Lithographic plate reproducing the poster design Liebigby Leopoldo Metlicovitz, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Metlicovitz, Leopoldo
Title: Liebig (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
This original Razzia poster was created in 2004 for the Louis Vuitton Classic, the prestigious vintage automobile event held at Waddesdon Manor in Buckinghamshire, England. The Louis Vuitton Classic gathered some of the world’s most exceptional historic cars in one of Britain’s most refined settings—a stately manor owned by the Rothschild family—combining art, elegance, and automotive heritage in true Louis Vuitton style.
Razzia’s design captures the glamour and sophistication of the event, reflecting his signature approach that fuses bold imagery with refined graphic composition. The poster was printed as a serigraph/lithograph in Paris and is hand-signed by the artist. It comes directly from Razzia himself.
Unlike generic reprints, this is a guaranteed authentic hand-signed original, and a Certificate of Authenticity can be provided upon request.
Artist: Razzia (Gérard Coubouleix-Dénériaz)
Title: LV Classic – Waddesdon Manor
Date: 2004
Printer: Razzia Studio, Paris
Size: 29 x 38 inches
Print Type: Serigraph / Lithograph
Condition: Excellent “A”
Comments: Hand-signed by the artist. Original authentic edition obtained directly from Razzia. Certificate of Authenticity available upon request.
About the Artist:
Razzia, born Gérard Coubouleix-Dénériaz, is one of the foremost contemporary poster artists. His works for Louis Vuitton, Deauville, Monte Carlo, and leading Paris institutions have made him an enduring figure in modern graphic art. His bold imagery and Art Deco influences have secured his place as the last great poster artist continuing the tradition of Cappiello, Cassandre, and Villemot.
Original poster on coated paper by Japanese artist Makoto Saito (born 1952), created in 1991 for Gitanes. Published by Alain Weill and printed in France by Graficaza. The design pays homage to the celebrated Gitanes imagery associated with Max Ponty.
Printed as a serigraph in colours on coated paper.
Details
Artist: Makoto Saito
Title: Gitanes – Hommage a Max Ponty
Year: 1991
Printer: Graficaza, France
Publisher: Alain Weill
Medium: Original colour serigraph on coated paper
Size: 34.3 x 26.4 inches
Condition: Mint condition
Format: Original vintage poster
Martini & Rossi Vermouth poster, originally sold in Italy, hails from the 1930s but was later officially printed by Martini around 1960. It is in superb condition, professionally mounted on linen to ensure museum-quality preservation. This official printing commemorates the earlier Martini posters and stands as a testament to the brand’s rich history and enduring appeal.
In 1863, the dynamic partnership of Martini’s entrepreneurial spirit and Rossi’s creative genius gave rise to a vermouth that has remained unparalleled for over 160 years: the iconic MARTINI Rosso. From the aromatic botanicals that define its renowned vermouth to the golden effervescence of the Asti wines, MARTINI’s influence has traversed continents and generations. Nevertheless, its core essence remains firmly anchored in the picturesque Piedmont region.
Title: Martini & Rossi Vermouth Vintage Poster Artist: Marco Date: 1930s (printed by Martini, c. 1960) Printer: Martini Size: 27 x 39 inches Print Type: Lithography (NOT OFFSET) Condition: Excellent “A” on linen
Artist: Dow Printer: Das Moderne Plakat Size: 8.25 x 11.3 in / 21 x 28.7 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
MODERN ART BY DOW FOR DAS MODERNE PLAKAT 1897
Das Moderne Plakat were stone lithographs printed by Jean Louis Sponsel in Germany in 1897. It celebrates the masters of the posters of that period recreating the famous posters of the period by the famous artists of the period. The plates came out in book form. Each is a stone lithograph. In Excellent condition
ONARANZE A VOLTA – ADOLFO HOHENSTEIN — RICORDI PORTFOLIO — c.1910
Lithographic plate reproducing the poster design Onaranze a Volta by Adolfo Hohenstein, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.
Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.
Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.
Artist: Adolfo Hohenstein
Title: Onaranze a Volta (Ricordi Portfolio plate)
Printer / Publisher: Ricordi, Milan
Size: 10 x 14 inches / 25 x 36 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1910
Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.
Uncover a rare gem of advertising history with this original poster for ORELIA, an offshoot brand of the iconic Orangina, created and distributed by Orangina itself. Crafted in the 1980s, this poster is a testament to the imaginative design genius of Bernard Villemot.
