Showing 61–72 of 366 results

  • TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    $ 550

    TAPIES — OBJETS ET GRANDS FORMATS — GALERIE MAEGHT — 1972

    Original exhibition poster issued for Antoni Tapies at Galerie Maeght in 1972. The design reflects the artist’s approach to surface and material, with a restrained composition and marks that are characteristic of his work during this period.

    Antoni Tapies (1923–2012) was a major figure in postwar European art, known for his exploration of texture, symbolism, and non-traditional materials. By the early 1970s, his work had gained wide international recognition, and exhibitions at Galerie Maeght were central to presenting his large-scale paintings and related works.

    Galerie Maeght in Paris was one of the leading venues for modern and contemporary art, regularly exhibiting important artists and producing high-quality lithographic posters to accompany its exhibitions.

    Artist: Tapies, Antoni
    Title: Objets et grands formats — Galerie Maeght
    Printer: Mourlot (attributed)
    Origin: France
    Size: 20 x 31 inches / 51 x 79 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1972
    Condition & Comments: Excellent condition. Original exhibition poster for Antoni Tapies at Galerie Maeght.

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  • TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    $ 450

    TETE DE FEMME III (DORA MAAR) — BERGGRUEN — 90 GRAVURES — PABLO PICASSO — 1971

    Original exhibition poster published by Galerie Berggruen in 1971 to promote an exhibition of 90 original prints by Pablo Picasso. The image is based on Tete de Femme III, representing Dora Maar, one of Picasso’s most important muses. The composition reflects Picasso’s distinctive linear style and expressive treatment of the human figure.

    The poster was designed by Henri Deschamps and printed by Mourlot, the renowned Paris lithographic workshop closely associated with many leading twentieth-century artists. It was produced under Picasso’s supervision and references his aquatint composition used for the exhibition.

    Pablo Picasso (1881–1973) remains one of the most influential artists of modern art, and his portraits of Dora Maar are among the most recognized works of his later period. Posters issued by Galerie Berggruen are noted for their quality and for documenting important exhibitions of Picasso’s graphic work.

    Artist: Picasso, Pablo
    Title: Tete de Femme III — Berggruen — 90 Gravures
    Printer: Mourlot, Paris
    Publisher: Galerie Berggruen
    Origin: France
    Size: 20 x 27.5 inches / 51 x 70 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph on paper
    Year: 1971
    Condition & Comments: Excellent A+ condition. Original exhibition poster after Picasso, designed by Henri Deschamps and printed by Mourlot for the Berggruen gallery exhibition of Picasso’s graphic works.

     

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  • United Airlines to Hawaii – Pegge Hopper, Original 1985 Travel Poster on Linen

    United Airlines to Hawaii – Pegge Hopper, Original 1985 Travel Poster on Linen

    $ 450
    United Airlines to Hawaii – Pegge Hopper, 1985

    This original 1985 poster was created by Pegge Hopper for United Airlines to promote travel to Hawaii. Hopper is known for her stylized depictions of Hawaiian women and landscapes, often using simplified forms, strong outlines, and rich color harmonies that recall the work of Paul Gauguin in the South Pacific. The image reflects her distinctive interpretation of island life, emphasizing atmosphere, pattern, and the lush presence of tropical foliage.

    Trained in design in California in the 1950s, Pegge Hopper later worked in Milan before settling in Hawaii, where the local environment became the central subject of her work. This airline commission belongs to the broader tradition of mid- to late-20th-century travel posters, combining commercial purpose with an artist’s personal vision of place. The poster is an offset lithograph, printed on paper and professionally mounted on linen, and survives in excellent condition.

    Artist: Pegge Hopper
    Size: 22.5 x 27 in
    On/Off Linen: On linen
    Print Technique: Offset lithograph
    Year: 1985
    Condition: Excellent
    Comments: Original United Airlines to Hawaii poster by Pegge Hopper, 1985; clean, well-preserved example on linen with strong color, ready to frame

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  • Vespa Roberta — Gianni Venturino — 1988

    Vespa Roberta — Gianni Venturino — 1988

    $ 475

    Vespa Roberta — Gianni Venturino — 1988

    Original Italian advertising poster for Vespa model Roberta, photographed by Gianni Venturino and printed by Sisar, Milano. This striking large-format image features a model seated on a Vespa, combining the playful and fashion-driven aesthetic of late 1980s Italian advertising with one of Italy’s most iconic symbols of design and lifestyle.

    This poster forms part of the Vespa model Roberta campaign Lo slip dei vent’anni, a coordinated series of advertisements from the period. Venturino is credited as the photographer for this and related works from the campaign, reflecting the polished, photographic style typical of Italian commercial imagery of the late 1980s.

