Original exhibition poster produced for the 1963 Galerie Maeght exhibition Georges Braque : papiers colles 1912–1914. The poster features a study by Braque and relates to his pioneering work in papier collé, a key development within early Cubism.
Georges Braque (1882–1963) was one of the principal figures in the development of Cubism, working closely with Pablo Picasso in the early 20th century. His introduction of collage elements into painting, particularly between 1912 and 1914, marked a significant moment in modern art, expanding the language of composition through the use of paper, texture, and layered imagery. Beyond Cubism, Braque continued a long and influential career focused largely on still life and spatial exploration.
Galerie Maeght played an important role in exhibiting major modern artists and was known for its strong program of twentieth-century painting, sculpture, and graphic works. This poster was issued in conjunction with the 1963 exhibition dedicated to Braque’s early collage work.
Artist: Braque, Georges
Title: Papiers Colles 1912–1914 — Galerie Maeght
Printer: Mourlot (attributed)
Origin: France
Size: 13.5 x 34 inches
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1963
Condition & Comments: Excellent condition. Original exhibition poster from Galerie Maeght featuring a study by Georges Braque.
GERMANIA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Germania by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Germania (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Lithographic plate reproducing the poster design Giulio Marchetti by Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Giulio Marchetti (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Grand Hotel Regoledo – Aldo Mazza – RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Grand Hotel Regoledo by Aldo Mazza issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Aldo Mazza was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Aldo Mazza
Title: CGrand Hotel Regoledo (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Sold with matt board presented in photos ready to frame
HOMAGE TO THE SQUARE — GALERIE MELKI PARIS — JOSEF ALBERS — 1973
Original exhibition poster produced for Galerie Melki in Paris, featuring Josef Albers’ celebrated Homage to the Square series. This example is the yellow color variation, reflecting Albers’ exploration of color relationships through nested square forms.
Josef Albers (1888–1976), a key figure of the Bauhaus, was known for his rigorous approach to color and form. Through the Homage to the Square series, begun in 1950, Albers examined how colors interact and influence one another when placed in simple geometric arrangements. His work had a lasting impact on modern art and design, further reinforced by his influential publication Interaction of Color.
This poster was issued in conjunction with an exhibition at Galerie Melki and presents a clear example of Albers’ systematic investigation of color perception using minimal means.
Artist: Albers, Josef
Title: Homage to the Square — Galerie Melki (yellow)
Printer: Unknown
Origin: France
Size: 23 x 33.5 inches / 58 x 85 cm
On / Off Linen: Unlined
Print Technique: Screenprint on paper
Year: 1973
Condition & Comments: Excellent condition. Original exhibition poster for Josef Albers at Galerie Melki, Paris, featuring the Homage to the Square series.
Original promotional poster for the InterClassics & TopMobiel classic car exhibition held in Maastricht in January 2011. The event is one of Europe’s major classic automobile fairs and the 2011 edition highlighted 125 years of Mercedes-Benz, presenting historic vehicles and automotive design from the marque’s long history.
The poster was produced to advertise the annual fair at the MECC Maastricht exhibition center. The design celebrates the prestige and heritage of Mercedes-Benz, reflecting the exhibition’s focus on important classic automobiles and collectors’ vehicles.
Artist: Unknown
Title: InterClassics & TopMobiel – Januari 2011 (Mercedes)
Origin: Netherlands
Size: 33 x 46.5 inches / 84 x 118 cm
Print Technique: Giclée on paper
Year: 2011
Condition & Comments: Excellent condition. Original exhibition poster for the 2011 InterClassics & TopMobiel event in Maastricht.
Original promotional poster for the InterClassics classic car exhibition held in Brussels in 2017. InterClassics is a well known European event dedicated to historic and collector automobiles, bringing together dealers, collectors, and enthusiasts to present a wide range of classic vehicles and automotive history.
The poster was produced to promote the annual exhibition in Brussels, which features vintage automobiles, collectors’ cars, and related automotive displays. InterClassics events attract international exhibitors and visitors interested in the preservation and appreciation of classic cars.
Artist: Unknown
Title: InterClassics Brussels
Origin: Belgium
Size: 33 x 46.5 inches / 84 x 118 cm
Print Technique: Giclée on paper
Year: 2017
Condition & Comments: Excellent condition. Original exhibition poster for the 2017 InterClassics classic car show in Brussels.
