Year: 1896
Condition & Comments: Excellent condition.
Artist: Grasset Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
LIBRAIRIE ROMANTIQUE BY GRASSET FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Behrens Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
MEINHOLD BY BEHRENS FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Donneley Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
THE LAKESIDE PRESS BY DONNELEY FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Rysselberghe Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
LIBRE ESTHETIQUE BY RYSSELBERGHE FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
Artist: Bradley Printer: Das Moderne Plakat Size: 8.25 x 11.3″ / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
WHEN HEARTS ARE TRUMPS BY BRADLEY FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
FOLIES BERGERE – MAURICE MILLIERE – c1890s – IMPRIMERIE CHAIX
Original triptych program printed in chromolithography by Imprimerie Chaix, Paris. Edited by Boudet.
The three-panel composition illustrates scenes from the Folies Bergère. The left panel shows circus performers including a clown and trained animals. The central panel features performers including a female rider and Pierrot in the traditional white costume with black buttons. The right panel depicts ballet dancers. The panels are surrounded by a green border and designed as a folded program format.
Maurice Millière (1871–1946) was a French illustrator and painter associated with the Belle Époque. He is known for his theatrical and poster work and for illustrations depicting Parisian life and stage subjects.
Printed by Chaix Imprimerie, Paris, a leading lithographic printer of the Belle Époque and closely associated with Jules Chéret.
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Artist: Maurice Millière (1871–1946)
Title: Folies Bergère (Triptych Program)
Printer: Imprimerie Chaix, Paris
Publisher (Editeur): Boudet
Medium: Chromolithography
Format: Triptych, center fold
Size: 17 x 11.5 inches
Linen: Unlined
Condition: Nice condition; slight vertical fold at center as issued
