This large-format serigraph poster was created by the French artist Razzia (Gérard Courbouleix-Dénériaz) in 1992for Louis Vuitton’s annual “Automobiles de Princes” car show, held in the Parc de Bagatelle in Paris. From 1989 through the late 1990s, Louis Vuitton sponsored this prestigious vintage automobile event, commissioning Razzia each year to produce a new image. His bold Art Deco–inspired designs gave the series a distinctive visual identity that has since become highly collectible.
The present example is the original 1992 serigraph printing, produced for Louis Vuitton at the time of the event — not a later reproduction. Printed in large format at 47 × 63 inches (120 × 160 cm), the poster is unlined and in excellent condition, showing the vibrant colors and graphic clarity typical of Razzia’s work.
Details
Title: Louis Vuitton – Bagatelle 1998 (Automobiles de Princes)
Artist: Razzia (Gérard Courbouleix-Dénériaz)
Printer / Sponsor: Louis Vuitton
Year: 1992
Print Technique: Serigraph (screenprint)
Size: 47 × 63 in. (120 × 160 cm)
Linen: Not backed (unlined)
Condition: Excellent
Comments
An authentic Razzia serigraph from the long-running Louis Vuitton Parc de Bagatelle car show series. Collectors prize these posters both for their connection to the history of Louis Vuitton’s sponsorship of classic car culture and for Razzia’s signature graphic style. A striking piece of late 20th-century French poster design.
Artist: Maurice Dumas Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Corinne by Maurice Dumas for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Razzia Printer: Louis Vuitton Size: 47 x 63″ / 120 x 160 cm On/Off Linen: Unlined Print Technique: serigraph
Razzia Louis Vuitton Bagatelle 2000 original (Gerard Courbouleix)
Louis Vuitton sponsored a Car show every year in the Bagatelle parc Paris and each year Razzia created a new image. This is the original serigraph printing from 2000 not the inkjet printings that Razzia uses today
The poster comes directly from him. Unlike some sellers who only claim to offer original hand-signed Razzia posters, ours are guaranteed to be authentic. We can provide a Certificate of Authenticity if you ask for one.
A graceful lithograph from L’Estampe Moderne series showing a ballerina backstage, poised delicately en pointe in her white tutu as she awaits her turn to dance. The work captures Henri Boutet’s refined sensitivity to gesture and atmosphere—his reputation as “le peintre de la femme” (the painter of women) is evident in this quiet, expectant moment. Published in 1897 by Imprimerie Champenois in Paris, this print was issued by monthly subscription, four plates delivered by post to collectors throughout Europe. Each carried the embossed L’Estampe Moderne blind stamp and exemplified the high quality of French lithography at the close of the century.
This example is in excellent condition, unlined, with fine color and impression. The one shown is representative; all available editions are identical in design and quality, differing only by printed number and month of issue.
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Details
Artist: Henri Boutet
Title: Dans les Coulisses
Date: 1897
Printer: Imprimerie Champenois, Paris
Series: L’Estampe Moderne
Size: 12 × 16 in / 30.5 × 40.6 cm
Print Type: Original Lithograph
On/Off Linen: Unlined
Condition & Comments: Excellent A condition
Artist: Balluriau Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Crepuscule by Balluriau for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Heran Printer: Champenois, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1897 Condition & Comments: Excellent A condition
Fleur de Mai by Heran for the Estampe Moderne
Estampe Moderne was a series of plates that were delivered to your home in 1897 via the Post. You subscribed to the Imprimerie Champenois Paris for 4 plates to arrive every month. The plate is in excellent condition.
Original color lithograph by Belgian artist Henri Berchmans, published in L’Estampe Moderne in 1898. The image shows a standing female nude with a satyr beside her, in a wooded or natural setting. The composition is balanced and finely drawn, typical of Berchmans’ academic style and interest in mythological themes. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent original impression with clear color and wide margins.
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Printer: Imprimerie Champenois, Paris
Publisher: Masson & Piazza, Paris (L’Estampe Moderne, 1898)
Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
Print Type: Original stone lithograph on wove paper
Condition: Excellent A condition – clean sheet, fresh color, wide margins, embossed blindstamp lower right
Comments: A mythological subject from L’Estampe Moderne, showing Berchmans’ precise drawing and controlled figure study.
Artist: Rassenfosse Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
GRANDE BRASSERIE BY RASSENFOSSE FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Eugène Grasset (1845–1917)
Jeanne d’Arc – Sarah Bernhardt, 1899
A richly colored stone lithograph by Eugène Grasset, issued as Plate 174 in Les Maîtres de l’Affiche, the celebrated monthly series published by Jules Chéret at the Imprimerie Chaix in Paris between 1895 and 1900. Subscribers received four plates each month over five years, reproducing the most accomplished poster designs of the Belle Époque in reduced format. The complete series comprised 256 numbered plates created by the foremost artists of the day.
This plate portrays the legendary actress Sarah Bernhardt in her celebrated role as Jeanne d’Arc. Grasset, a major figure of the Art Nouveau movement, combines stylized design with spiritual dignity, expressing both Bernhardt’s theatrical power and the idealized purity of the saint.
Details
Original stone lithograph on wove paper
Printed by Imprimerie Chaix, Paris
From Les Maîtres de l’Affiche, Plate 174 (1899)
Sheet size: approximately 40 × 29 cm / 15.75 × 11.4 in.
Condition: Excellent; vivid impression on full sheet
Comments
An outstanding example from Les Maîtres de l’Affiche, uniting Grasset’s refined Art Nouveau style with the timeless image of Sarah Bernhardt as France’s national heroine.
Artist: Boano Printer: Chaix Imprimerie, Paris Size: 12 x 16″ / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
TEATRO REGIO BY BOANO FOR LES MAITRES DE L’AFFICHE
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
Artist: Boano Printer: Chaix Imprimerie, Paris Size: 12 x 16 in / 30.5 x 40.6 cm On/Off Linen: Unlined Year: 1895-9 Condition & Comments: Excellent A condition
Les Maitres de l’affiche were stone lithographs printed by the Chaix Imprimerie in paris between the years 1895 and 1899. The celebrated the masters of the posters of that period. Paris for 4 plates to arrive every month. The plate is in excellent condition.