Original promotional poster for the InterClassics classic car exhibition held in Maastricht in 2018. InterClassics is a well known European event dedicated to historic and collector automobiles, bringing together dealers, collectors, and enthusiasts to present a wide range of classic vehicles and automotive history.
The poster was produced to promote the annual exhibition in Maastricht, which features vintage automobiles, collectors’ cars, and related automotive displays. InterClassics events attract international exhibitors and visitors interested in the preservation and appreciation of classic cars.
Artist: Unknown
Title: InterClassics Maastricht
Origin: Netherlands
Size: 33 x 46.5 inches / 84 x 118 cm
Print Technique: Giclée on paper
Year: 2018
Condition & Comments: Excellent condition. Original exhibition poster for the 2018 InterClassics classic car show in Maastricht.
Original exhibition poster by Joan Miro, created for his 1966 exhibition in Japan at the National Museum of Modern Art. The composition reflects Miro’s distinctive visual language, with simplified forms, bold lines, and vibrant color characteristic of his work.
Joan Miro (1893–1983), a major figure of modern art, developed a highly recognizable style combining abstraction and symbolic imagery. His work gained wide international exposure, and exhibitions in Japan during the 1960s contributed to his global recognition.
This poster was published and printed by The Mainichi Newspapers in collaboration with the National Museum of Modern Art. It was produced as a lithograph and often includes Japanese text relating to the exhibition details.
Artist: Miro, Joan
Title: Exhibition Japan
Printer: The Mainichi Newspapers
Publisher: The Mainichi Newspapers / National Museum of Modern Art
Origin: Japan
Size: 22.5 x 15.5 inches / 57 x 39 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1966
Condition & Comments: Mint condition. Original exhibition poster by Joan Miro for the 1966 Japanese exhibition.
Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.
The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.
Details
Artist: Kazimir Malevich
Title: Peasant in the Fields
Printer: Atelier Mourlot, Paris
Medium: Original lithograph in colours on watermarked Arches paper
Edition: From the edition of 2000
Date: Circa 1980
Size: 29.9 x 21.3 inches / 760 x 540 mm
Condition: Excellent condition
Format: Original lithograph printed on Arches paper
Original lithograph in colours after Kazimir Malevich (1878–1935), printed on watermarked Arches paper by Atelier Mourlot, Paris, circa 1980. Produced from an edition of 2000 impressions intended to accompany an exhibition at the State Russian Museum in St. Petersburg.
The exhibition order was ultimately cancelled, and the prints remained with the printers before later being released for sale. The stamp of the State Russian Museum appears at the lower center of the sheet.
Details
Artist: Kazimir Malevich
Title: Portrait
Printer: Atelier Mourlot, Paris
Medium: Original lithograph in colours on watermarked Arches paper
Edition: From the edition of 2000 numbered 218/2000
Date: Circa 1980
Size: 29.9 x 21.3 inches / 760 x 540 mm
Condition: Excellent condition
Format: Original lithograph printed on Arches paper
LES SAISONS — GALERIE TALLIEN, ST TROPEZ — DANY LARTIGUE — 1975
Original exhibition poster created for Les Saisons by Dany Lartigue at Galerie Tallien in St Tropez in 1975. The composition reflects Lartigue’s light and imaginative style, with imagery inspired by the landscape and atmosphere of the French Riviera.
Dany Lartigue (1921–2017), son of photographer Jacques Henri Lartigue, developed a body of work centered on nature, color, and poetic interpretation of the environment. He lived for many years in St Tropez, where he established a home museum that included his artwork as well as an extensive collection of butterfly specimens. His work often conveys a strong connection to the natural surroundings of the region.
This poster was produced for an exhibition at Galerie Tallien, a gallery known for presenting posters and illustration in the South of France.
Artist: Lartigue, Dany
Title: Les Saisons — Galerie Tallien, St Tropez
Printer: Unknown
Origin: France
Size: 17 x 25.5 inches / 43 x 65 cm
On / Off Linen: Unlined
Print Technique: Lithograph on paper
Year: 1975
Condition & Comments: Excellent condition. Original exhibition poster by Dany Lartigue for Galerie Tallien, St Tropez.