    Printed in photo offset, the poster has strong visual presence and decorative appeal. Large-format advertising posters of this type were produced for display and were not generally preserved, making well-kept examples increasingly difficult to find today.

    Details
    Title: Roberta Vespa
    Artist: Gianni Venturino
    Year: 1988
    Size: 39 x 55 inches / 99 x 140 cm
    On / Off Linen: On linen
    Condition: Excellent
    Comments: Original Italian photo offset advertising poster for Roberta, printed by Sisar, Milano. Part of the Lo slip dei vent’anni campaign. The model is shown seated on a Vespa.

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  • Willi’s Wine Bar – Sophie Herxheimer, 1997 (on watercolor paper)

    Willi’s Wine Bar – Sophie Herxheimer, 1997 (on watercolor paper)

    $ 275

    Original 1997 Willi’s Wine Bar poster designed by Sophie Herxheimer and printed in Paris by Caza Imprimerie. Since 1984, Willi’s Wine Bar has commissioned a different artist each year to create a poster celebrating wine, resulting in a long-running series now considered highly collectible.

    This edition is a serigraph on vélin paper, a fine wove stock often chosen for limited artist prints. Herxheimer’s lively, illustrative style conveys the convivial and spirited atmosphere of Willi’s, combining bold color and playful design.

    The poster is unlined and remains in excellent condition.

    ⸻

    Details

    Title: Willi’s Wine Bar
    Artist: Sophie Herxheimer
    Year: 1997
    Printer: Caza Imprimerie, Paris
    Size: 27.5 x 39 in / 70 x 100 cm
    Print Technique: Serigraph on vélin
    Linen: Unlined
    Condition: Excellent

    The poster is unlined and remains in excellent condition.

    ⸻

    Details

    Title: Willi’s Wine Bar
    Artist: Sophie Herxheimer
    Design Year: 1997
    Print Year: 2000
    Printer: Caza Imprimerie, Paris
    Size: 27.5 x 39 in / 70 x 100 cm
    Print Technique: Serigraph on vélin
    Linen: Unlined
    Condition: Excellent

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  • Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    $ 315

    Yves Brayer (Provence) — Galerie “65” Cannes — 1972

    A beautiful exhibition poster for painter Yves Brayer, depicting a lone figure walking along a Provençal path filled with color and vegetation. The composition reflects Brayer’s deep connection to the landscapes of southern France, rendered with a rich, expressive sensitivity that defines his work.

    Yves Brayer (1907–1990) was a prominent French painter who trained at the École des Beaux-Arts and exhibited at the Salon d’Automne and the Salon des Indépendants. He was elected to the Académie des Beaux-Arts in 1957. While best known for his evocative interpretations of Provence, Brayer traveled extensively, capturing the character of Spain, Italy, Morocco, and other regions with a distinctive, expressive style.

    This poster was created for his 1972 exhibition at Galerie “65” in Cannes and printed by the renowned Mourlot studio in Paris. Mourlot is celebrated for producing some of the finest lithographic posters of the 20th century, working with artists such as Picasso, Léger, Miró, Matisse, and Chagall.

    Printed as an original lithograph, the poster has strong decorative appeal and represents a fine example of French exhibition poster production from the period.

    Details
    Title: Yves Brayer (Provence) — Galerie “65” Cannes
    Artist: Yves Brayer
    Year: 1972
    Size: 21 x 33.3 inches / 53 x 84 cm
    On / Off Linen: Off linen
    Condition: Excellent
    Comments: Original lithograph exhibition poster printed by Mourlot for the 1972 exhibition of Yves Brayer at Galerie “65” in Cannes.

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  • ZOLFI BY ETTORE MALERBA — RICORDI PORTFOLIO — c.1910 WINE

    ZOLFI BY ETTORE MALERBA — RICORDI PORTFOLIO — c.1910 WINE

    $ 375

    ZOLFI – ETTORE MALERBA — RICORDI PORTFOLIO — c.1910

    Lithographic plate reproducing the poster design Zolfi by Ettore Malerba, issued as part of the well-known Ricordi Portfolio. This series presented a selection of important poster designs printed by the Ricordi publishing house during the height of the Italian poster movement between the late nineteenth and early twentieth centuries. The portfolio gathered together small-format reproductions of these works and was distributed internationally in the early twentieth century.

    Casa Ricordi of Milan, originally a music publisher closely associated with the Italian opera world, developed a major lithographic printing workshop in the late nineteenth century. Through its printing department the firm produced posters for music, theatre, and commercial clients and became a central force in the development of the Italian poster. The artists working with Ricordi helped define the Italian version of Art Nouveau, often referred to as Stile Liberty.

    Leopoldo Metlicovitz (1868–1944) was one of the principal designers associated with Ricordi. His posters and illustrations are recognized for their elegant compositions and refined color work, and he contributed numerous designs for theatre, publishing, and advertising.