ORELIA, the orange-flavored soft-drink, made its debut in the United States in 1978 under that name. However, in 1985, the name ORELIA was abandoned in favor of the original Orangina branding, adding an intriguing layer of historical significance to this artwork.
Measuring a substantial 33.5 x 24.5 inches, this offset lithograph on linen captures the essence of ORELIA’s unique identity. The brand’s connection to Orangina and its brief foray under the name ORELIA in the United States add to its intrigue. It represents a fascinating chapter in the world of beverages and advertising.
Title: ORELIA
Artist: Bernard Villemot Date: 1980s Printer: Perrier Size: 33.5 x 24.5 inches / 83.8 x 62.2 cm Print Type: Offset Lithography original printing Condition: Excellent “A” on LINEN
Original exhibition poster by Karel Appel, created for the Palm Springs Desert Museum. The composition reflects Appel’s bold and expressive style, characteristic of his work associated with the post-war European avant-garde.
Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, and a founding member of the CoBrA movement established in 1948. His work is known for its energetic forms, vivid color, and spontaneous execution. Appel studied at the Rijksakademie in Amsterdam and went on to gain international recognition, with his work exhibited in major institutions including the Museum of Modern Art in New York and other museums worldwide.
This poster was produced in conjunction with an exhibition at the Palm Springs Desert Museum and represents Appel’s continued influence in the international art scene during the 1970s.
Artist: Appel, Karel
Title: Palm Springs Desert Museum
Origin: United States
Size: 20 x 31.5 inches / 51 x 80 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1977
Condition & Comments: Excellent condition. Original exhibition poster by Karel Appel for the Palm Springs Desert Museum.
Artist: Meunier Printer: Chaix Imprimerie, Paris Size: 12 x 16 in / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
Paquebot Louis Lumiere Ship poster by Brenet 1950 on linen excellent
Original Authentic poster for the Chargeurs Reunis with passage on the Compagnie Maritime. In excellent condition on linen original.
Original exhibition poster created for Peintures et Collages by J.M. Lafon at Galerie “65” in Cannes. The composition combines elements associated with collage and musical imagery, including references to sheet music, geometric forms, and the outline of a guitar, arranged in a structured and balanced design.
J.M. Lafon’s work reflects an interest in composition and rhythm, bringing together visual and musical references within a modern graphic language. Posters such as this were produced for gallery exhibitions along the French Riviera during the 1970s, a period that saw continued activity in modern printmaking and exhibition design.
Printed by Mourlot in Paris, one of the leading lithographic workshops of the twentieth century, this poster demonstrates the high quality of production associated with French exhibition posters of the period.
Artist: Lafon, J.M.
Title: Peintures et Collages — Galerie “65” Cannes
Printer: Mourlot, Paris
Origin: France
Size: 20.5 x 32.5 inches / 52 x 83 cm
On / Off Linen: Unlined
Print Technique: Lithograph
Year: c.1976
Condition & Comments: Excellent condition. Original exhibition poster for J.M. Lafon at Galerie “65” in Cannes, printed by Mourlot.
Artist: Villemot, Bernard Size: 19.5 x 25.5 in / 49.5 x 66.77 cm On/Off Linen: On Linen Print Technique: Offset lithograph Year: 1979 Condition & Comments: Original print, Excellent on linen
This original 1979 poster by Bernard Villemot, titled “C’est Fou!” for Perrier, is a striking blend of art and advertising. Measuring 19.5 x 25.5 inches (49.5 x 66.77 cm), it showcases Villemot’s skill with vibrant colors and a bold design inspired by Henri Matisse and New Wave art.
In excellent condition, this poster is a rare find for collectors. Its unique blend of artistic influences elevates it beyond typical advertising, making it a true standout in vintage poster art.
Perrier “The Embrace” or “L’Entreinte”, 1981, by Bernard Villemot.
This original vintage poster captures the elegance and sophistication of Perrier. Villemot’s artwork depicts two lovers embracing on a tranquil beach, using composition, form, and color to create a visually striking image. Shadows on the couple and the Perrier bottle add depth and realism, evoking the warmth of a serene summer day.
An original 1981 printing, professionally mounted on linen and in excellent condition. A rare find for collectors of vintage advertising art and Villemot’s work.
Artist: Bernard Villemot
Size: 18 x 24 inches / 45.72 x 61 cm
Print Technique: Offset lithograph
Year: 1981 original printing
Condition: Excellent, professionally mounted on linen for preservation.