    Artist: Ettore Malerba
    Title: Zolfi  (Ricordi Portfolio plate)
    Printer / Publisher: Ricordi, Milan
    Size: 10 x 14 inches / 25 x 36 cm
    On / Off Linen: Unlined
    Print Technique: Lithograph
    Year: c.1910
    Condition & Comments: Excellent condition. Plate from the Ricordi portfolio series presenting reduced lithographic versions of notable Italian posters from the Ricordi workshop.

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  • ANDY WARHOL Un Mito Americano VINTAGE POP ART POSTER MARILYN ON LINEN Original Authentic

    ANDY WARHOL Un Mito Americano VINTAGE POP ART POSTER MARILYN ON LINEN Original Authentic

    $ 250

    Andy Warhol Un mito americano (an american myth) by Andy Warhol 2003 

    Poster made for the exposition of a retrospective of Any Warhol in Venise at the Palazzo Grazzia in 1990. The poster is on heavy paper and mounted on linen in excellent condition. Andy Warhol utilizes the iconic image of Marilyn Monroe for this exhibition.

    Artist: Warhol, Andy
    Size: 27.5 x 39 in / 70 x 100 cm
    Printer: Mastergraph, MIlano
    On/Off Linen: On Linen
    Print Technique: Offset lithograph
    Year: 2003

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  • Marilyn Exma

    ANDY WARHOL EXMA VINTAGE POP ART POSTER MARILYN MONROE ON LINEN Original Authentic

    $ 250

    Andy Warhol EXMA by Andy Warhol 2002 Original Authentic

    Artist: Warhol, Andy
    Size: 27.5 x 39 in / 70 x 100 cm
    On/Off Linen: On Linen
    Print Technique: Offset lithograph
    Year: 2002

    Poster made for the exposition of a retrospective of Any Warhol in Sicilia in 2002. The poster is on heavy paper and mounted on linen in excellent condition

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  • batman warhol

    ANDY WARHOL Batman 1997 ORIGINAL VINTAGE POP ART POSTER ON LINEN

    $ 250

    Lo Title: Batman – Turin Museum Retrospective

    Original exhibition poster for Batman – Turin Museum Retrospective, held at the Museo dell’Automobile in Turin, Italy, from November 30, 1996, to March 9, 1997. The poster features artwork by Andy Warhol, linking the Pop Art master with one of the most recognizable figures of popular culture, Batman.

    Printed by Mastergraph in Milan, this offset lithograph was produced for the official show and has since become collectible both as part of Warhol’s extended graphic legacy and as a unique example of the intersection between fine art and comic book iconography. The poster measures 67.5 x 94.5 cm 26 x38 inches and has been professionally mounted on linen for preservation.

    This poster brings together two 20th-century icons: Warhol, whose bold style defined the Pop Art movement, and Batman, a character whose presence in art, film, and culture remains enduring. In excellent condition, this original 1996–1997 exhibition issue offers a rare opportunity to acquire a well-preserved piece connected to both modern art and popular culture.

    Title: Batman – Turin Museum Retrospective
    Artist: Andy Warhol
    Date: November 30, 1996 – March 9, 1997
    Printer: Mastergraph, Milan
    Size: 67.5 x 94.5 cm 26 x 38 inches
    Print Type: Offset Lithograph
    Condition: Excellent, on linen

    Poster made for the exposition of a retrospective of Any Warhol in a Museum in Torino in 1997. The poster is on heavy paper and mounted on linen in excellent condition

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  • Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 350

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Artist: Grasset, Eugene
    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Salon des Cent poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. 

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  • Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    $ 450

    ENCRE MARQUET — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate presents Eugène Grasset’s elegant advertising design for Encre Marquet, a French ink manufacturer. Grasset, one of the pioneers of Art Nouveau, was celebrated for his graceful line work, flattened color harmonies, and stylized decorative compositions that drew on medieval and Japanese sources. His poster for Encre Marquet exemplifies this refined approach, transforming a simple commercial product into a work of artistic sophistication.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, issued in limited numbers for collectors. Published under the artistic direction of Jules Chéret at the Chaix atelier, each issue contained stone-lithograph reductions of major affiches, printed on fine paper using the same techniques as the large-format originals. These plates offered collectors access to authentic poster art by the leading designers of the Belle Époque in a more practical and collectible format.

    Grasset’s Encre Marquet remains an iconic example of French poster design in the 1890s, combining functionality, elegance, and the stylistic innovation that defined Art Nouveau.

    Title: Encre Marquet
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original advertising poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Strong, clean impression with vivid color. A classic Art Nouveau design by Grasset, highlighting his refined decorative style in commercial poster art.

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